But the church where everybody goes, which every tourist must visit, is St. Anne’s, on the other side of the river, on Shandon Street, which was built in 1722, and is remarkable for an extraordinary-looking tower one hundred and twenty feet high, faced on two sides with red stone and on the other sides with white stone. It is exceedingly ugly, but the people of Cork are very much attached to it, and particularly to the chime of eight bells which hang in the tower and have been immortalized in a simple little poem by “Father Prout,” who was the Rev. Francis Mahoney, and is buried in the churchyard in the tomb of his ancestors.
“Father Prout” was the nom de plume of this witty and sentimental clergyman, who was most prolific with his productions. He wrote odes to almost everything in Ireland—plain, simple, homely lines, but full of sentiment and the true poetic spirit. The common people admire them above all other literary works except the ballads of Tom Moore, and indeed Father Prout’s verses rank with Moore’s melodies in popularity. He also published a great deal of prose, stories and satires and anecdotes illustrating the thoughts and the habits of his fellow countrymen, and occasionally a political satire which involved him in a controversy with his bishop or some political leader. Father Prout in his famous lyric described the peculiar appearance of the spire of his church:
“Parti-colored like the people,
Red and white, stands Shandon’s steeple.”
“With deep affection
And recollection
I often think of
Those Shandon bells,
Whose sounds so wild would
In the days of childhood