His name, you know, was Arthur Wellesley. He was a son of Lord Mornington, of an old Irish family. His mother was a daughter of the Earl of Dungannon of Tyrone, and she lived to see four of her sons elevated to the peerage of Great Britain, not because of wealth or political influence, but because of their ability and usefulness. Richard, the eldest, was that celebrated statesman, the Marquis of Wellesley; the second, William, was also eminent in politics and civil affairs as Lord Mayborough; the third, Henry, Lord Crowley, spent his life in the diplomatic service and made an enviable name, while Arthur, hero of Waterloo and of the Spanish campaign, the man who broke the back of Napoleon the Great, was the fourth and most famous of them all.
Arthur Wellesley was born May 1, 1769, in Merrion Street, Dublin, in a house now occupied by the commissioners that are carrying out the land act, and he died Sept. 18, 1852. It may be said that no other Irish subject of a British king ever received greater honors or better deserved them.
Dungan Castle, the home of the Wellesleys, is near Trim, about twenty miles from Dublin, and the nearest railway station is Summer Hill. Laracor, a secluded little village where Dean Swift was once curate and where Stella lived with Mrs. Dingley, is only a mile or two distant.
XII
TARA—THE ANCIENT CAPITAL OF IRELAND
In prehistoric times, before the conversion of Ireland to Christianity by St. Patrick, the clan system prevailed there, as it did in other countries of Europe. A “clan,” or “sept,” consisted of a number of families and was ruled by a patriarch, the greatest warrior, or the oldest man. A “tribe” was a larger group, consisting of several clans or septs more or less related to each other and occupying a distinct and separate territory under the command of a chieftain. Several tribes composed a nation, as the word is used among the North American Indians, ruled by a “ri,” or king, while the “ard-ri,” or over-king, a supreme monarch with jurisdiction extending to the remotest shores of Ireland, reigned and resided at Tara until the sixth century, with the province of Meath as his own exclusive demesne for the use and support of his family and his court. He received tribute from the local kings or “ri” and was elected by their votes. Occasionally at his call, or at stated intervals, the kings and chiefs would assemble at Tara to consider matters of importance to all, to adopt laws and regulations for preserving peace and promoting the welfare of their subjects and protecting their common interests. Several feasts, held there annually, were attended by the minor kings, chieftains, and nobles who were followed by large retinues. Their warriors engaged in games, sports, and tournaments to encourage the physical development of the race and teach the arts of war. From the throne of the ard-ri decrees were announced, laws proclaimed, justice dispensed, and prizes awarded. According to the annals of those early days, one hundred and forty-two kings reigned at Tara during a period of two thousand five hundred and thirty years, when the place was abandoned in consequence of a curse pronounced by St. Ruadhan of Lorrha for the failure to punish Hugh Garry for the murder of a monk. Until the time of Cormac Mac Art, greatest and most luxurious of all the ancient kings of Ireland, the rulers who sat at Tara were pagans, but he was converted to Christianity, and the annalists in glowing lines describe his piety and his devotions.
According to the ancient laws, the king of Ireland could not have a blemish upon his person, and Cormac was obliged to abdicate power and authority and retire to the top of the Hill of Skreen, across the valley from the Hill of Tara, because his left eye was put out by an arrow shot by Ængus, a rebellious chieftain, who is believed to have been under the influence of Druid priests, to punish Cormac for accepting Christianity.
Cormac’s administration was the golden age at Tara, and although there was no pretense of architectural display in the wicker palaces that were thatched with straw, nevertheless he and other kings of that period possessed great wealth and made gorgeous displays at the ceremonies of their courts. An early writer describes a banquet given by Cormac Mac Art to one hundred kings, chieftains, astrologers, bards, and other distinguished men, who were seated at twelve tables, sixteen attendants at each table, and two oxen, two sheep, and two hogs were consumed, besides other and many varieties of food.
“Beautiful was the appearance of Cormac,” says the ancient manuscript, “flowing slightly, curling golden hair upon him;
“A red buckler with stars and animals of gold and fastenings of silver upon him;