The name Armagh is derived from that of Macha of the Golden Hair. It is “Ard-Macha,” that is, “Macha’s Height.” The legend is that she was buried on the hill where the cathedral stands, and that it was named for her in consequence. But some seven hundred years passed before Patrick obtained the hill; its name had been changed to “Drum-saileach”; but Patrick seems to have revived the old name. A spurious derivation is given by some--“Ardmagh,” the high plain; but there is no “high plain” there, and the “Four Masters” give it Ard-Macha.
Naturally, the object of supreme interest at Armagh is the ancient Cathedral of St. Patrick, the cradle of the Christian church in Ireland. The present building, however, dates back only to the seventeenth century, although portions of the walls were built as long ago as 830, when “the great stone church of Armagh” is described in detail in the “Annals of Armagh,” one of the oldest of human records. The church was partly destroyed by fire in 1268 and rebuilt. In 1367 it was restored again. During the rebellion in the reign of Queen Elizabeth it was used as a fortress by Shane O’Neill and burned by him. In 1613 it was thoroughly rebuilt, and in 1834 was restored to its present condition by Lord George Beresford, the wealthy archbishop of that date.
Although it has often been asserted that St. Patrick is buried in Armagh, no such claim is made here, and the authorities of both the Irish and the Roman Catholic churches accept the tomb at Downpatrick as genuine. But the old cathedral is the burial place of several other of the early saints, and somewhere under the tiling on the north side of the high altar lies the moldering dust of Brian Boru, the greatest of all the Irish kings, whose bleeding body was brought there after the battle of Clontarf in 1014, in obedience to his dying request. There is no trace of his tomb, which was destroyed centuries ago. All of the tombs within the church are comparatively modern. The oldest epitaph in the churchyard dates back to 1620, and most of the graves contain the dust of archbishops who have presided over this diocese. In the east and west aisles, in the center of the cathedral, are two beautiful sarcophagi of white Italian marble, carved by an eminent artist with effigies of two Beresfords, John George and Marcus Servais Beresford, father and son, who were successive archbishops of Armagh. The principal windows contain artistic memorials to their wives, Lady Catherine and Lady Anne Beresford.
After the Reformation the few Roman Catholic residents of Armagh who remained true to the church of Rome worshiped in “the old chapel,” as it is called, a humble structure erected in the seventeenth century to mark the site of the house where St. Malachi was born in 1094. And when the primatial see was revived at Armagh by the pope that old church was made the cathedral of Ireland. In 1835 Archbishop Crolly undertook to raise funds for a more appropriate building, and obtained two acres of land on the other side of town, adjoining Sandy Hill Cemetery, which is the oldest Christian burial place in the United Kingdom. His successors have since obtained seven acres more, and hope ultimately to secure a larger area. In 1840 Mr. Duff, a native architect, prepared plans for a cathedral of massive proportions, and the corner stone was laid on St. Patrick’s day of that year. A building committee of laymen was formed and priests were sent through the length and breadth of the land, and, indeed, throughout the world, to collect funds. Generous gifts came from the United States, from Canada, from Australia, and from every other country where Irish emigrants have gone, and a great bazaar was held in 1865 at which $35,000 was raised. The exterior was not completed until 1873, when the finishing touches were added to the spires, and on the 24th of August the temple was dedicated, as the inscription over the entrance reads, “To the One God, Omnipotent Three in Person, under the invocation of St. Patrick, Apostle of Ireland.” Dr. M’Gettigan was archbishop then, and he lived until 1887, when he was succeeded by Michael Logue, who had been chosen as his coadjutor by the parish priests of Armagh.
Cardinal Logue was born in County Donegal in 1840, graduated from Maynooth College and was ordained in 1866. For several years he was professor of theology and belles lettres in the Irish College at Paris. In 1876 he was made dean of Maynooth and professor of dogmatic and moral theology. The following year, at the age of thirty-nine, he was consecrated Bishop of Raphoe and for eight years labored among the people of his native county with great energy and usefulness until he came to Armagh. In January, 1893, he was elevated to the college of cardinals, a dignity never before attained even by the greatest of the long line of one hundred and fourteen primates since St. Patrick that have presided over this see.
Immediately after going to Armagh in 1887 to assist his venerable predecessor, Cardinal Logue began to raise funds to complete the interior of the cathedral, which was then undecorated and fitted with temporary altars and seats. His appeals to Irish patriotism were responded to with great generosity, and in 1899 he organized the National Cathedral Bazaar, as it was called, which continued for two years and resulted in raising $150,000 to complete the cathedral, so that on July 24, 1904, the building was again solemnly dedicated with a great pageant and impressive ceremonies at which his Holiness, the Pope, was represented by his Eminence, Cardinal Bishop Vincente Vanuetelli.
St. Patrick’s Cathedral at Armagh, the Seat of Cardinal Logue, the Roman Catholic Primate of Ireland
Cardinal Logue resides in a modest mansion in the rear of the cathedral, between the synod house and the theological seminary. Many a parish priest in Ireland and America lives in greater style. His manner of life illustrates the simplicity of his character and tastes. His lack of ostentation is one of his most charming traits.