Korean Fairy Tales

by William Elliot Griffis

Arriving in the woods where there was a clearing, Keel Wee prepared to wield his trusty axe. He was about to take off his big hat and outer coat and lay about him, when he spied, at some distance off, two fairy-like beings. They had long hair, looked very wise and were dressed in costume of the Chow dynasty of two thousand years ago. They sat on stones and played the game of go-ban.

Coming near, the woodman took a respectful attitude, and, looking on, soon became interested in the moves of the players. So far from being at all disconcerted at the presence of a stranger, the two fairies seemed by eye-winks to invite him to look on. Feeling quite proud to be thus honored, Keel Wee, leaning his chin upon the handle of his axe, became absorbed in the game and by and by grew quite excited. Forgetting himself and his manners, [[205]]he stretched forth his right hand to move one of the pieces. At once the fairy nearest to him gave him a crack on the fingers for his impudence, and jerked Keel Wee’s arm away. Then without saying a word, he took out from his wallet something that looked like a persimmon seed and put in the woodman’s mouth. After this all three were perfectly quiet.

Hour after hour the game proceeded and the players grew more intensely interested. As for Keel Wee, his eyes never winked, so hard did he look at the yellow board covered with the black and white pieces. Several times, when he thought he saw how the fairy on his right could beat in the game, or the one on his left make a better move, he felt like telling one or the other so. When, however, he tried to move his tongue, he found he could not speak, or utter a cry. Somehow he felt as if he were in a dream.

Yet all the time he became more and more wrapped up in the game, so that he determined to see the end of it and know which player had beaten. He forgot that with mountain spirits there is no night or morning, or passing of the hours, nor do they care anything about clocks or bells, because in fairy-land there is no time.

All the while Keel Wee was leaning with his chin on the stout axe-handle, holding it with both hands under his neck. He took no note of the sun or [[206]]stars, daylight or darkness and he felt no hunger.

Suddenly the timber of his axe seemed to turn to dust and his chin fell. The next thing he knew he had lost his support. Down went his head, and forward fell his body as he tumbled over, upsetting the checker-board, breaking up the game and scattering the round pieces hither and yon over the ground.

Awaking as out of a sleep, and thoroughly ashamed of himself for his impoliteness, he tried to pick himself up and humbly apologize for the accident which he had caused by his own rudeness. He expected and was ready for a good scolding. But when he looked up, the fairies were gone. Nothing whatever was seen of them or of the playboard and checkers, nor any signs of their having been there, except that when he put his hand on the flat stones, which they had used as seats, he found them warm to his touch.

But where was his axe-handle and what had happened? When he had left home, he had come straight from the barber shop, with his face smooth and clean shaven. Now he put his hand to his breast and found that he had grown a long white beard. As for the iron axe-head, it was there, but rusty and half buried in the ground. He had worn one of the big farmer’s hats, which, when turned upside down, might hold a bushel or two of turnips, and when fastened to his head spread over [[207]]his shoulders like a roof. Where could it be? He looked about him to find it, but saw only the bits of the slats inside the frame and a few scraps of what remained, for the rest had long ago rotted away. Meanwhile he had discovered that his joints were stiff, and he felt like an old man. His clothes were a mass of rags, his hemp sandals were no more, and, on both fingers and toes, had grown long nails like bird’s claws. His hair had burst its topknot string and hung down his back like a woman’s, only it was grayish-white.

Wondering what it all meant, Keel Wee hobbled down the mountain and found the road that ran into the main street of his village. Rocks and hills, rivers and rills were there, but what a change! Instead of the two grinning idol posts, of male and female faces, carved out of trunks and trees, with sawed-out teeth painted white, and artificial ear flaps of wood nailed on, such as had stood before every Korean hamlet since the days of Kija, there was a line of high thick poles, with iron wire stretching from one to the other and for miles in the distance. These, he found out afterward, were called “lightning-thread-trees” (telegraph poles). In place of the rambling and sprawling three-sided thatched houses and yards, divided off with mats hung from sticks, there was a well-built but odd-looking office of painted wood, with openings through which he saw Korean young [[208]]men sitting. They were dressed in strange clothes and were fingering outlandish-looking clicking instruments.

His curiosity prompted him to go up and look more closely, when something bumped against his nose and nearly knocked him over. When he tried again to get closer, his face was flattened, his nose nearly broken, and his lips knocked against his teeth so that they swelled. Feeling with his hands to solve the mystery, he touched something hard, which he could yet see through. Just then he heard a young man inside shout to him in Korean: