Life in Japan During the Divine Age.
Now that the Kojiki is in English and all may read it, we can clearly see who and what were the Japanese in the ages before letters and Chinese civilization; for these stories of the kami are but legendary and mythical accounts of men and women. One could scarcely recognize in the islanders of eleven or twelve hundred years ago, the polished, brilliant, and interesting people of to-day. Yet truth compels us to say that social morals in Dai Nippon, even with telegraphs and railways, are still more like those of ancient days than readers of rhapsodies by summer tourists might suppose. These early Japanese, indeed, were possibly in a stage of civilization somewhat above that of the most advanced of the American Indians when first met by Europeans, for they had a rude system of agriculture and knew the art of fashioning iron into tools and weapons. Still, they were very barbarous, certainly as much so as our Germanic "forbears." They lived in huts. They were without writing or commerce, and were able to count only to ten.[10] Their cruelty was as revolting as that of the savage tribes of America. The family was in its most rudimentary stage, with little or no restraint upon the passions of men. Children of the same father, but not of the same mother, could intermarry. The instances of men marrying their sisters or aunts were very common. There was no art, unless the making of clay images, to take the place of the living human victims buried up to their necks in earth and left to starve on the death of their masters,[11] may be designated as such.
The Magatama, or curved jewels, being made of ground and polished stone may be called jewelry; but since some of these prehistoric ornaments dug up from the ground are found to be of jade, a mineral which does not occur in Japan, it is evident that some of these tokens of culture came from the continent. Many other things produced by more or less skilled mechanics, the origin of which is poetically recounted in the story of the dancing of Uzumé before the cave in which the Sun-goddess had hid herself,[12] were of continental origin. Evidently these men of the god-way had passed the "stone age," and, probably without going through the intermediate bronze age, were artificers of iron and skilled in its use. Most of the names of metals and of many other substances, and the terms used in the arts and sciences, betray by their tell-tale etymology their Chinese origin. Indeed, it is evident that some of the leading kami were born in Korea or Tartary.
Then as now the people in Japan loved nature, and were quickly sensitive to her beauty and profoundly in sympathy with her varied phenomena. In the mediæval ages, Japanese Wordsworths are not unknown.[13] Sincerely they loved nature, and in some respects they seemed to understand the character of their country far better than the alien does or can. Though a land of wonderful beauty, the Country of Peaceful Shores is enfolded in powers of awful destructiveness. With the earthquake and volcano, the typhoon and the tidal wave, beauty and horror alternate with a swiftness that is amazing.
Probably in no portion of the earth are the people and the land more like each other or apparently better acquainted with each other. Nowhere are thought and speech more reflective of the features of the landscape. Even after ten centuries, the Japanese are, in temperament, what the Kojiki reveals them to have been in their early simplicity. Indeed, just as the modern Frenchman, down beneath his outward environments and his habiliments cut and fitted yesterday, is intrinsically the same Gaul whom Julius Cæsar described eighteen hundred years ago, so the gentleman of Tōkiō or Kiōto is, in his mental make-up, wonderfully like his ancestors described by the first Japanese Stanley, who shed the light of letters upon the night of unlettered Japan and darkest Dai Nippon.
The Kojiki reveals to us, likewise, the childlike religious ideas of the islanders. Heaven lay, not about but above them in their infancy, yet not far away. Although in the "Notices," it is "the high plain of heaven," yet it is just over their heads, and once a single pillar joined it and the earth. Later, the idea was, that it was held up by the pillar-gods of the wind, and to them norito were recited. "The great plain of the blue sea" and "the land of luxuriant reeds" form "the world"—which means Japan. The gods are only men of prowess or renown. A kami is anything wonderful—god or man, rock or stream, bird or snake, whatever is surprising, sensational, or phenomenal, as in the little child's world of to-day. There is no sharp line dividing gods from men, the natural from the supernatural, even as with the normal uneducated Japanese of to-day. As for the kami or gods, they have all sorts of characters; some of them being rude and ill-mannered, many of them beastly and filthy, while others are noble and benevolent. The attributes of moral purity, wisdom and holiness, cannot be, and in the original writings are not, ascribed to them; but they were strong and had power. In so far as they had power they were called kami or gods, whether celestial or terrestrial. Among the kami—the one term under which they are all included—there were heavenly bodies, mountains, rivers, trees, rocks and animals, because those also were supposed to possess force, or at least some kind of influence for good or evil. Even peaches, as we have seen, when transformed into rocks, became gods.[14]
That there was worship with awe, reverence, and fear, and that the festivals and sacrifices had two purposes, one of propitiating the offended Kami and the other of purifying the worshipper, may be seen in the norito or liturgies, some of which are exceedingly beautiful.[15] In them the feelings of the gods are often referred to. Sometimes their characters are described. Yet one looks in vain in either the "Notices," poems, or liturgies for anything definite in regard to these deities, or concerning morals or doctrines to be held as dogmas. The first gods come into existence after evolution of the matter of which they are composed has taken place. The later gods are sometimes able to tell who are their progenitors, sometimes not. They live and fight, eat and drink, and give vent to their appetites and passions, and then they die; but exactly what becomes of them after they die, the record does not state. Some are in heaven, some on the earth, some in Hades. The underworld of the first cycle of tradition is by no means that of the second.[16] Some of the kami are in the water, or on the water, or in the air. As for man, there is no clear statement as to whether he is to have any future life or what is to become of him, though the custom or jun-shi, or dying with the master, points to a sort of immortality such as the early Greeks and the Iroquois believed in.
It would task the keenest and ablest Shintōist to deduce or construct a system of theology, or of ethics, or of anthropology from the mass of tradition so full of gaps and discord as that found in the Kojiki, and none has done it. Nor do the inaccurate, distorted, and often almost wholly factitious translations, so-called, of French and other writers, who make versions which hit the taste of their occidental readers far better than they express the truth, yield the desired information. Like the end strands of a new spider's web, the lines of information on most vital points are still "in the air."