The chief Shintō ministers of religion and shrine-keepers belonged to particular families, which were often honored with titles and offices by the emperor. In ordinary life they dressed like others of their own rank or station, but when engaged in their sacred office were robed in white or in a special official costume, wearing upon their heads the éboshi or peculiar cap which we associate with Japanese archæology. They knew nothing of celibacy; but married, reared families and kept their scalps free from the razor, though some of the lower order of shrine-keepers dressed their hair in ordinary style, that is, with shaven poll and topknot. At some of the more important shrines, like those at Isé, there were virgin priestesses who acted as custodians both of the shrines and of the relics.[26]
In front of the miyas stood what we should suppose on first seeing was a gateway. This was the torii or bird-perch, and anciently was made only of unpainted wood. Two upright tree-trunks held crosswise on a smooth tree-trunk the ends of which projected somewhat over the supports, while under this was a smaller beam inserted between the two uprights. On the torii, the birds, generally barn-yard fowls which were sacred to the gods, roosted. These creatures were not offered up as sacrifices, but were chanticleers to give notice of day-break and the rising of the sun. The cock holds a prominent place in Japanese myth, legend, art and symbolism. How this feature of pure Japanese architecture, the torii, afterward lost its meaning, we shall show in our lecture on Riyōbu or mixed Buddhism.
Shintō's Emphasis on Cleanliness.
One of the most remarkable features of Shintō was the emphasis laid on cleanliness. Pollution was calamity, defilement was sin, and physical purity at least, was holiness. Everything that could in any way soil the body or the clothing was looked upon with abhorrence and detestation. Disease, wounds and death were defiling, and the feeling of disgust prevailed over that of either sympathy or pity. Birth and death were especially polluting. Anciently there were huts built both for the mother about to give birth to a child, or for the man who was dying or sure to die of disease or wounds. After the birth of the infant or the death of the patient these houses were burned. Cruel as this system was to the woman at a time when she needed most care and comfort, and brutal as it seems in regard to the sick and dying, yet this ancient custom was continued in a few remote places in Japan as late as the year 1878.[27] In modern days with equal knowledge of danger and defilement, tenderness and compassion temper the feeling of disgust, and prevail over it. Horror of uncleanliness was so great that the priests bathed and put on clean garments before making the sacred offerings or chanting the liturgies, and were accustomed to bind a slip of paper over their mouths lest their breath should pollute the offering. Numerous were the special festivals, observed simply for purification. Salt also was commonly used to sprinkle over the ground, and those who attended a funeral must free themselves from contamination by the use of salt.[28] Purification by water was habitual and in varied forms. The ancient emperors and priests actually performed the ablution of the people or made public lustration in their behalf.
Afterwards, and probably because population increased and towns sprang up, we find it was customary at the festivals of purification to perform public ablution, vicariously, as it were, by means of paper mannikins instead of making applications of water to the human cuticle. Twice a year paper figures representing the people were thrown into the river, the typical meaning of which was that the nation was thereby cleansed from the sins, that is, the defilements, of the previous half-year. Still later, the Mikado made the chief minister of religion at Kiōto his deputy to perform the symbolical act for the people of the whole country.
Prayers to Myriads of Gods.
In prayer, the worshipper, approaching the temple but not entering it, pulls a rope usually made of white material and attached to a peculiar-shaped bell hung over the shrine, calling the attention of the deity to his devotions. Having washed his hands and rinsed out his mouth, he places his hands reverently together and offers his petition.
Concerning the method and words of prayer, Hirata, a famous exponent of Shintō, thus writes:
As the number of the gods who possess different functions is so great, it will be convenient to worship by name only the most important and to include the rest in a general petition. Those whose daily affairs are so multitudinous that they have not time to go through the whole of the following morning prayers, may content themselves with adoring the residence of the emperor, the domestic kami-dana, the spirits of their ancestors, their local patron god and the deity of their particular calling in life.
In praying to the gods the blessings which each has it in his power to bestow are to be mentioned in a few words, and they are not to be annoyed with greedy petitions, for the Mikado in his palace offers up petitions daily on behalf of his people, which are far more effectual than those of his subjects.
Rising early in the morning, wash your face and hands, rinse out the mouth and cleanse the body. Then turn toward the province of Yamato, strike the palms of the hands together twice, and worship, bowing the head to the ground. The proper posture is that of kneeling on the heels, which is ordinarily assumed in saluting a superior.
PRAYER.
From a distance I reverently worship with awe before Amé no Mi-hashira (Heaven-pillar) and Kuni no Mi-hashira (Country-pillar), also called Shinatsu-hiko no kami and Shinatsu-himé no kami, to whom is consecrated the Palace built with stout pillars at Tatsuta no Tachinu in the department of Héguri in the province of Yamato.
I say with awe, deign to bless me by correcting the unwitting faults which, seen and heard by you, I have committed, by blowing off and clearing away the calamities which evil gods might inflict, by causing me to live long like the hard and lasting rock, and by repeating to the gods of heavenly origin and to the gods of earthly origin the petitions which I present every day, along with your breath, that they may hear with the sharp-earedness of the forth-galloping colt.
To the common people the sun is actually a god, as none can doubt who sees them worshipping it morning and evening. The writer can never forget one of many similar scenes in Tōkiō, when late one afternoon after O Tentō Sama (the sun-Lord of Heaven), which had been hidden behind clouds for a fortnight, shone out on the muddy streets. In a moment, as with the promptness of a military drill, scores of people rushed out of their houses and with faces westward, kneeling, squatting, began prayer and worship before the great luminary. Besides all the gods, supreme, subordinate and local, there is in nearly every house the Kami-dana or god-shelf. This is usually over the door inside. It contains images with little paper-covered wooden tablets having the god's name on them. Offerings are made by day and a little lamp is lighted at night. The following is one of several prayers which are addressed to this kami-dana.