‘Here’s a sigh to those who love me
And a smile to those who hate.’
I refer to it for the simple pleasure of reflecting that it has made me many friends and some enemies.
W. E. H.
Muswell Hill, 4th September 1897.
CONTENTS
IN HOSPITAL | ||
| PAGE | |
I. | Enter Patient | |
II. | Waiting | |
III. | Interior | |
IV. | Before | |
V. | Operation | |
VI. | After | |
VII. | Vigil | |
VIII. | Staff-Nurse: Old Style | |
IX. | Lady Probationer | |
X. | Staff-Nurse: New Style | |
XI. | Clinical | |
XII. | Etching | |
XIII. | Casualty | |
XIV. | Ave, Caeser! | |
XV. | ‘The Chief’ | |
XVI. | House-Surgeon | |
XVII. | Interlude | |
XVIII. | Children: Private Ward | |
XIX. | Srcubber | |
XX. | Visitor | |
XXI. | Romance | |
XXII. | Pastoral | |
XXIII. | Music | |
Suicide | ||
XXV. | Apparition | |
XXVI. | Anterotics | |
XXVII. | Nocturn | |
XXVIII. | Discharged | |
Envoy | ||
The Song of theSword | ||
Arabian Nights’Entertainments | ||
BRIC-À-BRAC | ||
Ballade of the Toyokuni Colour-Print | ||
Ballade of Youth and Age | ||
Ballade of Midsummer Days and Nights | ||
Ballade of Dead Actors | ||
Ballade Made in the Hot Weather | ||
Ballade of Truisms | ||
Double Ballade of Life and Death | ||
Double Ballade of the Nothingness ofThings | ||
At Queensferry | ||
Orientale | ||
In Fisherrow | ||
Back-View | ||
Croquis | ||
Attadale, West Highlands | ||
From a Window in Princes Street | ||
In the Dials | ||
The gods are dead | ||
Let us be drunk | ||
When you are old | ||
Beside the idle summer sea | ||
We shall surely die | ||
What is to come | ||
ECHOES | ||
I. | To my mother | |
II. | Life is bitter | |
III. | O, gather me the rose | |
IV. | Out of the night that covers me | |
V. | I am the Reaper | |
VI. | Praise the generous gods | |
VII. | Fill a glass with golden wine | |
VIII. | We’ll go no more a-roving | |
IX. | Madam Life’s a piece in bloom | |
X. | The sea is full of wandering foam | |
XI. | Thick is the darkness | |
XII. | To me at my fifth-floor window | |
XIII. | Bring her again, O western wind | |
XIV. | The wan sun westers, faint and slow | |
XV. | There is a wheel inside my head | |
XVI. | While the west is paling | |
XVII. | The sands are alive with sunshine | |
XVIII. | The nightingale has a lyre of gold | |
XIX. | Your heart has trembled to my tongue | |
XX. | The surges gushed and sounded | |
XXI. | We flash across the level | |
XXII. | The West a glimmering lake of light | |
XXIII. | The skies are strown with stars | |
XXIV. | The full sea rolls and thunders | |
XXV. | In the year that’s come and gone | |
XXVI. | In the placid summer midnight | |
XXVII. | She sauntered by the swinging seas | |
Blithe dreams arise to greet us | ||
XXIX. | A child | |
XXX. | Kate-A-Whimsies, John-a-Dreams | |
XXXI. | O, have you blessed, behind the stars | |
XXXII. | O, Falmouth is a fine town | |
XXXIII. | The ways are green | |
XXXIV. | Life in her creaking shoes | |
XXXV. | A late lark twitters from the quiet skies | |
XXXVI. | I gave my heart to a woman | |
XXXVII. | Or ever the knightly years were gone | |
XXXVIII. | On the way to Kew | |
XXXIX. | The past was goodly once | |
XL. | The spring, my dear | |
XLI. | The Spirit of Wine | |
XLII. | A Wink from Hesper | |
XLIII. | Friends. . . old friends | |
XLIV. | If it should come to be | |
XLV. | From the brake the Nightingale | |
XLVI. | In the waste hour | |
XLVII. | Crosses and troubles | |
LONDONVOLUNTARIES | ||
I. | Grave | |
II. | Andante con Moto | |
III. | Scherzando | |
IV. | Largo e Mesto | |
V. | Allegro Maëstoso | |
RHYMES ANDRHYTHMS | ||
Prologue | ||
I. | Where forlorn sunsets flare and fade | |
II. | We are the Choice of the Will | |
A desolate shore | ||
IV. | It came with the threat of a waning moon | |
V. | Why, my heart, do we love her so? | |
VI. | One with the ruined sunset | |
VII. | There’s a regret | |
VIII. | Time and the Earth | |
IX. | As like the Woman as you can | |
X. | Midsummer midnight skies | |
XI. | Gulls in an aery morrice | |
XII. | Some starlit garden grey with dew | |
XIII. | Under a stagnant sky | |
XIV. | Fresh from his fastnesses | |
XV. | You played and sang a snatch of song | |
XVI. | Space and dread and the dark | |
XVII. | Tree, Old Tree of the Triple Crook | |
XVIII. | When you wake in your crib | |
XIX. | O, Time and Change | |
XX. | The shadow of Dawn | |
XXI. | When the wind storms by with a shout | |
XXII. | Trees and the menace of night | |
XXIII. | Here they trysted, here they strayed | |
XXIV. | Not to the staring Day | |
XXV. | What have I done for you | |
Epilogue | ||
IN HOSPITAL
On ne saurait dire à quel point un homme, seul dans son
lit et malade, devient personnel.—Balzac.
I
ENTER PATIENT
The morning mists still haunt the stony street;
The northern summer air is shrill and cold;
And lo, the Hospital, grey, quiet, old,
Where Life and Death like friendly chafferers meet.
Thro’ the loud spaciousness and draughty gloom
A small, strange child—so agèd yet so young!—
Her little arm besplinted and beslung,
Precedes me gravely to the waiting-room.
I limp behind, my confidence all gone.
The grey-haired soldier-porter waves me on,
And on I crawl, and still my spirits fail:
A tragic meanness seems so to environ
These corridors and stairs of stone and iron,
Cold, naked, clean—half-workhouse and half-jail.