From such opposite principles has resulted that variety of standards adopted by different shipwrights; and a servile imitation of these mechanical methods has, to the great reproach of the art, produced all these pretended rules of proportion: for the various models they have hitherto adopted indisputably prove their doubt and uncertainty with regard to their proper standard. Hence these pretended mysteries which are only to be revealed to such as are initiated into the craft! Hence this division of the art into classes, or, according to the technical term, into families, each of which affects, with becoming solemnity, to be possessed of the true secret, in preference to all the others! And hence violence of opposition, and mutual contempt amongst the artists! Indeed nothing appears more effectually to have retarded the progress of naval architecture, than the involving it in mysteries which the professors would gravely insinuate are only intelligible to themselves. This ridiculous affectation is nevertheless tenaciously retained, notwithstanding the example to the contrary of some of the most able shipwrights in Europe, who are real masters of the theory of their art, and do honour to their profession, and who are justly exempted from the censure to which the others are often exposed.

It is not to be expected that an art so complicated and various, comprehending such a diversity of structures, can be treated at large in a work of this sort. To enter into a particular detail of the theory and practice; to explain the different parts with sufficient accuracy and perspicuity, would of itself require a large volume, and, by consequence, greatly exceed the limits of our design. Being thus necessitated to contract our description into a narrow compass, it will be sufficient to give a general idea of the subject; to describe the principal pieces of which a ship is composed, and to explain the principal draughts used in the construction thereof.

As the several lines exhibited in the planes of elevation, projection, &c. will be rendered more intelligible by a previous account of those pieces, it may not be improper to begin with reciting their names, and giving a summary description of their uses and stations. They are for the most part represented according to the order of their disposition in that part of plate [I]. which is termed Pieces of the Hull.

A. The pieces which compose the keel, to be securely bolted together, and clinched.

B. The stern-post, which is tenanted into the keel, and connected to it by a knee, G. It supports the rudder, and unites the sides of the ship abaft.

C. The stem, which is composed of two pieces scarfed together: it is an arching piece of timber, into which the ship’s sides are united forwards.

D. The beams, which are used to support the decks, and confine the sides to their proper distance.

E. The false post, which serves to augment the breadth of the stern-post, being also tenanted into the keel.

F. The knees, which connect the beams to the sides.

G. The knee of the stern-post, which unites it to the keel.