Those who remained in Chattanooga described this combat as the most magnificent one of the grand panorama of war which the various battles of Chattanooga proved to be. General Meigs has graphically described it at a moment when it was just dark enough to see the flash of the muskets, and still light enough to distinguish the general outline of the contending masses. The mountain was lit up by the fires of the men in the second line, and the flash of the musketry and artillery. An unearthly noise rose from the mountain, as if the old monster was groaning with the punishment the pigmy combatants inflicted upon him as well as upon each other, and during it all the great guns on the summit continued, as in rage, to bellow defiance at the smaller guns in our forts on the other side of the river, which, with lighter tone and more rapidly, as if mocking the imbecility of its giant enemy, continued to fire till the day roared itself into darkness.
General M. C. Meigs has given the combat its name of the "battle above the clouds." It is true that Hooker fought above the clouds, but more than this, he manufactured the clouds that he might fight above them. During the night before the engagement a slight, misty rain had fallen, and when the sun rose, cold and dull, next morning, a fog hung over the river and enveloped the mountain, serving as a convenient mask to Hooker's movements. As the day advanced, however, the fog began to lift, and was fast disappearing, when the battle on the west side of the mountain began to rage heavily. Then the smoke of Hooker's musketry and artillery began to mingle with the mist and clouds; they grew heavy again, and settled down close upon the mountain, so that at one time the clouds thus formed hid the contending forces from the view of those in the valley, and Hooker literally fought the battle above clouds of his own making.
The "inspiring presence" with which Hooker is endowed, and to which I have alluded, has had many illustrations. McClellan, with whom Hooker was no favorite, acknowledged that the loss of Hooker's presence by wounds, during the battle of Antietam, cost him many valuable fruits of that conflict. While such an acknowledgment is disgraceful to McClellan, who could thus admit that the absence of one corps commander out of five could lose him a battle, it is highly complimentary to Hooker, who appears, by the way, to have been the only officer at Antietam who was fighting for any definite object, any vital or key-point of the field.
The well-known effect of Sheridan's presence at Cedar Creek was not more remarkable in restoring the morale of his army than was that of Hooker at Peach-tree Creek, Georgia, in retrieving the disaster which was there threatened. The Army of the Cumberland was surprised at that point on the 20th of July, while on the march, and, being vigorously attacked, was in great danger of being routed. It was a well-known fact that the presence of Hooker every where along the line of the threatened and almost defeated army kept the men in line, at the work, and finally saved the day. Were it within the purpose of this sketch to do so, no better illustration of the fighting general could be given than a detailed account of this battle, in which Hooker was the central—only figure. The country is as much indebted to him personally for the victory as to Sheridan for Cedar Creek, Rousseau for Perryville, or Thomas for Chickamauga.
Hooker is "his own worst enemy"—not in a common and vulgar acceptance of that term, now universally applied to those who indulge their appetite at the expense of the brain. His weakness is not of the vulgar order, but has been the disease of great minds immemorial. His great crime against weak humanity lies in the fact that he was born a critic. Iago was not more positively critical than Hooker, though the latter is not necessarily "nothing if not critical," as was Othello's evil genius. Hooker can not resist the temptation to criticise; and, being unable to appreciate that questionable code of morality in which policy dictates that the truth is not always to be spoken, he has made himself life-long enemies. He can attribute with perfect justice every failure of his life to that one "weakness of the noble mind." It accelerated his retirement from the service in 1853; it originated the difficulties which nearly prevented his re-entry into the service in 1861; it retarded his promotion, lay at the root of all his difficulties as commander of the Army of the Potomac, made enemies of his subordinates, and defeated his every plan, and at last forced him to resign command of the army. It nearly defeated his every effort to regain a command. It cost him many difficulties in the event, and finally forced him to retire from active command under Sherman just as the war was being wound up with the grand crescendo movement of Grant. He was bitterly assailed by the press, and persecuted by fellow-officers for his various criticisms, and even accused of insubordination by men who did not know that from time immemorial the orders of generals have been freely criticised by subordinates, who did not fail to obey them, however. Diogenes was not the only critic of Alexander the Great. Napoleon would have suffered even more than McClellan from criticism if he had been as poor a soldier, for McClellan had but one honest critic, Hooker, and all of Napoleon's marshals frequently criticised his movements. Criticism forced the arbitrary Czar of Russia to abandon the chief command of his army in the face of Napoleon's invasion of 1812, and turn over the command to a general who was not one of his favorites. Hooker was, indeed, the only genuine military critic which the war produced. Sherman occasionally indulged in critiques, but his temper interfered with his judgment, and made his criticism as absurd as vain. Fremont was merely a critic without being a general, and found fault for the love of fault-finding. General Meigs, who also tried his hand at criticism, was simply good-natured, not critical. Cluseret and Gurowski were simply Bohemians, and Assistant Secretary of War Dana won reputation only as "Secretary Stanton's spy."
The candor of Hooker's criticisms make them highly palatable. One naturally admires the decision which marks them, and, though some may consider his reasonings incorrect and his deductions unjust, they must enjoy the perfect independence with which they are uttered. His criticism on the battle of Bull Run first brought him to the consideration of Mr. Lincoln, who read characters at a glance. His famous criticism on McClellan, in which he did not hesitate (he never hesitates either to censure or to fight) to attribute the failure of the Peninsular campaign to "the want of generalship on the part of our commander," gave him more publicity than his early battles. The late President used to remark that he had never had occasion to change the favorable opinion which he formed of Hooker on hearing his criticism on the battle of Bull Run. The criticism on McClellan indicates the character of the critic as that of a quick, resolute, decided man, ready to take all responsibilities. The character has been fully established by Hooker since he uttered that remarkably free criticism. Hooker's opinion of McClellan has been attributed to envy of the latter's position, but I think that he formed his conclusions of the man long before the war of the rebellion. A circumstance which happened during the Mexican War gave him his idea of McClellan, and is so admirable an illustration of McClellan's character that I am tempted to relate it here. Attached to Pillow's head-quarters, where Hooker was chief of staff, was a young American, since celebrated as an artist. He had long been resident in Mexico; was imprisoned on the approach of our forces to the city, but managed to escape and reach our army. Here he volunteered to act as interpreter to General Pillow, and accompanied the army in this capacity through the rest of the campaign. One day, while encamped in the city after its capture, Captain Hooker requested the artist to make a drawing of a very superior piece of artillery captured during the assault. It happened that this gun was in the camp of a company of sappers and miners, and thither he repaired to make the sketch. On going to the company head-quarters, he found Gustavus Smith, the captain, and Callender, the first lieutenant of the command, absent, while Second Lieutenant George B. McClellan, the officer on duty, was making the rounds of the camp. The artist at once repaired to the gun which he wished to sketch, and was engaged in doing so, when McClellan, with an armed guard at his heels, stepped up, with the martial air of one "dressed in a little brief authority," and demanded to know who the intruder was, and by what authority he was there engaged in sketching. The artist, smiling at the manner of the young man, very quietly handed him Captain Hooker's authority for the work he was doing. On reading it McClellan dismissed the guard, and opened a conversation with the intruder, asking him various questions, and at last eliciting the fact that he had been for several years past a resident of the city of Mexico. Instantly McClellan's interest was excited, and he propounded innumerable questions to the artist on—not the history, wealth, resources, defenses, etc., of the city, as one would naturally suppose a young soldier might consistently do, but upon the condition, character, wealth, standing, etc., of the best families of the first society of the city! He asked particularly after the most fashionable, and aristocratic, and wealthy houses, and more particularly still about the leading dames of the fashionable circles. He finally concluded by complaining to his informant that he found it difficult to get introduced to the first families, and had been much disappointed in not getting admitted into the best Mexican society. The story was too good to keep, and Hooker, Pillow, and all the staff afterward enjoyed the artist's frequent relation of the story of the young man who "fought to get into the best Mexican society." I have often thought that the young Napoleon conducted his Potomac campaigns as if his purpose was to place himself on such a footing that, on arriving at Richmond, he would be readily admitted into "the best Southern society." Advising a man of McClellan's character, as Hooker once did, to disobey orders and move on Richmond, with the encouraging comment that he "might as well die for an old sheep as a lamb," was like throwing pearls to swine.
The criticism on McClellan and his want of generalship was mistaken by a great many for vanity instead of candor, and the press of the country heartily ridiculed Hooker's vanity. He was called an exalte, an enthusiast. He has certainly a good opinion of himself, as all great men, not only warriors, but philosophers, have invariably had of themselves. Many not less famous men have been vain of lesser qualities than Hooker boasts, and their own good opinions of themselves have been adopted by posterity. Hooker is proud of his mental abilities. Cæsar was proud of his personal appearance, and devoted more hours to the plucking of gray hairs from his head than he did to sleep. Vanity and valor often go hand in hand. Murat was equally brave and vain, and made his famous charges bedizened in gold lace, and resplendent with fanciful furs and ermine trimmings. Heroes are seldom sloven. Cromwell and Sherman, in their slovenliness, are paradoxes in nature as they are marvels in history.
Hooker's retirement from the army was accelerated, and his subsequent return to the service was retarded, as has been stated, by this habit of freely criticising the operations of the army. The history of his troubles is as follows: Immediately after the close of the war with Mexico, Hooker was called upon to testify before a court of investigation, which had the settlement of the difficulties between Generals Pillow and Worth growing out of the assaults on Chapultepec. In the course of his examination he very freely criticised some of the movements of General Scott, the commander-in-chief, and with that confidence in his own judgment which is a marked characteristic of Hooker, and which, strange to say, betrays nothing egotistical in it, told how he would have accomplished the same ends attained by Scott at less loss, by other movements. Scott, with good reason, was mortally offended; and when Hooker's resignation reached his hands in the routine channel of business, it was not delayed for lack of approval, but was forwarded with a recommendation that it be accepted. When Hooker wished, at the beginning of the rebellion, to return to the army, General Scott stood in the way; and being supreme in authority, under the President, he permitted Hooker to beg for admission for some months, keeping him dancing attendance unavailingly at the doors of the war office.
Hooker lingered for several months at Washington endeavoring to get a command, only leaving the city to witness the Bull Run battle; but at last wearied out, and seeing no hope of attaining his ends, he determined to return to California. Before leaving, however, he called upon the President, whom he had never met, to pay his parting respects, and was introduced by General Cadwallader as "Captain Hooker." The President received him in his usual kind style, but was about to dismiss him, as time required that he should dismiss many, with a few civil phrases, when he was surprised by Hooker's determined tones into listening to his history.