[Footnote 1: The moral and healthful influence of fear is implied in the celebrated passage in Aristotle's Poetics, whatever be the interpretation. He speaks of a cleansing [Greek: (katharsin)] of the mind, by means of the emotions of pity and terror [Greek: (phobos)] awakened by tragic poetry. Most certainly, there is no portion of Classical literature so purifying as the Greek Drama. And yet, the pleasurable emotions are rarely awakened by it. Righteousness and justice determine the movement of the plot, and conduct to the catastrophe; and the persons and forms that move across the stage are, not Venus and the Graces but,
"ghostly Shapes To meet at noontide; Death the Skeleton And Time the Shadow."
All literature that tends upward contains the tragic element; and all literature that tends downward rejects it. Æschylus and Dante assume a world of retribution, and employ for the purposes of poetry the fear it awakens. Lucretius and Voltaire would disprove the existence of such a solemn world, and they make no use of such an emotion.]
[Footnote 2: WORDSWORTH: Intimations of Immortality.]
[Footnote 3: LUCRETIUS: De Rerum Natura, III. 989 sq.; V. 1160 sq.]
[Footnote 4: BATES: Discourse of the Fear of God.]
[Footnote 5: "Praise be to Thee, glory to Thee, O Fountain of mercies: I was becoming more miserable and Thou becoming nearer, Thy right hand was continually ready to pluck me out of the mire, and to wash me thoroughly, and I knew it not; nor did anything call me back from a yet deeper gulf of carnal pleasures, but the fear of death, and of Thy judgment to come; which, amid all my changes, never departed from my breast." AUGUSTINE: Confessions, vi. 16., (Shedd's Ed., p. 142.)]
[Footnote 6: "Si te luxuria tentat, objice tibi memoriam mortis tuae, propone tibi futuruin judicium, reduc ad memoriam futura tormenta, propone tibi acterna supplicia; et etiaim propone aute oculos tuos perpetuosignes infernorum; propone tibi horribiles poenas gehennae. Memoria ardoris gehennae extinguat in te ardorem luxuriane."
BERNARD: De Modo Bene Vivendi. Sermo lxvii.]
[Footnote 7: BAXTER (Narrative, Part I.) remarks "that fear, being an easier and irresistible passion, doth oft obscure that measure of love which is indeed within us; and that the soul of a believer groweth up by degrees from the more troublesome and safe operation of fear, to the more high and excellent operations of complacential love.">[