Such was very much the relation which Margaret Cooper bore to Alfred Stevens; and when, by his professions of love, he left the shows of his admiration no longer doubtful, she was at once and entirely his. She was no longer the self-willed, imperious damsel, full of defiance, dreaming of admiration only, scornful of the inferior, and challenging the regards of equals. She was now a timid, trembling girl—a dependant, such as the devoted heart must ever be, waiting for the sign to speak, looking eagerly for the smile to reward her sweetest utterance. If now she walked with Stevens, she no longer led the way; she hung a little backward, though she grasped his arm—nay, even when her hand was covered with a gentle pressure in the folds of his. If she sung, she did not venture to meet his eyes, which she FELT must be upon hers, and now it was no longer her desire that the village damsels should behold them as they went forth together on their rambles. She no longer met their cunning and significant smiles with confidence and pride, but with faltering looks, and with cheeks covered with blushes. Great, indeed, was the change which had come over that once proud spirit—change surprising to all, but as natural as any other of the thousand changes which are produced in the progress of moments by the arch-magician, Love. Heretofore, her song had disdained the ordinary topics of the youthful ballad-monger. She had uttered her apostrophes to the eagle, soaring through the black, billowy masses of the coming thunder-storm; to the lonely but lofty rock, lonely in its loftiness, which no foot travelled but her own; to the silent glooms of the forest—to the majesty of white-bearded and majestic trees. The dove and the zephyr now shared her song, and a deep sigh commonly closed it. She was changed from what she was. The affections had suddenly bounded into being, trampling the petty vanities underfoot; and those first lessons of humility which are taught by love, had subdued a spirit which, hitherto, had never known control.
Alfred Stevens soon perceived how complete was his victory. He soon saw the extent of that sudden change which had come over her character. Hitherto, she had been the orator. When they stood together by the lake-side, or upon the rock, it was her finger which had pointed out the objects for contemplation; it was her voice whose eloquence had charmed the ear, dilating upon the beauties or the wonders which they surveyed. She was now no longer eloquent in words. But she looked a deeper eloquence by far than any words could embody. He was now the speaker; and regarding him through the favoring media of kindled affections, it seemed to her ear, that there was no eloquence so sweet as his. He spoke briefly of the natural beauties by which they were surrounded.
“Trees, rocks, the valley and the hill, all realms of solitude and shade, inspire enthusiasm and ardor in the imaginative spirit. They are beneficial for this purpose. For the training of a great poet they are necessary. They have the effect of lifting the mind to the contemplation of vastness, depth, height, profundity. This produces an intensity of mood—the natural result of any association between our own feelings and such objects as are lofty and noble in the external world. The feelings and passions as they are influenced by the petty play of society, which diffuses their power and breaks their lights into little, become concentrated on the noble and the grand. Serious earnestness of nature becomes habitual—the heart flings itself into all the subjects of its interest—it trifles with none—all its labors become sacred in its eyes, and the latest object of study and analysis is that which is always most important. The effect of this training in youth on the poetic mind, is to the last degree beneficial; since, without a degree of seriousness amounting to intensity—without a hearty faith in the importance of what is to be done—without a passionate fullness of soul which drives one to his task—there will be no truthfulness, no eloquence, no concentrated thought and permanent achievement. With, you, dear Margaret, such has already been the effect. You shrink from the ordinary enjoyments of society. Their bald chat distresses you, as the chatter of so many jays. You prefer the solitude which feeds the serious mood which you love, and enables your imagination, unrepressed by the presence of shallow witlings, to evoke its agents from storm and shadow—from deep forest and lonesome lake—to minister to the cravings of an excited heart, and a soaring and ambitious fancy.”
“Oh, how truly, Alfred, do you speak it,” she murmured as he closed.
“So far, so good; but, dear Margaret—there are other subjects of study which are equally necessary for the great poet. The wild aspects of nature are such as are of use in the first years of his probation. To grow up in the woods and among the rocks, so that a hearty simplicity, an earnest directness, with a constant habit of contemplation should be permanently formed, is a first and necessary object. But it is in this training as in every other. There are successive steps. There is a law of progressive advance. You must not stop there. The greatest moral study for the poet must follow. This is the study of man in society—in the great world—where he puts on a thousand various aspects—far other than those which are seen in the country—in correspondence with the thousand shapes of fortune, necessity, or caprice, which attend him there. Indeed, it may safely be said, that he never knows one half of the responsibility of his tasks who toils without the presence of those for whom he toils. It is in the neighborhood of man that we feel his and our importance. It is while we are watching his strifes and struggles that we see the awful importance of his destiny; and the great trusts of self, and truth, and the future, which have been delivered to his hands. Here you do not see man. You see certain shapes, which are employed in raising hay, turnips, and potatoes; which eat and drink very much as man does; but which, as they suffer to sleep and rest most of those latent faculties, the exercise of which can alone establish the superiority of the intellectual over the animal nature, so they have no more right to the name of man than any other of those animals who eat as industriously, and sleep as profoundly, as themselves. The contemplation of the superior being, engaged in superior toils, awakens superior faculties in the observer. He who sees nothing but the gathering of turnips will think of nothing but turnips. As we enlarge the sphere of our observation, the faculty of thought becomes expanded. You will discover this wonderful change when you go into the world. Hitherto, your inspirers have been these groves, these rocks, lakes, trees, and silent places. But, when you sit amid crowds of bright-eyed, full-minded, and admiring people; when you see the eyes of thousands looking for the light to shine from yours; hanging, with a delight that still hungers, on the words of truth and beauty which fall from your lips—then, then only, dearest Margaret, will you discover the true sources of inspiration and of fame.”
“Ah!” she murmured despondingly—“you daunt me when you speak of these crowds—crowds of the intellectual and the wise. What should I be—how would I appear among them?”
“As you appear to me, Margaret—their queen, their idol, their divinity, not less a beauty than a muse?”
The raptures which Stevens expressed seemed to justify the embrace which followed it; and it was some moments before she again spoke. When she did the same subject was running in her mind.
“Ah! Alfred, still I fear!”
“Fear nothing, Margaret. It will be as I tell you—as I promise! If I deceive you, I deceive myself. Is it not for the wife of my bosom that I expect this homage?”