I rather amused myself with tracing a certain similitude between the story of Caleb Williams and the tale of Bluebeard, than derived any hints from that admirable specimen of the terrific. Falkland was my Bluebeard, who had perpetrated atrocious crimes, which, if discovered, he might expect to have all the world roused to revenge against him. Caleb Williams was the wife who, in spite of warning, persisted in his attempts to discover the forbidden secret; and, when he had succeeded, struggled as fruitlessly to escape the consequences, as the wife of Bluebeard in washing the key of the ensanguined chamber, who, as often as she cleared the stain of blood from the one side, found it showing itself with frightful distinctness on the other.
When I had proceeded as far as the early pages of my third volume, I found myself completely at a stand. I rested on my arms from the 2nd of January, 1794, to the 1st of April following, without getting forward in the smallest degree. It has ever been thus with me in works of any continuance. The bow will not be for ever bent:
"Opere in longo fas est obrepere somnum."
I endeavoured, however, to take my repose to myself in security, and not to inflict a set of crude and incoherent dreams upon my readers. In the meantime, when I revived, I revived in earnest, and in the course of that month carried on my work with unabated speed to the end.
Thus I have endeavoured to give a true history of the concoction and mode of writing of this mighty trifle. When I had done, I soon became sensible that I had done in a manner nothing. How many flat and insipid parts does the book contain! How terribly unequal does it appear to me! From time to time the author plainly reels to and fro like a drunken man. And, when I had done all, what had I done? Written a book to amuse boys and girls in their vacant hours, a story to be hastily gobbled up by them, swallowed in a pusillanimous and unanimated mood, without chewing and digestion. I was in this respect greatly impressed with the confession of one of the most accomplished readers and excellent critics that any author could have fallen in with (the unfortunate Joseph Gerald). He told me that he had received my book late one evening, and had read through the three volumes before he closed his eyes. Thus, what had cost me twelve months' labour, ceaseless heartaches and industry, now sinking in despair, and now roused and sustained in unusual energy, he went over in a few hours, shut the book, laid himself on his pillow, slept, and was refreshed, and cried,
"To-morrow to fresh woods and pastures new."
I had thought to have said something here respecting the concoction of "St. Leon" and "Fleetwood." But all that occurs to me on the subject seems to be anticipated in the following