“Now the numerous inhabitants of the waters come forth from their oozy beds and play and flounce in the beams of the moon. Round the luminary of the night the stars lead up the mystic dance, and compose the music of the spheres. The deities of the woods and the deities of the rivers come out from their secret haunts, and keep their pastimes unapprehensive of human intrusion. The elves and the fairies repair to their sports, and trip along the velvet green with many-twinkling feet. Let us imitate their amiable alacrity and their cheerful amusements.

“What has sleep to do with the secrecy and silence of the night? It is the hour of pleasure unrestrained and free. It is the hour in which the empire of beauty is complete, and those mysteries are disclosed which the profaner eye of day must never behold. Ye that are wise, ye that are favoured of propitious heaven, drink deep of the cup of pleasure! The festive board is spread before you; the flowing bowl is proffered for your acceptance. Beauty, the crown of enjoyment, the last perfection of society, is within your reach. Be wise and taste. Partake of the munificence the Gods vouchsafe.”

As the song proceeded the two nymphs, who had first appeared to Edwin, and since attended him with the extremest officiousness, endeavoured by every artful blandishment to engage his attention, and rivet his partiality. They exerted themselves to suppress the grossness, inelegance and sensuality to which they had commonly been habituated, and to cover the looseness of the passions with the veil of simplicity, delicacy, and softness. As the music ceased, the master of the spectacle came forth from his retreat. But his figure was no longer that which bespoke the magician, and which Edwin had already seen. He appeared in the form of a youth of that age in which the frolic insignificance of childhood gives place to the eagerness, the enthusiasm and the engaging manners of blooming manhood. His habit was that of a cupbearer. His robes were of azure silk, and floated in graceful folds as he passed along. The beauty of his person was worthy of the synod of the Gods. His features had all the softness of woman without effeminacy; and in his eye there sat a lambent fire which bespoke the man, without roughness, and without ferocity. In one hand he bore a crystal goblet full of every potent enchantment, and which rendered him who drank for ever a slave to the most menial offices and the most wanton caprices of his seducer. In the other hand he held loosely, and as if it had been intended merely to give a completeness to his figure and a gracefulness to his step, that irresistible wand by which the majesty of man had often been degraded, and the reluctant spirit had been conjured up from the caverns of the abyss. The goblet he delivered to the elder nymph, who presented it, with inimitable grace and a bewitching condescension, to the gallant shepherd.

Edwin had the fortitude of a hero, but he had also the feelings of a man. He could not but be struck with the beauty of the nymphs, he could not but be surprised with the profuseness of the entertainment, and the richness of the preparations. The soul of Edwin was full of harmony. It had been one of his earliest and most ruling passions. No shepherd excelled him in the skill of the pipe, no shepherd with a sweeter or more sonorous voice could carol the rustic lay. Even the figure assumed by Roderic, his garb, his step, his gesture had something in them of angelic and celestial without the blaze of divinity, and without the awfulness that surrounds the godlike existencies, that sometimes condescend to visit this sublunary scene. The shepherd took into his hand the fatal bowl.

In the midst however of all that was attractive, and all that was unknown, Edwin had not forgotten the business that had brought him hither and the lessons of Madoc. The visage of Imogen, ever present to his soul, suggested these salutary reflections. By her assistance he strengthened all his resolutions, and gave vigour to the heroism of his mind. Through the memory of Imogen he derived a body, and communicated a visible form to the precepts of rectitude; and virtue wore all those charms that had the most uncontroled empire in his bosom. Half way to his lips he raised the cup of vice, and inexorable fate sat smiling on the brim. He paused; he hesitated. By an irresistible impulse of goodness he withdrew the fatal draught. He shed the noxious composition upon the ground, and hurled from him with indignation the vessel in which it had been contained.

Roderic beheld the scene with deep emotion, and was agitated by turns with a thousand passions. He saw the issue with confusion, despondence and fury. The roseat smiles of the cupbearer vanished; and, without the notice and consent of his mind, his limbs resumed their wonted form, and his features confirmed the suspicions of the shepherd, that he was now confronted with his mortal enemy. Thrice the magician invoked the spirit of his mother, and thrice he conjured the goblins, the most potent that ever mix in the mortal scene. He lifted the wand in his hand. It was the fiery ordeal that summons human character to the severest trial. It was the judgment of God in which the lots are devoutly committed to the disposal of heaven, and the enthroned Divinity, guided by his omniscience of the innocence of the brave, or the guilt of the presumptuous, points the barbed spear, and gives a triple edge to the shining steel. If the shepherd had one base and earth-born particle in his frame, if his soul confessed one sordid and sensual desire, now was the time in which for his prospects to be annihilated and his reputation blotted for ever, and the state and empire of his rival to be fixed beyond the power of human machinations to shake or subvert it. “Presumptuous swain!” cried the sorcerer, “what folly, what unmeaning rashness has brought you within the circle of my incantations? Know that from them no mortal has escaped; that by them every swain, whom adventurousness, ignorance, or stratagem has introduced within these limits, has been impelled to assume the savage form, and to herd with the most detestable of brutes. Let then thy foolhardiness pay the penalty which my voice has ever annexed to it. Hence to thy fellows! Go, and let their hated form bely the reason thou shalt still retain, and thy own voice affright thee, when thou shalt groan under irremediable misery!”

The incantation that had never yet failed of its hated purpose was pronounced in vain. Edwin had heard it unappalled. He wore the amulet of Madoc. He opposed to it the unconquered shield of spotless innocence. Even in the midst of the lordly despotism and the imperious haughtiness of his rival, he had been conscious to the triumph which nothing but the calmness of fortitude and the serenity of virtue can inspire. He was mindful of the precepts of the Druid. While Roderic was overwhelmed with disappointment and despair, he seized the wand of the magician, and with irresistible vigour wrenched it from his hand. He struck it with violence upon the ground, and it burst into a thousand shivers. The castle rocked over his head. Those caverns, which for revolving years had served to hide the iniquity and the cruelty of their possessor, disclosed their secret horrors. The whole stupendous pile seemed rushing to the ground. A flood of lightning streamed across the scene. A peal of thunder, deafening and tremendous, followed it. All now was vacancy. Not a trace of those costly scenes and that magnificent architecture remained. The heaven over-canopied the head of Edwin. The clouds were dissipated. The light of innumerable stars gave grandeur to the scene. And the silver moon communicated a milder lustre, and created a softer shade. Roderic and his train, full of pusillanimity and consternation, had fled from the direful scene, and vanished like shadows at the rising of the sun.

No mortal, but our lovers, had ever entered the enchanted mansion without having their characters disgraced, and their hearts thronged with all those hateful and dissolute passions, which distinguished the band of Roderic. No mortal was there, but our lovers, of the numerous inhabitants of this bad edifice, who had not shrunk from the earthquake and the solemnities that accompanied its sub-version. Edwin and Imogen were alone. The shepherdess had listened to all the horrors of the scene with a gloomy kind of satisfaction. “What new wonders,” cried she, “are now to be disclosed? What purpose are they intended to answer! The amendment, or the destruction of my betrayer? But it is well. Though the elements mix in inextricable confusion, though the earth be destroyed, yet has innocence no cause to fear. Alas, though I myself should be buried in the ruin, why should I apprehend, or why lament it? I was happy; untaintedly, uninterruptedly happy. But I am miserable. I am confined here in a loathsome, detested prison. Even my conduct is shut up with difficulties, and my bosom disquieted with the conflict of seeming duties. Even Edwin, the swain to whom my heart was united, and from whose memory my integrity derived new strength is corrupted, depraved and base. Let then destruction come. I will not lament the being cut off in the bloom of youth. I will not shed one tear, or feel one fond regret, but for the calamity and disappointment of my parents.”

But however the despair of Imogen armed her courage against the concussions of nature, she yet felt that delicacy of constitution which characterises the most lovely of her sex, and that amiable timidity which often accompanies the most invincible fortitude. When the thunder roared with so fearful violence, when the mansion burst in ruins over her head, she stood, trembling and breathless, at the tumult around her. Her safety was the first object of the attention of Edwin; and when she recovered her recollection she found herself in the arms of her lover. “My fair one, my Imogen,” cried he, “have I recovered you through so many obstacles, and in the midst of so numerous dangers? Oh, how must our affection, the purest, brightest, that ever lighted a human breast, be endeared by our mutual calamities! But virtue is ever triumphant, virtue is never deserted of the watchful care of heaven. My trials, my lovely shepherdess, have been feeble indeed, when compared with yours. Your integrity is unrivalled, and your innocence has surpassed all that the bards have sung in their immortal lays. Come then, oh, dearer, far dearer than ever to this constant heart, come to my arms! Let delay be banished. Let the veil of virgin bashfulness be laid aside. And let us repair together to the presence of your parents to ask an united blessing.”

While Edwin thus poured forth the raptures of his heart, Imogen turned towards him a languid eye, full of soft and silent reproach. She retired from him with involuntary horror. “No, shepherd,” cried she, and waved her hand with graceful indignation. “Like you I approve the justice of the Gods in the banishment of Roderic. But I think that justice would have been more complete, had it included in its vindictive appearance the punishment of the base, degenerate Edwin. Unworthy Edwin, to how vile and earth born sentiments has your heart been conscious! But go. Hence from my sight! The very spectacle of that form which I had learned to love is mildew and contagion to my eyes. Oh, Edwin, for your sake I will distrust every attractive form and every ingenuous appearance. The separation, my swain, is hard. The arts of Roderic came not near my soul, but your baseness has fixed an indelible wound. But think not—cherish not the fond mistake—that I will ever forget your ungenerousness in the hour of my distress and forlornness, or receive that serpent to my heart again.”