"The best?" he questioned.
She caught the meaning in his emphasis and smiled to herself as she answered: "The best violin music." Although her face was in the shadow, the moonlight was on her hair and shoulders. Something in her figure affected him as it had that night when she stood in the doorway—some heroic endurance, some fighting courage that held it erect, and yet it was touched by a yearning as restless and unsatisfied as the desert wind. Bob knew her father was incapable of grappling alone with the problems of life. This project had all been hers; it was her will, her brain, her courage that had wrought the change on the face of this spot of desert. Yet how softly girlish as she sat there in the moonlight; and how alone in the heart of this sleeping desert in an alien country. He wished she had not qualified that praise of his playing. Bob knew very little about women.
"How do you like being a cotton planter?" She was first to break the silence.
"Oh, very well." He turned his eyes from her for the first time, looked down at his fiddle, and idly picked at one of the strings. "But of course I can't truthfully say I love manual labour. I can do it when there is something in it; but I much prefer a hammock and a shade and a little nigger to fan me and bring me tall glasses full of iced drinks."
She laughed, for she knew already he had the reputation of being one of the best workers in the valley.
"But this country has me," he added. "It fascinates me. When I make a fortune over here I'm going across on the American side and buy a big ranch.
"You know"—he continued softly to strum on the violin strings—"this Imperial Valley seems to me like a magic spot of the tropics, some land of fable. Richer than the valley of the Nile it has lain here beneath the sea level for thousands of years, dead under the breath of the desert, until a little trickle of water was turned in from the Colorado River, and then it swiftly put forth such luxuriant wealth of food and clothes and fruit and flowers that its story sounds like the demented dreams of a bankrupt land promoter."
"I am glad you like it," she said, "and I hope you'll get your share of the fabled wealth that it is supposed to grow—and, oh, yes, by the way, do you happen to need another Chinaman?"
"No, I've got more than I can pay now."
"We are going to let Chang Lee go the last of the month. He's a good Chinaman, and I wanted him to have a job."