Chapter XVI
COLOR AND ITS RELATION TO INDUSTRIAL ARTS DESIGN
Large Surfaces of Wood; Wall and Ceiling Areas
Color Harmony
In the [preceding chapter], the classification and standardization of color were emphasized as preliminary to the study of color harmony. Color harmony is obtained by the proper balancing of value, hue, and chroma upon a surface or surfaces to give a pleasing reaction to the eye, and through the eye to the intellect.
We are now ready to familiarize ourselves with the specific applications of these factors to practical design problems. Too many pieces of furniture are stained with no thought as to the final adaptation in the school or home. This is not wise, either from the standpoint of a complete educative process or of good taste. Figures [458], [459], [460], [461], show stains of [Plate 64] applied to wood. Two new stains have been added, sage green and silver gray. These six stains are representative ones and act as a typical data for study of color harmony.
Furniture—Trim—Side Walls—Ceilings
Backgrounds
The side walls of a room form the background for furniture; trim, wall brackets, and similarly related objects; therefore the closest relation and harmony should be maintained between them.
Value Range of Wood Stains