[Figure 471] shows the actual results produced by the preceding course. The process to which the individual pieces belong is indicated by the small figure placed on the table and in front of the ware. The preceding sheets should be regarded in the light of suggestions for original thinking on the part of the student. They merely suggest technical guidance, in order that his progress may be sequential and fitted to his increasing skill.
The glazes are stated in the terms of the ceramist with the proportions of base, alumina, and acid content of each glaze clearly stated. By referring to the textbooks mentioned in the preface, these glazes may be developed into the potter's formulae.
In both metal and pottery courses, two or more types are frequently represented upon one plate. These types will allow the teacher to assign a more difficult problem to the student with some previous experience.
INDEX
- Accenting bands in wood, [105]
- Accentuation of functional parts, [79]
- Adapting data to material, [127]
- Analogous hues, [203]
- Analysis, intelligent, [7]
- Andiron design, [53]
- Aniline wood dyes, [199]
- Appendage design, [43]-[49]
- Appendage, use of, [43]
- Appendages, [43]
- Appendages and primary mass, [45]
- Appendages, contour enrichment of, [88]
- Appendages, design violations, [43]
- Appendages in clay, [47]
- Appendages, industrial applications, [47]
- Appendages, influence of tools and materials, [53]
- Appendages in metal, [51]
- Appendages in wood, [45]
- Artificial objects, [129]
- Architectural, horizontal divisions for, [21]
- Bands, wood inlay, [105]
- Backgrounds, [113], [201]
- Base metals, enrichment of, [87]
- Base and precious metals, surface enrichment of, [160], [163], [165], [167]
- Borders for wood, [107]
- Building, [165]
- Candlesticks, [81]
- Carving, [103]
- Carving and piercing, [141]
- Carving, design steps for, [105]
- Ceilings, [202]-[205]
- Center zone enrichment, [121]
- Chasing, [163]
- Chip carving, [115]
- Chroma, [197]
- Chromatic intensity, full, [195]
- Clay, coloring for underglaze, [151]
- Clay, decorative processes, [145]
- Clay, incising, [147]
- Clay, inlay, [149]
- Clay, introduction of pigments, [149]
- Clay, modeling, [147]
- Clay, piercing, [147]
- Clay, slip painting, [149]
- Clay, surface enrichment for, [145]
- Clay, surface enrichment, structural classification for, [151]
- Clay, underglaze painting, [151]
- Color for clay enrichment, [209]
- Color for small areas, [210]
- Color harmony, [201]
- Color pigments, [194]
- Color pigments, application of, [194]
- Color symbols, [198]
- Color systems, [194]
- Commercial pottery, [158]
- Complementary hues, [214]
- Conservative use of ornament, [101]
- Contrasted hues, [203]
- Containers, [81]
- Continuity and contrast, [63]
- Contour enrichment, influence of materials, [65]
- Contour enrichment, methods of varying, [70]
- Contour enrichment of clay, need of, [77]
- Contour enrichment, evolution of, [65]
- Contour enrichment, purpose of, [59]
- Contour enrichment, requirements of, [59]
- Contour enrichment, systematic development of, [81]