One of the most singular appearances the upper city has to a stranger is its apparent desertion. There were, until very lately, only about a dozen wheeled vehicles in the place, but the march of intellect has been here, and now there are omnibuses plying to the Victoria. All burdens are carried on the head, from an orange, a candle, or a bottle, to a barrel of fish. The larger kinds, such as pipes of wine, are slung between poles, whilst logs of wood are carried upon the shoulders of twenty or thirty, looking, for all the world, like an immense centipede. During the time of carrying a wild kind of chorus is kept up; one man makes observations as he goes along, and the rest come in with a chorus, which seldom varies, however much the recitative solo part may. Although large burdens are thus carried, one man will not take nearly so much as a European, and would rather lose his chance of a journey than carry more than he thinks proper.

The cupolas of the church towers are very frequently covered with pieces of earthenware, assorted according to their colour, and laid on stucco in patterns, which gives them a glistening appearance, as if they were enamelled. It appears to withstand the effects of time. Some of them are covered with Dutch tiles, and others are formed of marble. Part of the front of the Italian friars’ church, and the bell tower, are covered with the above curious stucco, but a near approach destroys the effect.

Little naked blacks are constantly seen in the street, with no more clothing than a pair of bracelets or ear-rings, and some are very fine-looking. Their appearance is not improved, however, by the protuberance of the abdomen caused by eating farinha, which swells extremely when any liquid is mixed with it. The shape, nevertheless, is soon regained. One peculiarity is the infrequency of a child crying: their food is simple, so that they do not often suffer from indigestion, and they are less encumbered with clothing than the higher classes, although, in the country, none are very particular in that respect. The manner in which the mother carries the child, slung across the back with her shawl, binds its legs in a curve, but they soon recover their straightness when able to walk. When thus tied, the child presents the very picture of resignation, its little head nodding about, when fast asleep, or when awake crowing, or beating a tattoo on its mother’s back, who frequently holds a conversation with it, its replies being in the only universal language now in use.

The huts of the blacks are very curious; they are built of stakes of bamboo &c., driven into the ground, and these intertwined with others; the whole, being filled up with clay, and thatched with palm-leaves. The interior presents the very acmé of wretchedness on a rainy day, and but little better in fine weather. All kinds of rubbish huddled together, a few daubs of saints hung on the walls, a ricketty table with some carved saint upon it, a coach dog, (a hideous animal, without hair, having only a few bristles on the head, back, and tail, and of a dull leaden colour,) or a long-legged scraggy cat, and a few fowls, quite as great curiosities in their way, are the usual characteristics of these primitive habitations.

The blacks of this place swim almost as if they were amphibious. You see numbers of children constantly dabbling at the water’s edge for hours together, and soon learning to strike out boldly. One mode of swimming is very singular; one arm is always out of the water, advanced in front, alternately with the other, sweeping or drawing the water towards them, and raising the body out of the water at each stroke. This method is considerably quicker than the ordinary style of swimming, but appears to be more difficult of attainment.

It is agreed by phrenologists that the head of the negro, above all others, presents the greatest development of Music, and certainly some of the blacks do play remarkably well. You hear little boys in the street, whom you might fancy could scarcely speak, whistle tunes with great correctness; and the negro dances show how admirably the science of time is appreciated.

O surely melody from heaven was sent

To cheer the soul, when tired of human strife,

To soothe the wayward heart, by sorrow bent,

And soften down the rugged path of life.—Kirke White.