“Mr. Cardew is a minister, and perhaps I should find it easier with you. Suppose I bring the ‘Paradise Lost’ out into the garden when we next meet, and I will read, and you shall help me to comment on it.”
Catharine’s heart went out towards her, and it was agreed that “Paradise Lost” should be brought, and that Mrs. Cardew would endeavour to make herself “articulate” thereon. The party broke up, and Catharine’s reflections were not of the simplest order. Rather let us say her emotions, for her heart was busier than her head. Mrs. Cardew had deeply touched her. She never could stand unmoved the eyes of her dog when the poor beast came and laid her nose on her lap and looked up at her, and nobody could have persuaded her of the truth of Mr. Cardew’s doctrine that the reason why a dog can only bark is that his thoughts are nothing but barks. Mrs. Cardew’s appeal, therefore, was of a kind to stir her sympathy; but—had she not heard that Mr. Cardew had observed and praised her? It was nothing—ridiculously nothing; it was his duty to praise and blame the pupils at the Limes; he had complimented Miss Toogood on her Bible history the other day, and on her satisfactory account of the scheme of redemption. He had done it publicly, and he had pointed out the failings of the other pupils, she, Catharine herself, being included. He had reminded her that she had not taken into account the one vital point, that as we are the Almighty Maker’s creatures, His absolutely, we have no ground of complaint against Him in whatever way He may be pleased to make us. Nevertheless, just those two or three words Mrs. Cardew reported were like yeast, and her whole brain was in a ferment.
The Milton was produced next week. Since Catharine had been at the Limes she had read some of it, incited by Mr. Cardew, for he was an enthusiast for Milton. Mrs. Cardew was a bad reader; she had no emphasis, no light and shade, and she missed altogether the rhythm of the verse. To Catharine, on the other hand, knowing nothing of metre, the proper cadence came easily. They finished the first six hundred lines of the first book.
“You have not said anything, Catharine.”
“No; but what have you to say?”
“It is very fine; but there I stick; I cannot say any more; I want to say more; that is where I always am. I can not understand why I cannot go on as some people do; I just stop there with ‘very fine.’”
“Cannot you pick out some passage which particularly struck you?”
“That is very true, is it not, that the mind can make a heaven of hell and a hell of heaven?”
“Most true; but did you not notice the description of the music?”
Catharine was fond of music, but only as an expression of her own feelings. For music as music—for a melody of Mozart, for example—that is to say, for pure art, which is simply beauty, superior to our personality, she did not care. She liked Handel, and there was a choral society in Eastthorpe which occasionally performed the “Messiah.”