By William Harrison Ainsworth

Author Of ‘The Tower Of London’

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‘The delineation of such characters as these I consider as very moral instruction to mankind, and a lesson more demonstrative of the perfect vanity of unused wealth, than has lately been presented to the public.’—Topham’s Life of Elwes.

Other and lighter portions of the Tale refer to the adventures of a young man on his first introduction to town life about the middle of the eighteenth century, when Ranelagh was in its zenith, and Vauxhall and Marylebone Gardens in vogue; when the Thames boasted its Folly; and when coffee-houses filled the place of clubs. The descriptions I believe to be tolerably accurate; and they are at all events carefully done, with the view of giving a correct idea of the manners, habits, and pursuits of our great-grandfathers and great-grandmothers. Temptations to pleasurable excess were no doubt sufficiently abundant then.

RANDULPH CREW—THE MISER’S DWELLING IN THE LITTLE SANCTUARY

In a large, crazy, old-fashioned house at the corner of the Little Sanctuary in Westminster, and facing the abbey, dwelt, in the year 1744, a person named Scarve. From his extraordinary penurious habits, he received the appellation of Starve, and was generally denominated by his neighbours ‘Miser Starve.’ Few, if any, of those who thus designated him, knew much about him, none of them being allowed to cross his threshold; but there was an air, even externally, about his dwelling, strongly indicative of his parsimonious character. Most of the windows in the upper stories, which, as is usual with habitations of that date, far overhung the lower, were boarded up; and those not thus closed were so covered with dust and dirt that it was impossible to discern any object through them. Many parts of the building were in a ruinous condition, and, where the dilapidations were not dangerous, were left in that state; but wherever some repairs were absolutely necessary to keep the structure together, they were made in the readiest and cheapest manner. The porch alone preserved its original character. It projected far beyond the door-way, and was ornamented with the arms of a former occupant of the habitation, carved in bold relief in oak, and supported by two mermaids sculptured in the same wood. All the lower windows were strongly grated, and darkened like the upper with long-accumulated dust. The door was kept constantly bolted and barred, even in the daytime; and the whole building had a dingy, dismal, and dungeon-like aspect.

RANDULPH CREW DELIVERING THE PACKET TO MR. SCARVE—THE MISER AND HIS DAUGHTER—-RANDULPH DELIVERS THE PACKET TO THE FORMER

Following his conductor along the passage, the boards of which, being totally destitute of carpet or cloth, sounded hollowly beneath their feet, Randulph Crew glanced at the bare walls, the dusty and cobweb-festooned ceiling, and the staircase, as devoid of covering as the passage, and could not but admit that the account given him by the barber of Mr. Scarve’s miserly habits was not exaggerated. Little time, however, was allowed him for reflection. Jacob marched quickly on, and pushing open a door on the right, ushered him into his master’s presence.

Mr. Scarve was an old man, and looked much older than he really was—being only sixty-five, whereas he appeared like eighty. His frame was pinched as if by self-denial, and preternaturally withered and shrivelled; and there was a thin, haggard, and almost hungry look about his face, extremely painful to contemplate. His features were strongly marked, and sharp, and his eye, grey, keen, and piercing. He was dressed in a thread-bare cloth robe, trimmed with sable, and wore a velvet nightcap, lined with cotton, on his head. The rest of his habiliments were darned and patched in an unseemly manner. Beside him was a small table, on which was laid a ragged and dirty cloth, covered with the remains of his scanty meal, which Randulph’s arrival had interrupted. Part of a stale loaf, a slice of cheese, and a little salt constituted the repast.