“Egad, Jack,” said Gay, “you should write your adventures. They would be quite as entertaining as the histories of Guzman D'Alfarache, Lazarillo de Tormes, Estevanillo Gonzalez, Meriton Latroon, or any of my favourite rogues,—and far more instructive.”
“You had better write them for me, Mr. Gay,” rejoined Jack.
“If you'll write them, I'll illustrate them,” observed Hogarth.
“An idea has just occurred to me,” said Gay, “which Jack's narrative has suggested. I'll write an opera the scene of which shall be laid altogether in Newgate, and the principal character shall be a highmaywan. I'll not forget your two mistresses, Jack.”
“Nor Jonathan Wild, I hope,” interposed Sheppard.
“Certainly not,” replied Gay. “I'll gibbet the rascal. But I forget,” he added, glancing at Austin; “it's high treason to speak disrespectfully of Mr. Wild in his own domain.”
“I hear nothing, Sir,” laughed Austin.
“I was about to add,” continued Gay, “that my opera shall have no music except the good old ballad tunes. And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head.”
“You'll do a national service, then,” said Hogarth. “The sums lavished upon those people are perfectly disgraceful, and I should be enchanted to see them hooted from the stage. But I've an idea as well as you, grounded in some measure upon Sheppard's story. I'll take two apprentices, and depict their career. One, by perseverance and industry shall obtain fortune, credit, and the highest honours; while the other by an opposite course, and dissolute habits, shall eventually arrive at Tyburn.”
“Your's will be nearer the truth, and have a deeper moral, Mr. Hogarth,” remarked Jack, dejectedly. “But if my career were truly exhibited, it must be as one long struggle against destiny in the shape of—”