"And have my escapes really made so much noise as to reach the ear of royalty?" mused Jack. "I have done nothing—nothing to what I could do—to what I will do!"
"You've done quite enough," rejoined Austin; "more than you'll ever do again."
"And then to be taken thus, in these disgraceful bonds!" continued Jack, "to be held up as a sight for ever!"
"Why, how else would you be taken?" exclaimed the jailer, with a coarse laugh. "It's very well Mr. Wild allowed you to have your fine clothes again, or you might have been taken in a still more disgraceful garb. For my part, I think those shackles extremely becoming. But, here they are."
Voices being heard at the door, Austin flew to open it, and admitted Mr. Pitt, the governor, a tall pompous personage, who, in his turn, ushered in four other individuals. The first of these, whom he addressed as Mr. Gay, was a stout, good-looking, good-humoured man, about thirty-six, with a dark complexion, an oval face, fine black eyes, full of fire and sensibility, and twinkling with roguish humour—an expression fully borne out by the mouth, which had a very shrewd and sarcastic curl. The poet's appearance altogether was highly prepossessing. With a strong tendency to satire, but without a particle of malice or ill-nature in its display. Gay, by his strokes of pleasantry, whether in his writings or conversation, never lost a friend. On the contrary, he was a universal favourite, and numbered amongst his intimate acquaintances the choicest spirits of the time,—Pope, Swift, Arbuthnot, and "all the better brothers." His demeanour was polished; his manners singularly affable and gentle; and he was remarkable, for the generosity of his temper. In worldly matters Gay was not fortunate. Possessed, at one time, of a share in the South Sea stock, he conceived himself worth twenty thousand pounds. But, on the bursting of that bubble, his hopes vanished with it. Neither did his interest,—which was by no means inconsiderable,—nor his general popularity, procure him the preferment he desired. A constant attendant at court, he had the mortification to see every one promoted but himself, and thus bewails his ill-luck.
Places, I found, were daily given away,
And yet no friendly gazette mentioned Gay.
The prodigious success of the "Beggars' Opera," which was produced about four years after the date of this history, rewarded him for all his previous disappointments, though it did not fully justify the well-known epigram, alluding to himself and the manager, and "make Gay rich, and Rich gay." At the time of his present introduction, his play of "The Captives," had just been produced at Drury Lane, and he was meditating his "Fables," which were published two years afterwards.
Behind the poet came Sir James Thornhill. The eminent painter had handsome, expressive features, an aquiline nose, and a good deal of dignity in his manner. His age was not far from fifty. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. This young man, whose features, though rather plain and coarse, bore the strongest impress of genius, and who had a dark gray, penetrating eye, so quick in its glances that it seemed to survey twenty objects at once, and yet only to fasten upon one, bore the honoured name of William Hogarth. Why he paid so much attention to Sir James Thornhill may be explained anon.
The rear of the party was brought up by a large, powerfully-built man, with a bluff, honest, but rugged countenance, slashed with many a cut and scar, and stamped with that surly, sturdy, bull-dog-like look, which an Englishman always delights to contemplate, because he conceives it to be characteristic of his countrymen. This formidable person, who was no other than the renowned Figg, the "Atlas of the sword," as he is termed by Captain Godfrey, had removed his hat and "skull covering," and was wiping the heat from his bepatched and close-shaven pate. His shirt also was unbuttoned, and disclosed a neck like that of an ox, and a chest which might have served as a model for a Hercules. He had a flattish, perhaps, it should be called, a flattened nose, and a brown, leathern-looking hide, that seemed as if it had not unfrequently undergone the process of tanning. Under his arm he carried a thick, knotted crab-stick. The above description of
—the great Figg, by the prize-fighting swains
Sole monarch acknowledged of Mary'bone plains—