On arriving at the head of the nave, Leonard cast his eyes down it, and was surprised at the magical effect of the moonlight upon its magnificent avenue of pillars; the massive shafts on the left being completely illuminated by the silvery beams, while those on the right lay in deep shadow.
"Ay, it is a noble structure," replied the old verger, noticing his look of wonder and admiration, "and, like many a proud human being, has known better days. It has seen sad changes in my time, for I recollect it when good Queen Bess ruled the land. But come along, young man,—you have something else to think of now."
Bestowing a momentary glance upon the matchless choir, with its groined roof, its clerestory windows, its arched openings, its carved stalls, and its gorgeous rose-window, Leonard followed his conductor through a small doorway on the left of the southern transept, and descending a flight of stone steps, entered a dark and extensive vault, for such it seemed. The feeble light of the lantern fell upon ranks of short heavy pillars, supporting a ponderous arched roof.
"You are now in Saint Faith's," observed the verger, "and above you is the choir of Saint Paul's."
Leonard took no notice of the remark, but silently crossing the nave of this beautiful subterranean church (part of which still exists), traversed its northern aisle. At length the verger stopped before the entrance of a small chapel, once dedicated to Saint John the Baptist, but now devoted to a less sacred purpose. As they advanced, Leonard observed a pile of dried skulls and bones in one corner, a stone coffin, strips of woollen shrouds, fragments of coffins, mattocks, and spades. It was evidently half a charnel, half a receptacle for the sexton's tools.
"If you choose to open that door," said the verger, pointing to one at the lower end of the chamber, "you will find him you seek. I shall go no further."
Summoning up all his resolution, Leonard pushed open the door. A frightful scene met his gaze. At one side of a deep, low-roofed vault, the architecture of which was of great antiquity, and showed that it had been a place of burial, was stretched a miserable pallet, and upon it, covered by a single blanket, lay a wretch, whose groans and struggles proclaimed the anguish he endured. A lamp was burning on the floor, and threw a sickly light upon the agonized countenance of the sufferer. He was a middle-aged man, with features naturally harsh, but which now, contracted by pain, had assumed a revolting expression. An old crone, who proved to be his mother, and a young man, who held him down in bed by main force, tended him. He was rambling in a frightful manner; and as his ravings turned upon the most loathly matters, it required some firmness to listen to them.
At a little distance from him, upon a bench, sat a stout, shrewd-looking, but benevolent little personage, somewhat between forty and fifty. This was Doctor Hodges. He had a lancet in his hand, with which he had just operated upon the sufferer, and he was in the act of wiping it on a cloth. As Leonard entered the vault, the doctor observed to the attendants of the sick man, "He will recover. The tumour has discharged its venom. Keep him as warm as you can, and do not let him leave his bed for two days. All depends upon that. I will send him proper medicines and some blankets shortly. If he takes cold, it will be fatal."
The young man promised to attend to the doctor's injunctions, and the old woman mumbled her thanks.
"Where is Judith Malmayns?" asked Doctor Hodges: "I am surprised not to see her. Is she afraid of the distemper?"