Rowled it was in many a curious fret,
Much like a rich and curious coronet,
Upon whose arches twenty Cupids lay,
And were as tied, or loth to fly away.[24]
And so exuberant was this rarest feminine ornament, that, after encompassing her brow, it was passed behind, and hung down in long thick plaits almost to her feet. Sparkling, as the sunbeams that played upon her dark yet radiant features, were the large, black, Oriental eyes of the maiden, and shaded with lashes long and silken. Hers was a Moorish countenance, in which the magnificence of the eyes eclipses the face, be it ever so beautiful—an effect to be observed in the angelic pictures of Murillo,—and the lovely contour is scarcely noticed in the gaze which those long, languid, luminous orbs attract. Sybil's features were exquisite, yet you looked only at her eyes—they were the loadstars of her countenance. Her costume was singular, and partook, like herself, of other climes. Like the Andalusian dame, her choice of color inclined towards black, as the material of most of her dress was of that sombre hue. A bodice of embroidered velvet restrained her delicate bosom's swell; a rich girdle, from which depended a silver chain, sustaining a short poniard, bound her waist; around her slender throat was twined a costly kerchief; and the rest of her dress was calculated to display her slight, yet faultless, figure to the fullest advantage.
Unconscious that she was the object of regard, she raised her guitar, and essayed to touch the chords. She struck a few notes, and resumed her romance:
Swift that stream flows on,
Swift the night is wearing,—
Yet she is not gone,
Though with heart despairing.
Her song died away. Her hand was needed to brush off the tears that were gathering in her large dark eyes. At once her attitude was changed. The hare could not have started more suddenly from her form. She heard accents well known concluding the melody:
Dips an oar-plash—hark!—
Gently on the river;
'Tis her lover's bark.
On the Guadalquivir.
Hark! a song she hears!
Every note she snatches;
As the singer nears,
Her own name she catches.
Now the Gitanilla
Stays not by the water,
For the midnight hour
Hath her lover brought her.
It was her lover's voice. She caught the sound at once, and, starting, as the roe would arouse herself at the hunter's approach, bounded down the crag, and ere he had finished the refrain, was by his side.
Flinging the bridle to Turpin, Luke sprang to her, and caught her in his arms. Disengaging herself from his ardent embrace, Sybil drew back, abashed at the sight of the highwayman.
"Heed him not," said Luke; "it is a friend."
"He is welcome here then," replied Sybil. "But where have you tarried so long, dear Luke?" continued she, as they walked to a little distance from the highwayman. "What hath detained you? The hours have passed wearily since you departed. You bring good news?"