Unable otherwise to get rid of the terrified intruder, whose presence was an evident restraint to her, Mistress Nutter, at length, consented to accompany her to her room, and convince her of the folly of her fears, by an examination of the oratory. Alizon went with them, her mother not choosing to leave her behind, and indeed she herself was most anxious to go.

The abbot's chamber was large and gloomy, nearly twice the size of the room occupied by Mistress Nutter, but resembling it in many respects, as well as in the No interdusky hue of its hangings and furniture, most of which had been undisturbed since the days of Paslew. The very bed, of carved oak, was that in which he had slept, and his arms were still displayed upon it, and on the painted glass of the windows. As Alizon entered she looked round with apprehension, but nothing occurred to justify her uneasiness. Having raised the arras, from behind which Dorothy averred the figure had issued, and discovering nothing but a panel of oak; with a smile of incredulity, Mistress Nutter walked boldly towards the oratory, the two girls, hand in hand, following tremblingly after her; but no fearful object met their view. A dressing-table, with a large mirror upon it, occupied the spot where the altar had formerly stood; but, in spite of this, and of other furniture, the little place of prayer, as has previously been observed, retained much of its original character, and seemed more calculated to inspire sentiments of devotional awe than any other.

After remaining for a short time in the oratory, during which she pointed out the impossibility of any one being concealed there, Mistress Nutter assured Dorothy she might rest quite easy that nothing further would occur to alarm her, and recommending her to lose the sense of her fears as speedily as she could in sleep, took her departure with Alizon.

But the recommendation was of little avail. The poor girl's heart died within her, and all her former terrors returned, and with additional force. Sitting down, she looked fixedly at the hangings till her eyes ached, and then covering her face with her hands, and scarcely daring to breathe, she listened intently for the slightest sound. A rustle would have made her scream—but all was still as death, so profoundly quiet, that the very hush and silence became a new cause of disquietude, and longing for some cheerful sound to break it, she would have spoken aloud but from a fear of hearing her own voice. A book lay before her, and she essayed to read it, but in vain. She was ever glancing fearfully round—ever listening intently. This state could not endure for ever, and feeling a drowsiness steal over her she yielded to it, and at length dropped asleep in her chair. Her dreams, however, were influenced by her mental condition, and slumber was no refuge, as promised by Mistress Nutter, from the hauntings of terror.

At last a jarring sound aroused her, and she found she had been awakened by the clock striking twelve. Her lamp required trimming and burnt dimly, but by its imperfect light she saw the arras move. This could be no fancy, for the next moment the hangings were raised, and a figure looked from behind them; and this time it was not the monk, but a female robed in white. A glimpse of the figure was all Dorothy caught, for it instantly retreated, and the tapestry fell back to its place against the wall. Scared by this apparition, Dorothy rushed out of the room so hurriedly that she forgot to take her lamp, and made her way, she scarcely knew how, to the adjoining chamber. She did not tap at the door, but trying it, and finding it unfastened, opened it softly, and closed it after her, resolved if the occupants of the room were asleep not to disturb them, but to pass the night in a chair, the presence of some living beings beside her sufficing, in some degree, to dispel her terrors. The room was buried in darkness, the tapers being extinguished.

Advancing on tiptoe she soon discovered a seat, when what was her surprise to find Alizon asleep within it. She was sure it was Alizon—for she had touched her hair and face, and she felt surprised that the contact had not awakened her. Still more surprised did she feel that the young girl had not retired to rest. Again she stepped forward in search of another chair, when a gleam of light suddenly shot from one side of the bed, and the tapestry, masking the entrance to the closet, was slowly drawn aside. From behind it, the next moment, appeared the same female figure, robed in white, that she had previously beheld in the abbot's chamber. The figure held a lamp in one hand, and a small box in the other, and, to her unspeakable horror, disclosed the livid and contorted countenance of Mistress Nutter.

Alizon Alarmed at the Appearance of Mrs. Nutter.

Dreadful though undefined suspicions crossed her mind, and she feared, if discovered, she should be sacrificed to the fury of this strange and terrible woman. Luckily, where she stood, though Mistress Nutter was revealed to her, she herself was screened from view by the hangings of the bed, and looking around for a hiding-place, she observed that the mysterious wardrobe, close behind her, was open, and without a moment's hesitation, she slipped into the covert and drew the door to, noiselessly. But her curiosity overmastered her fear, and, firmly believing some magical rite was about to be performed, she sought for means of beholding it; nor was she long in discovering a small eyelet-hole in the carving which commanded the room.

Unconscious of any other presence than that of Alizon, whose stupor appeared to occasion her no uneasiness, Mistress Nutter, placed the lamp upon the table, made fast the door, and, muttering some unintelligible words, unlocked the box. It contained two singularly-shaped glass vessels, the one filled with a bright sparkling liquid, and the other with a greenish-coloured unguent. Pouring forth a few drops of the liquid into a glass near her, Mistress Nutter swallowed them, and then taking some of the unguent upon her hands, proceeded to anoint her face and neck with it, exclaiming as she did so, "Emen hetan! Emen hetan!"—words that fixed themselves upon the listener's memory.