“She was the very image of this damsel,” rejoined the tall archer, pointing to Mabel, “and fair enough to work his ruin, for it was through her that the fiend tempted him. The charms that proved his undoing were fatal to her also, for in a fit of jealousy he slew her. The remorse occasioned by this deed made him destroy himself.”
“Well, your version of the legend may be the correct one, for aught I know, worthy sir,” said Cutbeard; “but I see not that it accounts for Herne's antlers so well as mine, unless he were wedded to the nun, who you say played him false. But how came you to know she resembled Mabel Lyndwood?”
“Ay, I was thinking of that myself,” said Simon Quanden. “How do you know that, master?”
“Because I have seen her picture,” replied the tall archer.
“Painted by Satan's chief limner, I suppose?” rejoined Cutbeard.
“He who painted it had seen her,” replied the tall archer sternly. “But, as I have said, it was the very image of this damsel.”
And as he uttered the words, he quitted the kitchen.
“Who is that archer?” demanded Cutbeard, looking after him. But no one could answer the question, nor could any one tell when he had entered the kitchen.
“Strange!” exclaimed Simon Quanden, crossing himself. “Have you ever seen him before, Mabel?”
“I almost think I have,” she replied, with a slight shudder.