"Nothing appears to be more strange," said George, "on looking at these frescoed paintings, and on such mosaics as we have yet seen; than the extraordinary familiarity of their subjects.

"There are many depicted on these walls, and I do not think, Henry, we are first rate classics;--and yet it would be difficult to puzzle us, in naming the story whence these frescoes have their birth. Look at this Latona--and Leda--and the Ariadne abbandonata--and this must certainly be the blooming Hebe. Ah! and look at this little niche! This grinning little deity--the facsimile of an Indian idol--must express their idea of the Penates. Strange! is it not?"

"But are you not," rejoined Sir Henry, "somewhat disappointed in the dwelling-houses? This seems one of the most extensive, and yet, how diminutive the rooms! and how little of attraction in the whole arrangement, if we except this classic fountain.

"This I think is a proof, that the ancient Romans must have chiefly passed their day abroad--in the temples--the forum--or the baths--and have left as home tenants none but women, and those unadorned with the toga virilis.

"These habits may have tended to engender a manlier independence; and to impart to their designs a loftier spirit of enterprise. What say you, Acmé?"

"I might perhaps answer," replied Acmé, "that the happiness gained, is well worth the glory lost. But I must not fail to remind you, that--grand as this nation must have been--my poor fallen one was its precursor--its tutor--and its model."

Hence they wandered to the theatre--the forum--the pantheon--and amphitheatre:--which last, from their converse in the earlier part of the day--fancy failed not to fill with daring combatants. As the guide pointed out the dens for the wild beasts--the passages through which they came--and the arena for the combat--Sir Henry, like most British travellers, recalled the inimitable story of Thraso, and his lion fight. [Footnote: In Valerius.]

The following day was devoted to the Studio, and to the inspection of the relics of Pompeii.

These relics, interesting as they are, yet convey a melancholy lesson to the contemplative mind. Each modern vanity here has its parallel--each luxury its archetype. Here may be found the cameoed ring--and the signet seal--and the bodkin--and paint for the frail one's cheek--a cuirass, that a life guardsman might envy--weights--whose elegance of shape charm the eye. Not an article of modern convenience or of domestic comfort, that has not its representative. They teach us the trite French lesson.

"L'histoire se répète." With the exception of these two excursions, and one to Poestum; our travellers passed their mornings sight-seeing in Naples, and chiefly at the Studio, whose grand attraction is the thrilling group of the Taureau Farnese.