And when Pisanio, enlarging on the consequences, tells her she must change
—Fear and niceness,
The handmaids of all women, or more truly,
Woman its pretty self, into a waggish courage,
Ready in gibes, quick answer'd, saucy, and
As quarrellous as the weasel—
she interrupts him hastily;
Nay, be brief;
I see into thy end, and am almost
A man already.
In her journey thus disguised to Milford Haven, she loses her guide and her way; and unbosoming her complaints, says beautifully:
—My dear Lord,
Thou art one of the false ones; now I think on thee,
My hunger's gone; but even before, I was
At point to sink for food.
She afterwards finds, as she thinks, the dead body of Posthumus, and engages herself as a foot-boy to serve a Roman officer, when she has done all due obsequies to him whom she calls her former master:
—And when
With wild wood-leaves and weeds I ha' strew'd his grave,
And on it said a century of pray'rs,
Such as I can, twice o'er, I'll weep and sigh,
And leaving so his service, follow you,
So please you entertain me.
Now this is the very religion of love. She all along relies little on her personal charms, which she fears may have been eclipsed by some painted jay of Italy; she relies on her merit, and her merit is in the depth of her love, her truth and constancy. Our admiration of her beauty is excited with as little consciousness as possible on her part. There are two delicious descriptions given of her, one when she is asleep, and one when she is supposed dead. Arviragus thus addresses her:
—With fairest flowers,
While summer lasts, and I live here, Fidele,
I'll sweeten thy sad grave; thou shalt not lack
The flow'r that's like thy face, pale primrose, nor
The azur'd hare-bell, like thy veins, no, nor
The leaf of eglantine, which not to slander,
Out-sweeten'd not thy breath.