INDEX
INDEX
“Academy of Compliments,” [81].
Addison, Joseph, [xxxii], [liii], [lvii], [130], [142], [143], [144], [147], [153], [268], [303], [328], [377], [378].
Adventurer, The, [152], [342], [379].
Æschylus, [48], [71], [209], [278].
Alcæus, [193].
“Alexander’s Feast,” [199].
Alison, A., [xxxvi].
“A Mad World, My Masters,” [18].
“Amelia,” [160-2].
Amyot, Jacques, [352].
“Anatomy of Melancholy,” [224], [397], [400].
“Ancient Mariner,” [213], [297].
“Antony and Cleopatra,” [liv-lvi], [39], [361].
Aquinas, Thomas, [211], [328], [392].
Aram, Eugene, [326], [424].
Arbuthnot, John, [lx], [130], [212], [375].
Aretine, Peter, [12], [320], [353].
Ariel, [85-6], [210], [365].
Ariosto, Lodovico, [xliii], [11], [21], [243], [253], [320], [352].
Aristophanes, [48].
Aristophanes of Byzantium, [363].
Aristotle, xxxiii, [135].
Arnold, Matthew, [lix].
“As You Like It,” [lv], [58], [363].
Atherstone, Edwin, [xxxvii].
Ayrton, W., [304], [315-9], [328], [331], [378], [416].
Babbitt, Irving, [lxx n.]
Bacon, Francis, [xii], [xv], [liii], [1], [146], [254], [327 n.], [425].
Bagehot, W., [xxxiii], [lxxii].
Beattie, James, [365].
Beaumont and Fletcher, [lvi], [1], [2], [226], [326], [346], [422].
“Beggar’s Opera,” [71], [263].
Behmen, Jacob, 211, [392].
Belleforest, François de, [353].
Bentham, Jeremy, [lviii].
Berkeley, George, [xii], [210], [287 n.], [327], [338], [390].
Betterton, T., [141], [377].
Bewick, T., [201], [388].
Bible, [6-11], [264], [271], [272-3], [351].
Bickerstaff, Isaac, [139], [140], [377].
Birrell, A., [lxxii], [lxxiii].
Blackstone, Sir William, [157], [380].
Blackwood’s Magazine, [xxv-xxvii], [xxxvii], [lxxi].
Blackwood, W., [xxvii], [296], [413].
Blount, Martha, [121], [321], [324], [374].
Boccaccio, Giovanni, [xliii], [12], [16], [127], [137], [268], [320], [343], [352], [408-9], [422].
Boileau, Nicolas, [124], [374].
Bolingbroke, Viscount, [127], [129], [190], [375].
Borgia, Lucretia, [329].
Boswell, J., [150-1], [303], [317], [321], [379], [414].
Bowles, W. L., [xlv], [xlvii], [211], [245], [374], [393].
Britton, T., [302], [415].
“Broken Heart, The,” [lvi].
Brooke, Lord. See [Greville, Fulke].
Browne, Sir Thomas, [lxiv], [224], [316-7], [397], [400].
Buckingham, Duke of, [130], [375].
Buffamalco, [298 n.], [415].
Bulwer-Lytton, Edward, [lxxii].
Bunyan, John, [224], [269], [324], [409].
Burke, Edmund, [xii], [xiv], [liii], [lxvi], [145 n.], [147], [150], [156], [172-90];
his mental range, [172-3];
as an orator, [173-5];
subtlety of understanding, [176-8];
views on government and society, [179-82];
onesidedness, [182-3];
prose style, [184-9], [271 n.], [345], [384];
[212], [259], [284], [298], [325], [343-5], [411], [414-5].
Burleigh, Lord, [21], [356].
Burney, Fanny, [380], [383], [413], [417].
Burney, James, [304], [321], [416], [417].
Burney, Martin, [304], [321], [324], [328], [416-7].
Burns, Robert, [xxxvi], [7].
Burton, Robert, [224], [397], [400].
Butler, Joseph, [210], [287], [299], [327], [385], [390].
Byron, Lord, [xi], [xxiii], [xxvii n.], [xxxvi], [xxxvii], [xlv], [liii], [lviii-lix], [lxxi], [197], [203], [216], [236-50],
his self-centered nature contrasted with Scott’s, [236-41];
his intensity, [241-3];
his romances, [242];
his tragedies, [243];
his satire, [244-5];
his serio-comic style, [245-6];
his extravagance, [246-8];
aristocratic pride, [248];
death in Greece, [249-50], [393].
“Cain,” [247].
Calamy, Edmund, [211], [391].
“Caleb Williams,” [298].
“Camilla,” [291], [413].
“Campaign, The,” [268], [408].
Campbell, Thomas, [xxxvii], [xlv], [lviii], [417-8].
Carlyle, T., [xviii n.], [xxxi], [li].
Cary, H. F., [353].
Castiglione, B., [12], [353].
“Catiline,” [11].
Cervantes, Miguel de, [xiii], [97], [157-8], [347], [380], [430].
Chalmers, T., [263], [407].
Chantrey, Sir Francis, [294], [413].
Chapman, G., [2], [4], [11], [352].
Charron, P., [136 n.], [376].
Chatham, Lord, [174-5], [177 n.], [188], [383].
Chatterton, T., [328].
Chaucer, Geoffrey, [liii], [lxxiii], [21], [32], [34-5], [40-2], [200], [267-8], [319-21], [343], [408-9], [422].
Chester, John, [295-9].
Chesterton, G. K., [xviii].
“Childe Harold,” [242].
“Christabel,” [lvii], [214], [395].
Chubb, T., [338], [427].
Cibber, Colley, [52].
Cicero, [12], [188-9].
Cimabue, [329], [331], [425].
Cinthio, Giraldi, [353].
Citizen of the World, [152-3], [379].
Clarendon, Earl of, [346], [430].
“Clarissa Harlowe,” [168-9], [270].
Clarke, S., [210], [391].
Claude of Lorraine, [212], [264], [298 n.], [303], [329].
Cobbett, W., [lvii], [lxi-lxii], [lxvii].
Coke, Sir Edward, [1], [350].
Coleridge, S. T., [xiii],
service to English criticism, [xxxviii-xl];
[xlvii], [lii], [liii], [liv], [lviii-lix], [lxi], [lxiii-lxiv], [lxxi], [205-15];
his intellect, [205-7];
extent of reading, [209-12];
inactivity, [213];
his poetry, [213-4];
his prose, [214-5];
compared with Southey, [216-8]; [277-300];
his preaching, [279-80];
kindness to Hazlitt, [280], [283], [286];
appearance, [281];
literary opinions, [284-8], [298], [413-5];
conversation, [289], [301];
manner of reading, [292], [295];
[303], [304-5], [310], [311], [341], [345], [356], [358], [359], [362], [363], [367], [368], [369], [371], [374], [381], [387], [408], [411].
Collins, W., [200].
Comedy, [96-8], [371].
“Comedy of Errors,” [l].
“Comus,” [32].
Congreve, W., [97], [371].
Connoisseur, The, [152], [342], [379].
“Coriolanus,” [11], [361].
Corneille, Pierre, [361].
Cornwall, Barry, [xxxvi].
Correggio, [329], [425].
“Corsair, The,” [242].
Cotton, C., [138], [376].
“Count Fathom,” [164-5].
Cowley, A., [138], [377].
Cowper, W., [109], [211], [297].
Crabbe, G., [xxxvii], [lviii-lix].
Crebillon, Claude, [155], [212], [380].
Crichton, James, “the Admirable,” [326], [424].
Croker, J. W., [212], [393].
Croly, George, [xxxvii].
Cromwell, Oliver, [324].
Cudworth, R., [210], [390].
Cumberland, R., [365].
Curran, J. P., [310], [418].
“Cymbeline,” [lv], [50-9].
Dante, [xliii], [12], [48], [112], [114], [200], [243], [271], [273-5], [320], [353], [425].
D’Avenant, W., [407].
Davidson, John, [lxxiii n.]
Davies, Sir John, [21].
Davy, Sir Humphry, [342], [368], [429].
“Death of Abel,” [297], [413].
Defoe, Daniel, [liii], [157 n.], [269], [409].
Dekker, T., [lvi], [1], [4], [10], [18], [326], [421-2].
De Lolme, J. L., [157], [380].
“Delphine,” [333].
De Quincey, T., [xxxii], [lxvii], [387].
Dobell, Bertram, [398].
Domenichino, [296], [413].
“Don Juan,” [245], [246 n.]
Donne, J., [303], [318-9], [416].
“Don Quixote,” [164], [330], [337], [346], [381].
Douce, F., [306], [418].
Drake, Sir Francis, [1], [350].
Drake, Nathan, [17], [354].
Drummond, William, of Hawthornden, [326], [424].
Dryden, J., [xxxiii], [xxxiv], [107], [127], [200], [268], [303], [323].
Du Bartas, G., [12], [353].
Duns Scotus, [211], [328], [392].
Durfey, Tom, [141], [377].
Dyer, G., [313], [419].
Eachard, John, [157], [380].
Edgeworth, Maria, [xxxvi].
Edinburgh Review, [xi], [xv], [xxxv], [xxxvi], [xxxviii], [xlvi], [lxxi], [lxxii].
Edwards, Jonathan, [327], [424].
Elliston, R. W., [300], [415].
“Emilius,” [xlviii], [339-40].
“English Bards and Scotch Reviewers,” [244].
“Epistle of Eloise to Abelard,” [127].
“Essay on Criticism,” [124-5].
“Essay on Laws,” [xxiii].
“Essay on the Principles of Human Action,” [xiv], [287], [412].
Estcourt, R., [141], [377].
Euripides, [209].
“Eve of St. Agnes,” [lviii].
“Excursion, The,” [198].
“Faërie Queene,” [xlvii], [xlviii], [13], [356], [357].
Fairfax, Edward, [11].
Farquhar, George, [343].
Fawcett, J., [xii], [385].
Fichte, J. G., [212], [394].
Field, Barron, [324], [420].
Fielding, H., [xiii], [xlii], [lvii], [156-65], [167], [224], [298], [303], [324], [380], [415].
Fletcher, John, [4], [16], [17], [354].
Ford, John, [lvi].
Foster, John, [xxxv n.]
Fox, C. J., [177 n.], [188], [298], [385].
Francis, Sir Philip, [393].
Friend, The, [215], [396].
Froissart, Jean, [346], [430].
Froude, J. A., [xxxiii].
Fuller, T., [224], [346], [400].
Fuseli, H., [145], [310], [378].
Garrick, D., [151], [324-5], [420].
Gay, J., [224], [303], [328], [401].
Geoffrey of Monmouth, [353].
“George Barnwell,” [365].
Gessner, S., [413].
Ghirlandaio, [212], [329], [331], [394].
Gibbon, Edward, [xxxv], [224].
Gifford, W., [xxxviii].
“Gil Blas,” [303], [337], [381].
Giorgione, [329], [425].
Giotto, [212], [329], [331], [394].
Godwin, W., [xi], [xiii], [xv], [lxvii], [212], [226], [284-5], [300], [311], [326], [383], [393], [396].
Goethe, J. W., [xiii], [212], [341], [394], [409].
Golding, Arthur, [352].
Goldsmith, Oliver, [148], [150], [151], [152-3], [162], [170], [212], [308], [321], [325], [342].
Gosse, E., [xliv n.]
Gray, T., [155], [200], [298], [328], [414].
Greville, Fulke, [210], [316-7], [326], [390].
Guardian, The, [145], [378].
Guicciardini, F., [346], [430].
Guido, [329], [425].
“Guy Faux,” [224], [231], [315], [331], [399].
“Guzman d’Alfarache,” [381].
Halifax, Marquis of, [138], [376].
“Hamlet,” [liv], [14], [37-9], [51], [60], [76-84], [367-8].
Hampden, John, [232], [402].
Handel, G. F., [324], [415], [421].
Harrington, Sir John, [11].
Hartley, D., [210], [327], [338], [390].
Hawkesworth, John, [152], [379].
Haydon, B. F., [xxiv], [xxvi], [xxix], [294], [311], [413].
Hazlitt, John, [xiii].
Hazlitt, W., the elder, [xii], [277-8], [281-4], [411].
Hazlitt, W. In relation to his age, [xi-xii];
early environment and reading, [xii-xiii];
interest in metaphysics, [xiii-xv];
as a painter, [xiii-xiv];
beginnings of authorship, [xiv];
introduction to journalism, [xv];
as an essayist, [xvi ff.];
his paradox, [xvii-xx];
emotional warmth, [xx-xxi];
outward unhappiness, [xxi-xxii];
sentiment for the past, [xxii-xxiii];
attachment to political principles, [xxiii-xxv];
literary-political quarrels, [xxv-xxix];
embittered feelings, [xxix-xxxi];
Carlyle’s judgment, [xxxi];
as an essayist, [xxxii-xxxiii];
as a critic, [xxxix ff.];
debt to Coleridge, [xxxix-xl] and notes passim;
union of taste and judgment, [xl-xli];
catholicity of taste, [xli-xlii];
narrowness of reading, [xlii-xlv];
generalizing power, [xlv-xlvi];
historical viewpoint, [xlvi];
limitations, [xlvii];
feeling for books, [xlviii], [426];
on literature and life, [xlix];
on “imagination,” [xlix];
on substance and form, [l];
on poetry and metre, [li];
scope of his criticism, [lii-liii];
on Shakespeare, [liii-lvi];
on Elizabethan dramatists, [lvi];
on his contemporaries, [lvii-lix];
his prose style, [lix-lxix];
on diction, [lxvi n.];
use of quotations, [lxix];
influence, [lxix-lxxiii];
his view of English character, [19-20];
on progress in the arts, [262], [358];
friendship with Lamb, [398-400], [417];
meeting with Coleridge and its effects, [277-300].
Hazlitt, W. C, [xiv n.]
“Heaven and Earth,” [243].
Heine, Heinrich, [liv], [lxxi].
Henley, Ernest, [xxxiii].
Henry VI, [365].
Herford, C. H., [xlii n.]
Hesiod, [11].
Heywood, T., [2], [4], [326], [422].
Hobbes, T., [xii], [xv], [327], [338], [424].
Hoby, T., [353].
Hogarth, W., [158], [212], [225], [303], [324], [381].
Holcroft, T., [285], [300], [304-5], [411], [417].
Holinshed, Ralph, [15], [346], [353-4], [430].
Homer, [xlviii], [11], [104], [112], [115], [119], [189], [193], [253], [268], [270], [271-2], [273], [275], [352].
Hood, Tom, [xxxvii].
Hook, Theodore, [393].
Hooker, Richard, [1], [350].
Horne, R. H., [lxxii].
Howells, W. D., [lxxi].
Hume, D., [xii], [286-7], [327], [338], [411].
“Humphrey Clinker,” [164], [385].
Hunt, Leigh, [xvii], [xxvi], [xxxii], [liii], [lix], [lxxi], [306-7], [311], [327], [330-1], [390], [404], [418], [426].
Huss, John, [211], [391].
Hutchinson, Lucy, [330], [425].
Iago, [liv], [42], [72-6], [361], [365].
Imagination, [34];
in Shakespeare, [45];
in Milton, [104-5];
[255-6].
Inchbald, Elizabeth, [311], [383], [418].
Irving, Edward, [liii], [lix], [341].
Irving, Washington, [397].
Jeffrey, Francis, [xxxvi-xxxviii], [xlv], [lix], [244], [376], [404].
Jerome of Prague, [211], [391].
Jervas, C., [130-1], [375].
“John Bull,” [212], [393].
“John Buncle,” [xliv], [302].
Johnson, S., [xxxiv], [xxxvi], [lii], [34], [99], [107], [109], [145-52];
his prose style, [146-9], [186];
his character by Boswell, [150-2];
[167], [189], [201], [212], [287], [298], [303], [308], [317], [321], [325], [345], [358], [361], [362], [366], [373], [378], [387], [397], [409], [414-5].
“John Woodvill,” [226], [401].
Jonson, Ben, [1], [2], [4], [11], [226], [326], [423-4].
“Joseph Andrews,” [156-8], [160], [161-2], [337].
“Julia de Roubigné,” [154], [343].
“Julius Cæsar,” [11].
Junius, [190], [212], [224], [298], [303], [324], [345], [393], [414].
Kames, Lord, [xxxiv], [xxxv].
Kant, I., [212], [394], [395], [417].
Kean, E., [84], [368].
Keats, John, [xvi], [xxv], [xxxvi], [xlviii], [lviii], [341], [428-9].
Kemble, J. P., [84], [310], [367-8].
“King Lear,” [l], [liv], [14], [42], [48], [51], [60], [78], [256-7], [260], [361], [363].
Kneller, Sir Godfrey, [333], [427].
Kotzebue, A. F. F., [xliv].
La Fontaine, Jean de, [330], [425].
Lamb, Charles, [xvii], [xxii], [xxvi], [xxxii], [xliii], [xliv], [xlviii], [liii], [lvi], [lxi], [lxvii], [lxxi], [18], [71], [83 n.], [154], [209], [220-6],
his conversation, [225], [302-3], [311];
meeting with Hazlitt, [300];
friendship with Hazlitt, [305], [398-400], [417];
his Wednesday evenings, [302-332];
[311], [339 n.], [367], [368], [369], [380], [381], [386], [390], [425], [426].
Lamb, Mary, xxii, [330], [380], [415].
Landor, W. S., [xxxiii], [425].
Lang, Andrew, [xxvi].
“Laodamia,” [197].
“Lara,” [242].
La Rochefoucauld, François de, [xvi], [330], [425].
“Launcelot Greaves,” [164].
“Lazarillo de Tormes,” [381].
Leibnitz, G., [210], [327], [391].
Leonardo da Vinci, [225], [329], [331], [401].
Le Sage, Alain, [157], [380].
Lessing, G. E., [212], [395].
“Letter of Elia to Robert Southey,” [400], [417].
Lewis, M. G., [294], [413].
Liberal, The, [244], [404].
Lillie, Charles, [141], [377].
Lillo, G., [l], [71], [258], [365].
Locke, John, [315-6], [328], [338].
Lockhart, J. G., [xxvi], [xxvii], [xxviii], [xxxvii-xxxviii], [lix].
London Magazine, [xxvi n.], [xxxvii-xxxviii], [lxxi].
Longinus, [xxxiii], [xxxv], [lxvii], [115], [372].
Lounger, The, [153], [379].
Lowell, J. R., [lvi], [lxxii-lxxiii].
Lucas, E. V., [417].
Luther, Martin, [232], [402].
“Lutrin,” [124], [374].
“Lyrical Ballads,” [192], [198], [291-2], [297], [342].
Lyttleton, Lord, [379].
MacAdam, J. L., [232], [402].
Macaulay, T. B., [lxxi], [393].
“Macbeth,” [14], [42], [48], [51], [60-71], [263], [361], [365], [407].
Machiavelli, N., [12], [353].
Mackail, J. W., [lii n.]
Mackenzie, H., [153-4], [343], [379].
Mackintosh, Sir James, [284], [411].
Macpherson, J., [409-10].
Malebranche, N., [210], [390].
Malthus, T. R., [xiv].
Mandeville, B., [145], [218], [378].
“Manfred,” [244].
“Man of Feeling,” [154], [343].
“Man of the World, The,” [153].
Mansfield, Lord, [129], [375].
Marivaux, Pierre, [155], [212],
[380].
Marlborough, Duke of, [141], [377].
Marlowe, Christopher, [lvi], [2], [4], [16], [326], [338], [421].
Marston, John, [2], [4], [350].
Massaccio, [212], [394].
Michael Angelo, [200], [275], [329], [425].
Middleton, T., [2], [4], [71], [350].
“Midsummer Night’s Dream,” [lv], [17], [85-7], [363].
Millar, A., [333], [427].
Milman, Henry, [xxxvii].
Milton, John, [xlviii], [li], [lii], [liii], [lxi], [lxxiii], [4], [7], [33], [34-5], [41-2], [44], [47], [101-17];
his high seriousness, [101-4];
his learning, [104];
his ideas both musical and picturesque, [105-7], [371];
his blank verse, [107-9];
resemblance to Dante, [114];
compared with Homer, [115];
[120], [149], [189], [200], [211], [224], [265], [298], [303], [316], [343-4], [406], [408].
Mirror, The, [153], [379].
“Misanthrope,” [361].
Molière, J. B. P., [xliii], [97], [252], [330], [361], [425].
Montagu, Mrs. Basil, [311], [418].
Montague, Lady Mary Wortley, [324].
Montaigne, Michel de, [xvi], [134-8], [139], [146], [330], [376], [401].
Montesquieu, C. L. de S., [309].
Moore, Edward, [1], [258], [379], [406].
Moore, Thomas, [xxxvii], [lviii], [lxviii], [243].
More, Hannah, [xliv].
Morgan, Lady, [333], [426].
Morgann, Maurice, [359], [369].
Morley, John, [xliv n.], [383], [384].
“Much Ado About Nothing,” [371].
Murillo, [l], [281], [410].
Murray, John, [xxvii], [289].
Napoleon, [xiii], [xxiv], [343 n.], [372].
Neal, Daniel, [211], [391].
Newcastle, Duchess of, [210], [330], [390].
“New Eloise, The,” [339].
Newton, Sir Isaac, [145], [315-6], [389].
Ninon de Lenclos, [330], [425].
North, Sir Thomas, [11].
Northcote, James, [lvii], [307-8], [311], [401], [418].
“Ode on the Departing Year,” [290].
Oldfield, Anne, [141], [377].
Ophelia, [38-9], [82-3], [367].
Ossian, [271], [275-6], [408], [409-10].
“Othello,” [14], [42], [47], [51], [60], [72-6], [257], [361], [368].
Otway, T., [4], [328], [351].
Ovid, [11], [131], [137], [352].
Paine, Tom, [288], [411].
Paley, W., [201], [287], [388].
“Pamela,” [166-8].
“Paradise Lost,” [xlvii], [303], [310], [385], [406].
“Paradise Regained,” [303].
Parnell, T., [224], [400].
Parr, Samuel, [418].
“Paul and Virginia,” [290], [412-3].
“Peregrine Pickle,” [164], [335].
“Persian Letters,” [152], [379].
“Peter Bell,” [294-5].
Petrarch, F., [12], [320], [353].
Phaer, Thomas, [352].
Phillips, E., [304], [324], [416].
“Philoctetes,” [269], [409].
“Pilgrim’s Progress,” [li], [32], [268-9].
Pindar, [193].
Pindar, Peter, [219], [311], [396].
Pitt, William, [177 n.], [298].
Plato, [211], [253], [392].
Plotinus, [211], [392].
Plutarch, [11], [140], [352].
“Poems on the Naming of Places,” [290].
Poetry, epic and dramatic poetry distinguished, [43];
verse its obvious distinction, [118], [268-9];
poetry of art and nature, [119];
poetry defined, [251 ff.], [268-9];
tragic poetry, [256-61];
poetic diction, [261-2];
poetry and civilization, [262-3];
poetry and painting, [263-5];
poetry and rhythm, [265-8 n.];
poetry and eloquence, [271 n.]
Poole, Tom, [291], [295], [413].
Pope, Alexander, [xlii], [xlv], [lvii], [lxiii], [lxxii], [32], [107], [109], [110], [118-32];
his poetic limitations, [118];
the poet of artificial life, [119-122];
his correctness, [126-7];
his satire, [128-30];
his compliments, [129-30];
his letters, [132];
[136], [141], [200], [224], [245], [260], [268], [298], [303], [308], [321-3], [342], [357], [361], [362], [364], [373-4], [414].
Poussin, Gaspar, [296], [413].
Poussin, Nicolas, [26], [201], [357].
Priestley, Joseph, [xii], [xv], [xxiii], [210], [390].
Proclus, [211], [392].
Puck, [45],
compared with Ariel, [85-6], [365].
Quarterly Review, [xxv], [xxvi], [xxvii], [xxxv], [lxvi].
Rabelais, F., [48], [212], [330], [425].
Racine, J., [330], [425].
Radcliffe, Anne, [337], [383], [427].
Raleigh, Sir Walter, [1], [350].
Rambler, The, [145-6], [342], [378], [397].
“Rape of the Lock,” [l], [122-4].
Raphael, [212], [264], [298 n.], [329], [389], [416], [425].
“Rasselas,” [149], [378].
“Religious Musings,” [211].
Rembrandt, [202], [263], [329], [388], [389].
“Remorse,” [214], [299], [396].
“Return from Parnassus,” [17].
Reynolds, Mrs., [304], [321], [323], [416].
Reynolds, Sir Joshua, [275], [308], [325], [329], [418].
Richard II, [43], [365].
Richard III, compared with Macbeth, [68-70], [365].
Richardson, S., [xiii], [xlii], [lvii], [157], [158], [165-70], [270], [298], [303], [324], [342], [381], [415].
“Rivals, The,” [164].
Roberts, William, [244], [404].
Robertson, J. M., [lxxiii n.]
“Robinson Crusoe,” [li], [201], [268-9].
“Roderick Random,” [162-4].
Rogers, Samuel, [xxxvi], [xxxvii].
“Romeo and Juliet,” [liv], [51], [84-5], [310], [363], [368].
Ronsard, Pierre, [12], [353].
“Rosamond Gray,” [154], [226], [401].
Rousseau, J. J., [xii], [xiii], [xvi], [xxiv], [xliv n.], [212], [311], [330], [339-40], [428].
Rowley, William, [2], [350].
Rubens, Peter Paul, [30], [329], [357].
Sainte-Beuve, C. A., [xl], [lxx].
St. Evremont, Ch., [330], [401], [425].
St. Pierre, B., [413].
Saintsbury, G., [xl n.], [lvii], [lxx n.], [lxxiii n.], [366].
Sallust, [12].
Salmasius, Claudius, [114], [372].
Sannazarius, [388].
Saxo Grammaticus, [15], [353].
Schelling, F. W. J., [212], [394-5].
Schiller, Friedrich, [xliv], [214], [341], [409].
Schlegel, A. W., [liii n.], [liv], [lxxi], [84], [349], [358], [363], [368], [423].
Schlegel, F., [xxvii n.]
Scott, John, [xxvi n.], [xxviii].
Scott, Sir Walter, [xxviii], [xxxvi], [xxxvii], [liii], [lviii-lix], [227-35];
his novels, [227-30];
his freedom from prejudice, [230-1];
his Toryism, [231-3];
character, [234-5];
compared with Byron, [236-41], [246-7];
his poetry, [237-8], [241], [249], [296], [347], [383], [408], [427].
“Sejanus,” [11], [424].
Seneca, [177].
Settle, Elkanah, [128].
Shaftesbury, Lord, [138], [377], [408].
Shakespeare, W., [xxvii], [xxxiii], [xxxiv], [xlii], [xliii], [xlv], [l], [liii-lvi], [lxix], [lxxi], [lxxiii], [1],
rank among contemporaries, [2-5], [35];
[11], [13], [14], [17], [32], [33], [34-100];
compared with Chaucer, Spenser, and Milton, [34-5], [40-3];
compared with modern poets, [44];
universal sympathy of mind, [35-40], [119], [358];
his imagination, [45];
language and versification, [46-7];
faults, [47-8];
genius for comedy, [49], [96-9], [361], [371];
his women, [49], [51-2], [362];
unity of feeling, [56-7], [363];
his morality, [59], [81];
tragic power, [60], [361];
use of contrast, [66-7];
skill in individualizing character, [68-70], [85-6], [364-5];
unsuited to stage, [70-1], [83-4], [87], [369];
detachment from his characters, [78], [366];
his poetry, [99-100], [101], [104], [107], [119], [121], [158], [189], [200], [224], [229], [258], [268], [298], [303], [316], [331], [342], [406], [407], [421-3].
Shelley, P. B., [xi], [xxiv], [xxv], [xxxvi], [xxxvii], [lviii], [393].
Shenstone, William, [385].
Sheridan, R. B., [310].
Shrewsbury Chronicle, [xxiii].
Siddons, Sarah, [64], [364].
Sidney, Algernon, [232], [402].
Sidney, Sir Philip, [1], [16], [288], [303], [316], [354].
“Sir Charles Grandison,” [166], [168], [169], [270], [324], [383].
Sir Fopling Flutter, [xlviii], [312], [339], [419].
Sir Roger de Coverley, [142].
Smith, Adam, [282], [410].
Smollett, T., [157-8], [162-5], [224], [303], [381].
Socinus, F. P., [211], [391].
Somers, John, [232], [403].
Sophocles, [189], [209], [409].
“Sorrows of Werther,” [212], [394].
South, Robert, [210], [287], [391].
Southey, Robert, [xxviii],
[xxxvi], [lviii], [lxxi], [28], [212], [216-9], [289], [300], [395].
Spectator, The, [141-5], [342], [377].
Spenser, Edmund, [liii], [lvii], [lxxiii], [1], [13], [21-33];
his picturesqueness, [21 ff.];
his allegory, [25-26];
language and versification, [32-3];
[34-5], [103], [107], [265], [321], [343], [408].
Spinoza, Baruch, [211], [391].
de Staël, Madame, [xliv], [426].
Steele, Richard, [xxxii], [liii], [lvii], [139], [142], [144], [145], [303], [328].
Sterne, L., [xiii], [153], [157], [158], [170-1], [303], [309], [381], [397].
Stevenson, R. L., [xviii n.], [xxiii], [lix].
Stewart, Dugald, [328], [425].
Stoddart, Dr., [114], [372].
Stowe, John, [346], [430].
Suckling, Sir John, [16].
Surrey, Earl of, [16], [352], [354].
Swedenborg, Emanuel, [211], [392].
Swift, Jonathan, [xviii n.], [lx], [212], [303], [328], [377].
Sylvester, Joshua, [353].
Tacitus, [12].
Talfourd, T. N., [lxxii], [379].
“Tartuffe,” [361].
Tasso, T., [xliii], [11], [24 n.], [112], [243], [352].
Tatler, The, [139], [140-5], [342], [377].
Taylor, Jeremy, [liii], [211], [298], [392].
“Tempest,” [13], [85-6], [363].
Temple, Sir William, [138], [377].
Thackeray, W. M., [lxii].
Thomson, James, [109], [200], [212], [297], [328].
Thucydides, [346], [430].
Thurloe, John, [333], [427].
Tillotson, John, [210], [391].
“Timon of Athens,” [48], [361].
Titian, [264], [308], [320], [329], [343], [387], [389].
“Tom Jones,” [xlviii], [159-60], [162-3], [290], [335-7].
Tooke, Horne, [309], [310], [327], [418].
“Troilus and Cressida,” [45].
Tucker, Abraham, [xiv].
Turberville, George, [352-3].
Turenne, Marshal, [141], [377].
“Twelfth Night,” [96-100].
“Two Noble Kinsmen,” [17].
Twyne, Thomas, [352].
Vanbrugh, Sir John, [97], [141], [371].
Van Dyck, Sir Anthony, [329], [389], [425].
Velasquez, [281], [410].
“Venice Preserved,” [351].
Veronese, Paul, [228], [402].
Virgil, [11], [137], [140], [297], [352].
“Vision of Judgment,” [248], [289], [404-5].
Voltaire, F. M. A., [xliv], [48], [212], [330], [389], [401], [425].
Waithman, Robert, [226], [401].
“Wallenstein,” [214], [396].
Walton, Izaak, [201], [387-8].
Warton, Joseph, [xxxv], [408].
Waterloo, Antoine, [201], [388].
Waverley Novels, [224], [228-30], [240], [303], [333].
Webster, John, [lvi], [1], [4], [326], [421-2].
Wedgwood, Tom, [284-6], [411].
Whateley, Thomas, [365].
White, James, [304], [416].
“Whole Duty of Man,” [81].
Wickliff, John, [232], [402].
Wilson, John, [xxvi], [xxviii].
Wolcot, John. See [Peter Pindar].
Wolstonecraft, Mary, [284-5], [311], [393], [411].
Wordsworth, W., [xi], [xxviii-xxix], [xxxvi], [xxxvii], [xxxviii], [xliii], [xlviii], [liii], [lviii-lix], [lxix], [3], [109], [191-204];
the poet of simple humanity, [191];
his democracy, [192];
defiance of convention, [192-4];
poet of nature, [195-6];
his philosophic vein, [196-8];
his appearance, voice, and manner, [198-9], [293-5];
his opinions of poets and painters, [199-202], [388-9];
“the child of disappointment,” [203-4], [216], [242], [244], [284], [290-5];
meeting with Hazlitt, [293], [297], [311], [345], [386], [395], [413].
World, The, [152], [342], [379].
Wycherley, William, [97], [371].
Young, Edward, [109], [366].
Zanga, [76].
Zisca, John, [211], [391].