Ger. Yes, mother; but my coach-horses must take the wall of your coach-horses.

Touch. Come, come, the day grows low; 'tis supper time: and, sir, respect my daughter; she has refused for you wealthy and honest matches, known good men.

Ger. Body o' truth, citizen, citizens! Sweet knight, as soon as ever we are married, take me to thy mercy, out of this miserable city. Presently: carry me out of the scent of Newcastle coal and the hearing of Bow-bell, I beseech thee; down with me, for God's sake.'-Act I. Scene i.

This dotage on sound and show seemed characteristic of that age (see New Way to Pay Old Debts, etc.)—as if in the grossness of sense, and the absence of all intellectual and abstract topics of thought and discourse (the thin, circulating medium of the present day) the mind was attracted without the power of resistance to the tinkling sound of its own name with a title added to it, and the image of its own person tricked out in old-fashioned finery. The effect, no doubt, was also more marked and striking from the contrast between the ordinary penury and poverty of the age and the first and more extravagant demonstrations of luxury and artificial refinement.

(5) 'Gertrude. Good lord, that there are no fairies nowadays, Syn.

Syndefy. Why, Madam?

Ger. To do miracles, and bring ladies money. Sure, if we lay in a cleanly house, they would haunt it, Synne? I'll sweep the chamber soon at night, and set a dish of water o' the hearth. A fairy may come and bring a pearl or a diamond. We do not know, Synne: or there may be a pot of gold hid in the yard, if we had tools to dig for't. Why may not we two rise early i' the morning, Synne, afore anybody is up, and find a jewel i' the streets worth a hundred pounds? May not some great court-lady, as she comes from revels at midnight, look out of her coach, as 'tis running, and lose such a jewel, and we find it? ha!

Syn. They are pretty waking dreams, these.

Ger. Or may not some old usurer be drunk overnight with a bag of money, and leave it behind him on a stall? For God's sake, Syn, let's rise to-morrow by break of day, and see. I protest, la, if I had as much money as an alderman, I would scatter some on't i' the streets for poor ladies to find when their knights were laid up. And now I remember my song of the Golden Shower, why may not I have such a fortune? I'll sing it, and try what luck I shall have after it.'—Act V. Scene i.'