One of their kind, that relish all as sharply,
Passion’d as they, be kindlier moved than thou art?’
It has been observed that there is a peculiar charm in the songs introduced in Shakespear, which, without conveying any distinct images, seem to recall all the feelings connected with them, like snatches of half-forgotten music heard indistinctly and at intervals. There is this effect produced by Ariel’s songs, which (as we are told) seem to sound in the air, and as if the person playing them were invisible. We shall give one instance out of many of this general power.
‘Enter Ferdinand; and Ariel invisible, playing and singing.
ARIEL’S SONG.
Come unto these yellow sands,
And then take hands;
Curt’sied when you have, and kiss’d,
(The wild waves whist;)
Foot it featly here and there;