TIMON OF ATHENS
[210]. Follow his strides, Act I. 1. [211]. What, think’st thou, Act IV. 3 [moss’d trees]. A thing slipt, Act I. 1. Ugly all over with hypocrisy. Cf. ‘He is ugly all over with the affectation of the fine gentleman.’ Quoted by Steele from Wycherley, The Tatler, No. 38. [212]. This yellow slave, Act IV. 3. Let me look, Act IV. 1. [213]. What things in the world, Act IV. 3. loved few things better, Act I. 1. Come not to me, Act V. 1. These well express, Act V. 4.
CORIOLANUS
[214]. no jutting frieze and to make its pendant bed. Macbeth, Act I. 6. it carries noise, Act II. 1. Carnage is its daughter. See Wordsworth’s Ode, No. XLV. of Poems dedicated to National Independence and Liberty, ed. Hutchinson, 1895. The line was altered by Wordsworth in 1845. See also Byron’s Don Juan, Canto viii. Stanza 9. [215]. poor [these] rats, Act I. 1. as if he were a God, Act II. 1. Mark you and cares, Act III. 1. [216]. Now the red pestilence, Act IV. 1. [217]. Methinks I hither hear, Act I. 3 [At Grecian sword, contemning]. These are the ushers, Act II. 1. Pray now, no more, Act I. 9. [218]. The whole history. The sentence quoted is by Pope. See Malone’s Shakespeare, 1821, vol. xiv.
TROILUS AND CRESSIDA
[221]. Troy, yet upon her basis, Act I. 3. [222]. without o’erflowing full. Said of the Thames in Cooper’s Hill, by Sir John Denham (1615–1669).
ANTONY AND CLEOPATRA
[228]. like the swan’s down-feather, Act III. 2. If it be love indeed, Act I. 1. [229]. The barge she sat in, Act II. 2. like a doating mallard, Act III. 10. He’s speaking now, Act I. 5. It is my birthday and To let a fellow, Act. III. 13. Age cannot wither, Act. II. 2 [stale]. There’s gold, Act. II. 5. [230]. Dost thou not see, Act V. 2. Antony, leave thy lascivious wassels, Act I. 4. [For Mutina read Modena.] Yes, yes, Act III. 11. [231]. Eros, thou yet behold’st me, Act IV. 14. I see men’s judgments, Act III. 13. [232]. a master-leaver, Act IV. 9.
HAMLET
[232]. this goodly frame and man delighted not, Act II. 2. too much i’ th’ sun. Cf. Act II. 2. the pangs of despised love, Act III. 1. [233]. the outward pageants. Cf. the trappings and the suits of woe, Act I. 2. we have that within, Act I. 2. [234]. that has no relish of salvation and He kneels and prays [now might I do it pat, now he is praying], Act III. 3. How all occasions, Act IV. 4 [fust in us]. [235]. Whole Duty of Man, 1659, a once-popular ethical treatise of unknown authorship. Academy of Compliments, or the whole Art of Courtship, being the rarest and most exact way of wooing a Maid or Widow, by the way of Dialogue or complimental Expressions. London, 12mo. Academies of Compliments were also published in 1655 and 1669.