[320]. Mr. Cumberland. Richard Cumberland (1732–1811), dramatist. baited with the rabble’s curse. Macbeth, Act V. 8. a man no less sinned against. Cf. King Lear, Act III. 2. the lodged hate, Act IV. 1. milk of human kindness. Macbeth, Act I. 5. Jewish gaberdine, Act I. 3. lawful, Act IV. 1. on such a day, Act I. 3. [321]. I am as like, Act I. 3. To bait fish withal, Act III. 1. What judgment, Act IV. 1. [322]. I would not have parted, Act III. 1. civil doctor and On such a night, Act V. 1. conscience and the fiend, Act II. 2. I hold the world, Act I. 1.

THE WINTER’S TALE

[324]. We wonder that Mr. Pope. See Pope’s Preface, Malone’s Shakespeare, vol. i. p. 15. Ha’ not you seen, Act I. 2. [325]. Is whispering nothing? Act I. 2. [326]. Thou dearest Perdita, Act IV. 4. [329]. Even here undone, Act IV. 4.

ALL’S WELL THAT ENDS WELL

[330]. Oh, were that all, Act I. 1. The soul of this man, Act II. 5. the bringing off of his drum, Act III. 6 and Act IV. 1. [331]. Is it possible, Act IV. 1. Yet I am thankful, Act IV. 3. Frederigo Alberigi and his Falcon, Boccaccio’s Decameron, 5th day, 9th story. [332]. the story of Isabella. Id., 4th day, 5th story. Tancred and Sigismunda. Id., 4th day, 1st story. See also Dryden’s Sigismonda and Guiscardo. Honoria. Id., 5th day, 8th story. See also Dryden’s Theodore and Honoria. Cimon and Iphigene. Id., 5th day, 1st story. See also Dryden’s Cimon and Iphigenia. Jeronymo. Id., 4th day, 8th story. the two holiday lovers. Id., 4th day, 7th story. Griselda. Id., 10th day, 10th story.

LOVE’S LABOUR’S LOST

[332]. the golden cadences of poesy, Act IV. 2. set a mark of reprobation, Pope’s note to The Two Gentlemen of Verona. Malone’s Shakespeare, vol. iv. p. 13. [333]. as too picked, Act V. 1. as light as bird from brake [brier]. A Midsummer Night’s Dream, Act V. 1. O! and I forsooth, Act III. 1 [334]. Oft have I heard, Act V. 2 [your fruitful brain]. the words of Mercury, Act V. 2.

MUCH ADO ABOUT NOTHING

[335]. Oh, my lord, Act I. 1. No, Leonato, Act. IV. 1. [336]. She dying, Act IV. 1 [the idea of her life]. For look where Beatrice and What fire is in mine ears, Act III. 1.

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