No more than as a mirror that reflects
To proud Self-love her own intelligence?’
From the chemists and metaphysicians our author turns to the laughing sage of France, Voltaire. ‘Poor gentleman, it fares no better with him, for he’s a wit.’ We cannot, however, agree with Mr. Wordsworth that Candide is dull. It is, if our author pleases, ‘the production of a scoffer’s pen,’ or it is any thing but dull. It may not be proper in a grave, discreet, orthodox, promising young divine, who studies his opinions in the contraction or distension of his patron’s brow, to allow any merit to a work like Candide; but we conceive that it would have been more manly in Mr. Wordsworth, nor do we think it would have hurt the cause he espouses, if he had blotted out the epithet, after it had peevishly escaped him. Whatsoever savours of a little, narrow, inquisitorial spirit, does not sit well on a poet and a man of genius. The prejudices of a philosopher are not natural. There is a frankness and sincerity of opinion, which is a paramount obligation in all questions of intellect, though it may not govern the decisions of the spiritual courts, who may, however, be safely left to take care of their own interests. There is a plain directness and simplicity of understanding, which is the only security against the evils of levity, on the one hand, or of hypocrisy on the other. A speculative bigot is a solecism in the intellectual world. We can assure Mr. Wordsworth, that we should not have bestowed so much serious consideration on a single voluntary perversion of language, but that our respect for his character makes us jealous of his smallest faults!
With regard to his general philippic against the contractedness and egotism of philosophical pursuits, we only object to its not being carried further. We shall not affirm with Rousseau (his authority would perhaps have little weight with Mr. Wordsworth)—‘Tout homme reflechi est mechant‘; but we conceive that the same reasoning which Mr. Wordsworth applies so eloquently and justly to the natural philosopher and metaphysician may be extended to the moralist, the divine, the politician, the orator, the artist, and even the poet. And why so? Because wherever an intense activity is given to any one faculty, it necessarily prevents the due and natural exercise of others. Hence all those professions or pursuits, where the mind is exclusively occupied with the ideas of things as they exist in the imagination or understanding, as they call for the exercise of intellectual activity, and not as they are connected with practical good or evil, must check the genial expansion of the moral sentiments and social affections; must lead to a cold and dry abstraction, as they are found to suspend the animal functions, and relax the bodily frame. Hence the complaint of the want of natural sensibility and constitutional warmth of attachment in those persons who have been devoted to the pursuit of any art or science,—of their restless morbidity of temperament, and indifference to every thing that does not furnish an occasion for the display of their mental superiority and the gratification of their vanity. The philosophical poet himself, perhaps, owes some of his love of nature to the opportunity it affords him of analyzing his own feelings, and contemplating his own powers,—of making every object about him a whole length mirror to reflect his favourite thoughts, and of looking down on the frailties of others in undisturbed leisure, and from a more dignified height.
One of the most interesting parts of this work is that in which the author treats of the French Revolution, and of the feelings connected with it, in ingenuous minds, in its commencement and its progress. The solitary,[[60]] who, by domestic calamities and disappointments, had been cut off from society, and almost from himself, gives the following account of the manner in which he was roused from his melancholy:
‘From that abstraction I was roused—and how?
Even as a thoughtful shepherd by a flash
Of lightning, startled in a gloomy cave
Of these wild hills. For, lo! the dread Bastile,
With all the chambers in its horrid towers,