CCCXLIX. The greatest painters are those who have combined the finest general effect with the highest degree of delicacy and correctness of detail. It is a mistake that the introduction of the parts interferes or is incompatible with the effect of the whole. Both are to be found in nature. The most finished works of the most renowned artists are also the best.
CCCL. We are not weaned from a misplaced attachment by (at last) discovering the unworthiness of the object. The character of a woman is one thing; her graces and attractions another; and these last acquire even an additional charm and piquancy from the disappointment we feel in other respects. The truth is, a man in love prefers his passion to every other consideration, and is fonder of his mistress than he is of virtue. Should she prove vicious, she makes vice lovely in his eyes.
CCCLI. An accomplished coquet excites the passions of others, in proportion as she feels none herself. Her forwardness allures, her indifference irritates desire. She fans the flame that does not scorch her own bosom; plays with men’s feelings, and studies the effect of her several arts at leisure and unmoved.
CCCLII. Grace in women is the secret charm that draws the soul into its circle, and binds a spell round it for ever. The reason of which is, that habitual grace implies a continual sense of delight, of ease and propriety, which nothing can interrupt, ever varying, and adapting itself to all circumstances alike.
CCCLIII. Even among the most abandoned of the sex, there is generally found to exist one strong and individual attachment, which remains unshaken through all circumstances. Virtue steals like a guilty thing into the secret haunts of vice and infamy, clings to their devoted victim, and will not be driven quite away. Nothing can destroy the human heart.
CCCLIV. There is a heroism in crime as well as in virtue. Vice and infamy have their altars and their religion. This makes nothing in their favour, but is a proud compliment to man’s nature. Whatever he is or does, he cannot entirely efface the stamp of the Divinity on him. Let him strive ever so, he cannot divest himself of his natural sublimity of thought and affection, however he may pervert or deprave it to ill.
CCCLV. We judge of character too much from names and classes and modes of life. It alters very little with circumstances. The theological doctrines of Original Sin, of Grace, and Election, admit of a moral and natural solution. Outward acts or events hardly reach the inward disposition or fitness for good or evil. Humanity is to be met with in a den of robbers, nay, modesty in a brothel. Nature prevails, and vindicates its rights to the last.
CCCLVI. Women do not become abandoned with the mere loss of character. They only discover the vicious propensities which they before were bound to conceal. They do not (all at once) part with their virtue, but throw aside the veil of affectation and prudery.
CCCLVII. It is enough to satisfy ambition to excel in some one thing. In everything else, one would wish to be a common man. Those who aim at every kind of distinction turn out mere pretenders and coxcombs. One of the ancients has said that ‘the wisest and most accomplished man is like the statues of the Gods placed against a wall—in front an Apollo or a Mercury, behind a plain piece of marble.’
CCCLVIII. The want of money, according to the poet, has the effect of making men ridiculous. It not only has this disadvantage with respect to ourselves, but it often shews us others in a very contemptible point of view. If we sink in the opinion of the world from adverse circumstances, the world is apt to sink equally in ours. Poverty is the test of civility and the touchstone of friendship.