There is another subject on which Mr. Southey’s silence is still more inexcusable. It was understood to be for his exertions in the cause of Spanish liberty that he was made Poet-Laureate. It is then high time for him to resign. Why has he not written a single ode to a single Spanish patriot who has been hanged, banished, imprisoned, sent to the galleys, assassinated, tortured? It must be pleasant to those who are suffering under the thumb-screw to read Mr. Southey’s thoughts upon that ingenious little instrument of royal gratitude. Has he discovered that the air of a Court does not very well agree with remonstrances against acts of oppression and tyranny, when exercised by those who are born for no other purpose? Is his patriotism only a false cover, a Carlton-House convenience? His silence on this subject is not equivocal. Whenever Mr. Southey shews the sincerity of his former professions of zeal in behalf of Spanish liberty, by writing an elegy on the death of Porlier, or a review of the conduct of Ferdinand VII. (he is a subject worthy of Mr. Southey’s prose style), or by making the lame tailor of Madrid (we forget his name) the subject of an epic poem, we will retract all that we have said in disparagement of his consistency—But not till then.

We meant to have quoted several other passages, such as that in which old Praxis, that is, Experience, recommends it to the Princess to maintain the laws by keeping all that is old, and adding all that is new to them—that in which he regrets the piety and learning of former times, and then promises us a release from barbarism and brutishness by the modern invention of Sunday Schools—that in which he speaks of his own virtues and the wisdom of his friends—that in which he undertakes to write a martyrology.—But we are very tired of the subject, and the verses are not worth quoting. There is a passage in Racine which is; and with that, we take our leave of the Laureate, to whom it may convey some useful hints in explanation of his ardent desire for the gibbeting of Bonaparte and the burning of Paris:—

Nabal.—Que peut vous inspirer une haine si forte?

Est-ce que de Baal le zèle vous transporte?

Pour moi, vous le savez, descendu d’Ismaël,

Je ne sers ni Baal ni le Dieu d’Israel.

Mathan.—Ami, peux-tu penser que d’un zèle frivole

Je me laisse aveugler pour une vaine idole!

Né ministre du Dieu qu’en ce temple on adore,

Peut-être que Mathan le serviroit encore,