‘Our’s is an honest employment,’ says Peachum; ‘and so is a lawyer’s.’ It is a lawyer’s business to confound truth and falsehood in the minds of his hearers; and the natural consequence is, that he confounds them in his own. He takes his opinion of right and wrong from his brief: his soul is in his fee. His understanding is upon the town, and at the service of any cause that is paid for before-hand. He is not a hired suborner of facts, but of reasons; and though he would not violate the sacred obligation of an oath, as Lord Ellenborough calls it, by swearing that black is white, he holds himself at all times in readiness and bound in duty, to prove it so. He will not swear to an untruth to get himself hanged, but he will assert it roundly by the hour together to hang other persons, however innocent,—if he finds it in his retainer. We do not wish to say any thing illiberal of any profession or set of men in the abstract. But we think it possible, that they who are employed to argue away men’s lives at a venture in a court of justice, may be tempted to write them away deliberately in a newspaper. They who find it consistent with their honour to do this under the sanction of the court, may find it to their interest to do the same thing at the suggestion of a court. A lawyer is a sophist by profession; that is, a person who barters his opinion, and speaks what he knows to be false in defence of wrong, and to the prejudice of right. Not only the confirmed habit of looking at any side of a question with a view to make the worse appear the better reason, from a motive always foreign to the question itself, must make truth and falsehood sit loose upon him, and lead him to ‘look on both indifferently,’ as his convenience prompts; but the quibbles and quillets of the law give a handle to all that is petty and perverse in his understanding, and enable him to tamper with his principles with impunity. Thus the intricacy and verbal distinctions of the profession promote the practical duplicity of its professors; and folly and knavery become joint securities for one another. The bent of a lawyer’s mind is to pervert his talents, if he has any, and to keep down his feelings, if they are at all in his way. He lives by forging and uttering counterfeit pretexts; he says not what he believes to be true, but any thing that by any trick or sleight he can make others believe; and the more petty, artificial, and far-fetched the contrivance, the more low, contemptible, and desperate the shift, the more is he admired and cried up in his profession. A perfect lawyer is one whose understanding always keeps pace with the inability of words to keep pace with ideas: who by natural conformation of mind cannot get beyond the letter to the spirit of any thing; who, by a happy infirmity of soul, is sure never to lose the form in grasping at the substance. Such a one is sure to arrive at the head of his profession! Look at the lawyers in the House of Commons (of course at the head of their profession)—look at Garrow. We have heard him stringing contradictions there with the fluency of water, every third sentence giving the lie to the two former; gabbling folly as if it were the last opportunity he might ever have, and as regularly put down as he rose up—not for false statements, not for false reasoning, not for common-place absurdities or vulgar prejudices, (there is enough of these to be found there without going to the bar), but for such things as nobody but a lawyer could utter, and as nobody (not even a lawyer) could believe. The only thing that ever gave us a good opinion of the House of Commons was to see the contempt with which they treat lawyers there. The reason is, that no one there but a lawyer fancies himself holding a brief in his hand as a carte-blanche for vanity and impertinence—no one else thinks he has got an ad libitum right to express any absurd or nonsensical opinions he pleases, because he is not supposed to hold the opinions he expresses—no one else thinks it necessary to confound the distinctions of common-sense to subject them to those of the law (even Lord Castlereagh would never think of maintaining it to be lawful to detain a person kidnapped from France, on the special plea, that the law in that case not provided had not declared it lawful to detain persons so kidnapped, if not reclaimed by their own country)—no one else thinks of huddling contradictions into self-evident truths by legal volubility, or of sharpening nonsense into sense by legal acuteness, or of covering shallow assumptions under the solemn disguises of the long robe. The opinions of the gentlemen of the bar go for nothing in the House of Commons: but their votes tell; and are always sure—in the end! The want of principle makes up for the want of talent. What a tool in the hands of a minister is a whole profession, habitually callous to the distinctions of right and wrong, but perfectly alive to their own interest, with just ingenuity enough to be able to trump up some fib or sophistry for or against any measure, and with just understanding enough to see no more of the real nature or consequences of any measure than suits their own or their employer’s convenience! What an acquisition to ‘the tried wisdom of parliament’ in the approaching hard season!
But all this, though true, seems to fall short of the subject before us. The weak side of the professional character is rather an indifference to truth and justice, than an outrageous and inveterate hatred to them. They are chargeable, as a general class of men, with levity, servility, and selfishness; but it seems to be quite out of their character to commence furious and illiberal fanatics against those who have more principle than themselves. But not when this character is ingrafted on that of a true Jacobin renegado. Such a person (and no one else) would be fit to write the leading article in The Times. It is this union of rare accomplishments (there seems, after all, to be nothing contradictory in the coalition of the vices) that enables that nondescript person to blend the violence of the bravo with the subtlety of a pettifogging attorney—to interlard his furious appeals to the lowest passions of the middle and upper classes, with nice points of law, reserved for the opinion of the adepts in the profession—to appeal to the passions of his city readers when any thing wrong is to be done, and to their cooler and dispassionate judgments when any thing right is to be done—that makes him stick (spell-bound) to the letter of the law when it is in his favour, and set every principle of justice and humanity at defiance when it interferes with his pragmatical opinion—that makes him disregard all decency as well as reason out of ‘the lodged hatred’ he bears to the cause he has deserted, and to all who have not, like himself, deserted it—that made him urge the foul death of the brave Marshal Ney, by putting a legal interpretation on a military convention—that tempted him to make out his sanguinary list of proscribed rebels and regicides (he was not for making out any such list in the year 1793, nor long after the event he now deplores with such well-timed indignation)—that makes him desperately bent on hanging wretches at home in cobweb chains spun from his own brains—that makes him stake the liberty of nations or the independence of states on a nickname or a law-quillet, as his irritable humour or professional habits prevail—that sets him free from all restraints or deference to others in forming his own opinions, and which would induce him to subject all the rest of the world to his unprincipled and frantic dogmas, by entangling them in the quirks and technicalities of the law! No one else would heroically consign a whole continent to the most odious and despicable slavery in the world, on the strength of a flaw in a proclamation: or call that piece of diplomatic atrocity, the declaration of the 25th of March, a delicious declaration. Such a man might sell his country, or enslave his species, and justify it to his conscience and the world by some law-term! Such men are very dangerous, unless when they are tied up in the forms of a profession, where form is opposed to form, where no-meaning baffles want of sense, and where no great harm is done, because there is not much to do: but when chicane and want of principle are let loose upon the world, ‘with famine, sword, and fire at their heels, leashed in like hounds,’ when they have their prey marked out for them by the passions, when they are backed by force—when the pen of the Editor of The Times is seconded by eleven hundred thousand bayonets—then such men are very mischievous.
‘My soul, turn from them: turn we to survey’ where poetry, joined hand in hand with liberty, renews the golden age in 1793, during the reign of Robespierre, which was hardly thought a blot in their escutcheon, by those who said and said truly, for what we know, that he destroyed the lives of hundreds, to save the lives of thousands: (Mark; then, as now, ‘Carnage was the daughter of Humanity.’ It is true, these men have changed sides, but not parted with their principles, that is, with their presumption and egotism)—let us turn where Pantisocracy’s equal hills and vales arise in visionary pomp, where Peace and Truth have kissed each other ‘in Philarmonia’s undivided dale’; and let us see whether the fictions and the forms of poetry give any better assurance of political consistency than the fictions and forms of law.
The spirit of poetry is in itself favourable to humanity and liberty: but, we suspect, not in times like these—not in the present reign. The spirit of poetry is not the spirit of mortification or of martyrdom. Poetry dwells in a perpetual Utopia of its own, and is, for that reason, very ill calculated to make a Paradise upon earth, by encountering the shocks and disappointments of the world. Poetry, like the law, is a fiction; only a more agreeable one. It does not create difficulties where they do not exist; but contrives to get rid of them, whether they exist or not. It is not entangled in cobwebs of its own making, but soars above all obstacles. It cannot be ‘constrained by mastery.’ It has the range of the universe; it traverses the empyreum, and looks down on nature from a higher sphere. When it lights upon the earth, it loses some of its dignity and its use. Its strength is in its wings; its element the air. Standing on its feet, jostling with the crowd, it is liable to be overthrown, trampled on, and defaced; for its wings are of a dazzling brightness, ‘heaven’s own tinct,’ and the least soil upon them shews to disadvantage. Sunk, degraded as we have seen it, we shall not insult over it, but leave it to time to take out the stains, seeing it is a thing immortal as itself. ‘Being so majestical, we should do it wrong to offer it but the shew of violence.’ But the best things, in their abuse, often become the worst; and so it is with poetry when it is diverted from its proper end. Poets live in an ideal world, where they make every thing out according to their wishes and fancies. They either find things delightful, or make them so. They feign the beautiful and grand out of their own minds, and imagine all things to be, not what they are, but what they ought to be. They are naturally inventors, creators not of truth but beauty: and while they speak to us from the sacred shrine of their own hearts, while they pour out the pure treasures of thought to the world, they cannot be too much admired and applauded: but when, forgetting their high calling, and becoming tools and puppets in the hands of others, they would pass off the gewgaws of corruption and love-tokens of self-interest, as the gifts of the Muse, they cannot be too much despised and shunned. We do not like novels founded on facts, nor do we like poets turned courtiers. Poets, it has been said, succeed best in fiction: and they should for the most part stick to it. Invention, not upon an imaginary subject, is a lie: the varnishing over the vices or deformity of actual objects, is hypocrisy. Players leave their finery at the stage-door, or they would be hooted: poets come out into the world with all their bravery on, and yet they would pass for bonâ fide persons. They lend the colours of fancy to whatever they see: whatever they touch becomes gold, though it were lead. With them every Joan is a lady: and kings and queens are human. Matters of fact they embellish at their will, and reason is the plaything of their passions, their caprice, or interest. There is no practice so base of which they will not become the panders: no sophistry of which their understanding may not be made the voluntary dupe. Their only object is to please their fancy. Their souls are effeminate, half man and half woman: they want fortitude, and are without principle. If things do not turn out according to their wishes, they will make their wishes turn round to things. They can easily overlook whatever they do not approve, and make an idol of any thing they please. The object of poetry is to please: this art naturally gives pleasure, and excites admiration. Poets, therefore, cannot do well without sympathy and flattery. It is, accordingly, very much against the grain that they remain long on the unpopular side of the question. They do not like to be shut out when laurels are to be given away at court—or places under government to be disposed of, in romantic situations in the country. They are happy to be reconciled on the first opportunity to prince and people, and to exchange their principles for a pension. They have not always strength of mind to think for themselves; nor honesty enough to bear the unjust stigma of the opinions they have taken upon trust from others. Truth alone does not satisfy their pampered appetites, without the sauce of praise. To prefer truth to all other things, it requires that the mind should have been at some pains in finding it out, and that it should feel a severe delight in the contemplation of truth, seen by its own clear light, and not as it is reflected in the admiring eyes of the world. A philosopher may perhaps make a shift to be contented with the sober draughts of reason: a poet must have the applause of the world to intoxicate him. Milton was however a poet, and an honest man; he was Cromwell’s secretary.
We have here described the spirit of poetry when it comes in contact with the spirit of the world. Let us see what results from it when it comes in contact with the spirit of Jacobinism. The spirit of Jacobinism is essentially at variance with the spirit of poetry: it has ‘no figures nor no fantasies,’ which the prejudices of superstition or the world draw in the brains of men: ‘no trivial fond records’: it levels all distinctions of art and nature: it has no pride, pomp, or circumstance, belonging to it; it converts the whole principle of admiration in the poet (which is the essence of poetry) into admiration of himself. The spirit of Jacobin poetry is rank egotism. We know an instance. It is of a person who founded a school of poetry on sheer humanity, on ideot boys and mad mothers, and on Simon Lee, the old huntsman. The secret of the Jacobin poetry and the anti-jacobin politics of this writer is the same. His lyrical poetry was a cant of humanity about the commonest people to level the great with the small; and his political poetry is a cant of loyalty to level Bonaparte with kings and hereditary imbecility. As he would put up the commonest of men against kings and nobles, to satisfy his levelling notions, so for the same reason, he would set up the meanest of kings against the greatest of men, reposing once more on the mediocrity of royalty. This person admires nothing that is admirable, feels no interest in any thing interesting, no grandeur in any thing grand, no beauty in any thing beautiful. He tolerates nothing but what he himself creates; he sympathizes only with what can enter into no competition with him, with ‘the bare earth and mountains bare, and grass in the green field.’ He sees nothing but himself and the universe. He hates all greatness, and all pretensions to it but his own. His egotism is in this respect a madness; for he scorns even the admiration of himself, thinking it a presumption in any one to suppose that he has taste or sense enough to understand him. He hates all science and all art; he hates chemistry, he hates conchology; he hates Sir Isaac Newton; he hates logic, he hates metaphysics, which he says are unintelligible, and yet he would be thought to understand them; he hates prose, he hates all poetry but his own; he hates Shakespeare, or what he calls ‘those interlocutions between Lucius and Caius,’ because he would have all the talk to himself, and considers the movements of passion in Lear, Othello, or Macbeth, as impertinent, compared with the Moods of his own Mind; he thinks every thing good is contained in the ‘Lyrical Ballads,’ or, if it is not contained there, it is good for nothing; he hates music, dancing, and painting; he hates Rubens, he hates Rembrandt, he hates Raphael, he hates Titian, he hates Vandyke; he hates the antique; he hates the Apollo Belvidere; he hates the Venus de Medicis. He hates all that others love and admire but himself. He is glad that Bonaparte is sent to St. Helena, and that the Louvre is dispersed for the same reason—to get rid of the idea of any thing greater, or thought greater than himself. The Bourbons, and their processions of the Holy Ghost, give no disturbance to his vanity; and he therefore gives them none.
THE TIMES NEWSPAPER
ON THE CONNEXION BETWEEN TOAD-EATERS AND TYRANTS
‘Doubtless, the pleasure is as great
‘In being cheated as to cheat.’
Jan. 12, 1817.
We some time ago promised our friend, Mr. Robert Owen, an explanation of some of the causes which impede the natural progress of liberty and human happiness. We have in part redeemed this pledge in what we said about Coriolanus, and we shall try in this article to redeem it still more. We grant to our ingenious and romantic friend, that the progress of knowledge and civilization is in itself favourable to liberty and equality, and that the general stream of thought and opinion constantly sets in this way, till power finds the tide of public feeling becoming too strong for it, ready to sap its rotten foundations, and ‘bore through its castle-walls’; and then it contrives to turn the tide of knowledge and sentiment clean the contrary way, and either bribes human reason to take part against human nature, or knocks it on the head by a more summary process. Thus, in the year 1792, Mr. Burke became a pensioner for writing his book against the French Revolution, and Mr. Thomas Paine was outlawed for his Rights of Man. Since that period, the press has been the great enemy of freedom, the whole weight of that immense engine (for the purposes of good or ill) having a fatal bias given to it by the two main springs of fear and favour.