There; ‘t hath the true perfection. I’m so light

At any mischief: there’s no villainy

But is in tune, methinks.

Fire. A tune! ’Tis to the tune of damnation then. I warrant you that song hath a villainous burthen.

Hec. Come, my sweet sisters; let the air strike our tune,

Whilst we show reverence to yond peeping moon.

[The Witches dance, and then exeunt.

I will conclude this account with Mr. Lamb’s observations on the distinctive characters of these extraordinary and formidable personages, as they are described by Middleton or Shakespear.

‘Though some resemblance may be traced between the charms in Macbeth and the incantations in this play, which is supposed to have preceded it, this coincidence will not detract much from the originality of Shakespear. His witches are distinguished from the witches of Middleton by essential differences. These are creatures to whom man or woman, plotting some dire mischief, might resort for occasional consultation. Those originate deeds of blood, and begin bad impulses to men. From the moment that their eyes first meet Macbeth’s, he is spell-bound. That meeting sways his destiny. He can never break the fascination. These Witches can hurt the body; those have power over the soul.—Hecate, in Middleton, has a son, a low buffoon: the Hags of Shakespear have neither child of their own, nor seem to be descended from any parent. They are foul anomalies, of whom we know not whence they sprung, nor whether they have beginning or ending. As they are without human passions, so they seem to be without human relations. They come with thunder and lightning, and vanish to airy music. This is all we know of them.—Except Hecate, they have no names, which heightens their mysteriousness. The names, and some of the properties which Middleton has given to his Hags, excite smiles. The Weird Sisters are serious things. Their presence cannot consist with mirth. But in a lesser degree, the Witches of Middleton are fine creations. Their power too is, in some measure, over the mind. They “raise jars, jealousies, strifes, like a thick scurf o’er life.“’

LECTURE III
ON MARSTON, CHAPMAN, DECKAR, AND WEBSTER