Im. If any man or woman—
Sir Rad. That’s too low.
Im. If any man or woman can tell any tidings of a horse with four feet, two ears, that did stray about the seventh hour, three minutes in the forenoon, the fifth day—
Sir Rad. Boy, write him down for a good utterance. Master Recorder, I think he hath been examined sufficiently.
Rec. Aye, Sir Roderick, ’tis so: we have tried him very thoroughly.
Page. Aye, we have taken an inventory of his good parts, and prized them accordingly.
Sir Rad. Signior Immerito, forasmuch as we have made a double trial of thee, the one of your learning, the other of your erudition; it is expedient, also, in the next place, to give you a few exhortations, considering the greatest clerks are not the wisest men: this is therefore first to exhort you to abstain from controversies; secondly, not to gird at men of worship, such as myself, but to use yourself discreetly; thirdly, not to speak when any man or woman coughs: do so, and in so doing, I will persevere to be your worshipful friend and loving patron. Lead Immerito in to my son, and let him dispatch him, and remember my tythes to be reserved, paying twelve-pence a-year.’
Gammer Gurton’s Needle[[29]] is a still older and more curious relic; and is a regular comedy in five acts, built on the circumstance of an old woman having lost her needle, which throws the whole village into confusion, till it is at last providentially found sticking in an unlucky part of Hodge’s dress. This must evidently have happened at a time when the manufacturers of Sheffield and Birmingham had not reached the height of perfection which they have at present done. Suppose that there is only one sewing-needle in a parish, that the owner, a diligent notable old dame, loses it, that a mischief-making wag sets it about that another old woman has stolen this valuable instrument of household industry, that strict search is made every where in-doors for it in vain, and that then the incensed parties sally forth to scold it out in the open air, till words end in blows, and the affair is referred over to the higher authorities, and we shall have an exact idea (though perhaps not so lively a one) of what passes in this authentic document between Gammer Gurton and her Gossip Dame Chat, Dickon the Bedlam (the causer of these harms), Hodge, Gammer Gurton’s servant, Tyb her maid, Cocke, her ‘prentice boy, Doll, Scapethrift, Master Baillie his master, Doctor Rat, the Curate, and Gib the Cat, who may be fairly reckoned one of the dramatis personæ, and performs no mean part.
‘Gog’s crosse, Gammer’ (says Cocke the boy), ‘if ye will laugh, look in but at the door,
And see how Hodge lieth tumbling and tossing amidst the floor,