The true pathos. Burns, Epistle to Dr. Blacklock.
The Unnatural Combat, 1639; The Picture, licensed 1629; The Duke of Milan, 1623; A New Way to Pay Old Debts, 1633; The Bondman, 1624; The Virgin Martyr, 1622.
[267]. Felt a stain like a wound. Burke, Reflections on the French Revolution, ed. Payne, II. 89.
Note. See A View of the English Stage, and notes thereto.
[268]. Rowe’s Fair Penitent. 1703. Nicholas Rowe (1673–1718).
Fatal Dowry. 1632.
’Tis Pity She’s a Whore. 1633.
[269]. Annabella and her husband. Act IV. 3.
The Broken Heart. 1633.
[270]. Miss Baillie. See p. 147 and notes thereto.