Eros. It does, my Lord.

Ant. My good Knave, Eros, now thy Captain is

Even such a body, &c.

It is remarkable that the French, who are a lively people and fond of shew and striking images, should be able to read and hear with such delight their own dramatic pieces, which abound in nothing but general maxims, and vague declamation, never embodying any thing, and which would appear quite tedious to an English audience, who are generally considered as a dry, dull, plodding people, much more likely to be satisfied with formal descriptions and grave reflections. This appears to me to come to the same thing that I have said before, namely, that it is characteristic of the French that their feelings let go their hold of things almost as soon as the impression is made. Except sensible impressions therefore (which have on that account more force, and carry them away without opposition while they last) all their feelings are general; and being general, not being marked by any strong distinctions, nor built on any deep foundation of inveterate associations, one thing serves to excite them as well as another, the name of the general class to which any feeling belongs, the words pleasure, charming, delicious, &c., convey just the same meaning, and excite the same kind of emotion in the mind of a Frenchman, and at the same time do this more readily, than the most forcible description of real feelings, and objects. The English on the contrary are not so easily moved with words, because being in the habit of retaining individual images and of brooding over the feelings connected with them, the mere names of general classes, or (which is the same thing) vague and unmeaning descriptions or sentiments must appear perfectly indifferent to them. Hence the French are delighted with Racine, the English (I mean some of them) admire Shakespear. Rousseau is the only French writer I am acquainted with (though he by the bye was not a Frenchman) who from the depth of his feelings, without many distinct images, produces the same kind of interest in the mind that is excited by the events and recollections of our own lives. If he had not true genius, he had at least something which was a very good substitute for it. The French generalise perpetually, but seldom comprehensively: they make an infinite number of observations, but have never discovered any great principle. They immediately perceive the analogy between a number of facts of the same class, and make a general inference, which is done the more easily, the fewer particulars you trouble yourself with; it is in a good measure the art of forgetting. The difficult part of philosophy is, when a number of particular observations and contradictory facts have been stated, to reconcile them together by finding out some other distinct view of the subject, or collateral circumstance, applicable to all the different facts or appearances, which is the true principle from which, when combined with particular circumstances, they are all derived. Opposite appearances are always immediately incompatible with each other, and cannot therefore be deduced from the same immediate cause, but must be accounted for from a combination of different causes, the discovery of which is an affair of comprehension, and not of mere abstraction.

[81]. Berkeley’s Essay on Vision.

[82]. See page [392], and the following pages.

[83]. The sum of the matter is this. Individuality may relate either to absolute unity, to the identity, or similarity of the parts of any thing, or to an extraordinary degree of connection between things neither the same nor similar. This last alone in fact determines the positive use of the word, at least with respect to man, and other organized beings. (Indeed the term is hardly ever applied to other things in common language.) When I speak of the difference between one individual and another, this must refer ultimately to the want of such connection between them, or to my perceiving that a number of things are so connected as to have a mutual and intimate dependence on one another, making one individual, and that they are so disconnected with a number of other things as not to have the least habitual dependence upon or influence over them, which makes them two distinct individuals. As to the other distinctions between one individual and another, namely those of number and properties, the first of these subsists as necessarily between the parts of the individual, as between one individual and another, and the second frequently subsists in a much greater degree between those parts, than between different individuals. Two distinct individuals can certainly never be the same: that is, supposing the number of parts in each individual to be as 10, 10 can never make 20. But neither can 10 ever be made into an unit; so that we should have ten individuals instead of one by insisting on the absolute distinction of numbers. When I say therefore that one individual differs from another, I must be understood by implication to mean, in some way in which the parts of that individual do not differ from each other or not by any means in the same degree. The mind is however extremely apt to fasten on the distinctions of number and properties where they co-exist with the other distinction, and almost loses sight of those distinctions between things that have a very close connection with each other. When therefore we include the distinctions of number and properties in our account of the difference between one individual and another, this can only be true in an absolute sense, and not if it be meant to imply that the same distinctions do not exist in the same individual.—This account is altogether very crude and unsatisfactory.

[84]. I remember a story somewhere in the Arabian Nights of a man with a silver thigh. Why may not a fable serve for an illustration as well as any thing else? Metaphysics themselves are but a dry romance. Now suppose this thigh to have been endued with a power of sensation and to have answered every other purpose of a real thigh. What difference would this make in its outward appearance either to the man himself or to any one else? Or how by means of sight would he know it to be his thigh, more than it was? It would still look just like what it did, a silver thigh and nothing more. It’s impression on the eye would not depend on it’s being a sensible substance, on it’s having life in it, or being connected with the same conscious principle as the eye, but on it’s being a visible substance, that is having extension, figure, and colour.

[85]. To avoid an endless subtlety of distinction I have not here given any account of consciousness in general: but the same reasoning will apply to both.

[86]. Suppose a number of men employed to cast a mound into the sea. As far as it has gone, the workmen pass backwards and forwards on it, it stands firm in it’s place, and though it recedes farther and farther from the shore, it is still joined to it. A man’s personal identity and self-interest have just the same principle and extent, and can reach no farther than his actual existence. But if a man of a metaphysical turn, seeing that the pier was not yet finished, but was to be continued to a certain point and in a certain direction, should take it into his head to insist that what was already built and what was to be built were the same pier, that the one must afford as good footing as the other, and should accordingly walk over the pier-head on the solid foundation of his metaphysical hypothesis—he would argue a great deal more ridiculously, but not a whit more absurdly than those who found a principle of absolute self-interest on a man’s future identity with his present being. But say you, the comparison does not hold in this, that the man can extend his thoughts (and that very wisely too) beyond the present moment, whereas in the other case he cannot move a single step forwards. Grant it. This will only shew that the mind has wings as well as feet, which of itself is a sufficient answer to the selfish hypothesis.