S. What! in ringing the changes on the same cant-phrases, one after the other, in newspapers, reviews, lectures, octavo volumes, examinations, and pamphlets, and seeing no more of the matter all the while than a blind horse in a mill?
R. I have already protested against this personality. But surely you would not put fiction on a par with reality?
S. My good friend, let me give you an instance of my way of thinking on this point. I met Dignum (the singer) in the street the other day: he was humming a tune; and his eye, though quenched, was smiling. I could scarcely forbear going up to speak to him. Why so? I had seen him in the year 1792 (the first time I ever was at a play), with Suett and Miss Romanzini and some others, in No Song No Supper; and ever since, that bright vision of my childhood has played round my fancy with unabated, vivid delight. Yet the whole was fictitious, your cynic philosophers will say. I wish there were but a few realities that lasted so long, and were followed with so little disappointment. The imaginary is what we conceive to be: it is reality that tantalizes us and turns out a fiction—that is the false Florimel!
R. But the Political Economists, in directing the attention to ‘the greatest happiness of the greatest numbers,’ wish to provide for the solid comforts and amelioration of human life.
S. Yes, in a very notable way, after their fashion. I should not expect from men who are jealous of the mention of any thing like enjoyment, any great anxiety about its solid comforts. Theirs is a very comfortable theory indeed! They would starve the poor outright, reduce their wages to what is barely necessary to keep them alive, and if they cannot work, refuse them a morsel for charity. If you hint at any other remedy but ‘the grinding law of necessity’ suspended in terrorem over the poor, they are in agonies and think their victims are escaping them: if you talk of the pressure of Debt and Taxes, they regard you as a very common-place person indeed, and say they can show you cases in the reign of Edward III. where, without any reference to Debt or Taxes, the price of labour was tripled—after a plague! So full is their imagination of this desolating doctrine, that sees no hope of good but in cutting off the species, that they fly to a pestilence as a resource against all our difficulties—if we had but a pestilence, it would demonstrate all their theories!
R. Leave Political Economy to those who profess it, and come back to your mystical metaphysics. Do you not place actual sensations before sentimental refinements, and think the former the first things to be attended to in a sound moral system?
S. I place the heart in the centre of my moral system, and the senses and the understanding are its two extremities. You leave nothing but gross, material objects as the ends of pursuit, and the dry, formal calculations of the understanding as the means of ensuring them. Is this enough? Is man a mere animal, or a mere machine for philosophical experiments? All that is intermediate between these two is sentiment: I do not wonder you sometimes feel a vacuum, which you endeavour to fill up with spleen and misanthropy. Can you divest the mind of habit, memory, imagination, foresight, will? Can you make it go on physical sensations, or on abstract reason alone? Not without making it over again. As it is constituted, reflection recals what sense has once embodied; imagination weaves a thousand associations round it, time endears, regret, hope, fear, innumerable shapes of uncertain good still hover near it. I hear the sound of village bells—it ‘opens all the cells where memory slept’—I see a well-known prospect, my eyes are dim with manifold recollections. What say you? Am I only as a rational being to hear the sound, to see the object with my bodily sense? Is all the rest to be dissolved as an empty delusion, by the potent spell of unsparing philosophy? Or rather, have not a thousand real feelings and incidents hung upon these impressions, of which such dim traces and doubtful suggestions are all that is left? And is it not better that truth and nature should speak this imperfect but heart-felt language, than be entirely dumb? And should we not preserve and cherish this precious link that connects together the finer essence of our past and future being by some expressive symbol, rather than suffer all that cheers and sustains life to fall into the dregs of material sensations and blindfold ignorance? There, now, is half a definition of Sentiment: for the other half we must wait till we see the article in the Scotch Encyclopedia on the subject. To deprive man of sentiment, is to deprive him of all that is interesting to himself or others, except the present object and a routine of cant-phrases, and to turn him into a savage, an automaton, or a Political Economist. Nay more, if we are to feel or do nothing for which we cannot assign a precise reason, why we cannot so much as walk, speak, hear, or see, without the same unconscious, implicit faith—not a word, not a sentence but hangs together by a number of imperceptible links, and is a bundle of prejudices and abstractions.
R. I can make nothing of you or your arguments.
S. All I would say is, that you cannot take the measure of human nature with a pair of compasses or a slip of parchment: nor do I think it an auspicious opening to the new Political Millennium to begin with setting our faces against all that has hitherto kindled the enthusiasm, or shutting the door against all that may in future give pleasure to the world. Your Elysium resembles Dante’s Inferno—‘Who enters there must leave all hope behind!’
R. The poets have spoiled you for all rational and sober views of men and society.