Philip Champagne. Philippe de Champaigne (1602–1674), of the French school of historical and portrait painting, though of Brussels birth. He was one of the first members of the Academy, worked for Cardinal Richelieu, and was greatest as a portrait painter.
David. See ante, note to p. [30].
Daniel Volterra. Daniele Ricciarelli, or Daniele da Volterra from the place of his birth (1509–1566), the friend of Michael Angelo, who aided him in his chief work, the frescoes in the Capella Orsini, Trinità de Monti, Rome.
[111]. Weenix. Jan Weenix (1640–1719), of Amsterdam, noted for his painting of dead game.
Wouvermans. See ante, note to p. [21].
Ruysdael. See ante, note to p. [22].
Non equidem invideo, miror magis. Virgil, Eclogues, I. 11.
[112]. Thick as the autumnal leaves. Paradise Lost, I. 303.
[113]. Founded as the rock. Macbeth, Act III. Sc. 4.
Coop’d [cribb’d] and cabin’d. Macbeth, Act III. Sc. 4.