The collected works of William Hazlitt, Vol. 12 (of 12)

by William Hazlitt

[Vol. IX. p. 463] (note to p. 317). For Mallard read Mallord.

INDEX
TO THE TITLES OF HAZLITT’S WRITINGS

• Abstract Ideas, On, [xi. 1].
• Acted Drama in London, Essays on, contributed to the London Magazine, [viii. 381].
• Actors and Acting, On, [i. 153], 156.
• —— and the Public, [xi. 348].
• —— ought to sit in the Boxes? Whether, [vi. 272].
• Adelaide, or the Emigrants, [viii. 308].
• All’s Well that Ends Well, [i. 329].
• Alsop’s Rosalind, Mrs., [viii. 252].
• American Literature, Dr. Channing, [x. 310].
• Ancient and Modern Literature, On the Spirit of—On the German Drama, contrasted with that of the Age of Elizabeth, [v. 345].
• Angerstein’s Collection, Mr., [ix. 7].
• Anglade Family, The, [viii. 279].
• Antiquity, On, [vii. 252].
• Antony and Cleopatra, i. 228; [viii. 190].
• Apostates, On Modern, [iii. 155].
• Application to Study, On, [vii. 55].
• Arguing in a Circle, xii. [285].
• Aristocracy of Letters, On the, [vi. 205].
• Art, Fragments on, [ix. 489].
• Artaxerxes, [viii. 192].
• Arts are not Progressive? Why the, A Fragment, [i. 160].
• As You Like It, [i. 338].
• Bacon’s Works, Character of Lord, compared as to style with Sir Thomas Browne and Jeremy Taylor, [v. 326].
• Ballads, On the Old English, [v. 123].
• Ballets, Two New, [viii. 353].
• Bannister’s Farewell, Mr., [viii. 229].
• Barbarossa, [viii. 372].
• Barry, James, [ix. 413].
• Beaumont, F., [v. 295].
• —— and Fletcher, Ben Jonson, Ford, and Massinger, On, [v. 248].
• Beauty, On, [i. 68].
• Beggar’s Opera, On the, i. 65; [viii. 193], 254; [xi. 373].
• Belief, Whether Voluntary, xii. [439].
• Bentham, Jeremy, iv. 189; [xi. 411].
• Bertram, [viii. 304].
• Bonaparte, iii. 52; [iii. 350].
• —— and Muller, [iii. 154].
• Bonaparte’s Collection, etc., Lucien, [xi. 237].
• Booth’s Duke of Gloster, Mr., viii. 354;
  • Iago, viii. 355;
  • Richard, [viii. 357].
• Bourbons and Bonaparte, The, [iii. 52].
• Bowles, Mr., [xi. 486].
• Boyle’s Rosalind, Miss, [viii. 336].
• British Institution, [xi. 242], 246, 248.
• Brougham, Mr., [iv. 318].
• —— Esq., M.P., The Speech of Henry, [iii. 127], 132.
• Browne, Sir Thomas, [v. 326].
• Brunton’s Rosalind, Miss, [xi. 396].
• Buncle, On John, [i. 51].
• Burdett, Sir F., [iv. 319].
• Burke, Character of, Mr., [iii. 252], 325.
• Burleigh House, Pictures at, [ix. 62].
• Burns and the Old English Ballads, On, [v. 123].
• Busy Body, The, [viii. 270].
• Butler, [viii. 49].
• Byron, Lord, iv. 253; [xi. 486].
• —— and Wordsworth, xii. [328].
• Campbell, Mr., [iv. 343].
• Canning, Character of, [xi. 334].
• Cant and Hypocrisy, On, xii. [330], 336.
• Castle of Andalusia, [viii. 329].
• Catalogue Raisonné of the British Institution, On the, [i. 140], 146; [ix. 311].
• Chalmers, Dr., xii. [275].
• Channing, Dr., [x. 310].
• Chapman, [v. 223].
• Characteristics in the Manner of Rochefoucauld’s Maxims, [i. 351].
• Characters of Shakespear’s Plays, [i. 165].
• Charlemagne: ou l’Église délivrée, [xi. 230], 234.
• Chatham, Character of Lord, [iii. 321].
• Chaucer and Spenser, On, [v. 19].
• Childe Harold’s Pilgrimage, [xi. 420].
• Civil and Criminal Legislation, Project for a New Theory of, xii. [405].
• Classical Education, On, [i. 4].
• Clerical Character, On the, [iii. 266], 271, 277.
• Cobbett, Mr., iv. 334;
  • Character of, [vi. 50].
• Coffee-House Politicians, On, [vi. 189].
• Coleridge, Mr., iv. 212; [xi. 411];
  • Memorabilia of, xii. [346].
• Coleridge’s Christabel, x. 411; [xi. 580];
  • Lay-Sermon, iii. 152; x. 120;
  • Lectures, [xi. 416];
  • Literary Life, [x. 135].
• Collins, [v. 104].
• Comedy of Errors, The, [i. 351].
• Comic Writers of the Last Century, On the, [viii. 149].
• Common-Place Critics, On, [i. 136].
• Common Places, [xi. 541].
• —— Sense, xii. [377].
• Comus, [viii. 230].
• Conduct of Life, On the; or, Advice to a Schoolboy, xii. [423].
• Congress, whether the Friends of Freedom can entertain any sanguine Hopes of the favourable Results of the ensuing, [iii. 103].
• Congreve, [viii. 70].
• Conquest of Taranto, The, [viii. 366].
• Consistency of Opinion, On, [xi. 508].
• Controversy, The Spirit of, xii. [381].
• Conversation of Authors, On the, [vii. 24], 35.
• Conversations as Good as Real, xii. [363], 369.
• Coriolanus, i. 214; [viii. 347].
• Corporate Bodies, [vi. 264].
• Country People, Character of the, [xi. 309].
• Courier and Times Newspaper, On the, [iii. 58].
• —— The, and ‘the Wat Tyler,’ [iii. 200].
• Court Influence, On, [iii. 254], 259.
• —— Journal, The, A Dialogue, xii. [354].
• Cowley, Butler, Suckling, Etherege, etc., On, [viii. 49].
• Cowper, [v. 85].
• Crabbe, Mr., iv. 343; [xi. 603].
• Criticism, On, [vi. 214].
• Curran, the late Mr., xii. [353].
• Cymbeline, [i. 179].
• Dandy School, The, [xi. 343].
• Daniel, [v. 295].
• Dansomanie, The, [xi. 299].
• Deckar, [v. 223].
• D’Enghien, The Duke, [xi. 577].
• Defoe, Wilson’s Life and Times of Daniel, [x. 355].
• Depth and Superficiality, On, [vii. 346].
• Didone Abandonnata, [viii. 196].
• Disadvantages of Intellectual Superiority, On the, [vi. 279].
• Disagreeable People, On, xii. [173].
• Distant Objects Please, Why, [vi. 255].
• Distressed Mother, The, [viii. 334].
• Don Giovanni and Kean’s Eustace de St. Pierre, [xi. 307].
• Don Juan, [viii. 362].
• Dottrel-Catching, [iii. 51].
• Double Gallant, [viii. 359].
• Dowton in the Hypocrite, [xi. 395].
• Dramatic Literature of the Age of Elizabeth, Lectures on, [v. 169].
• Drayton, [v. 295].
• Dreams, On, [vii. 17].
• Dryden and Pope, On, [v. 68].
• Duke of Milan, The, [viii. 289].
• Dulwich Gallery, The, [ix. 17].
• Dunlop’s History of Fiction, [x. 5].
• Edinburgh Review, Contributions to the, [x. 1].
• Editors, A Chapter on, xii. [230].
• Edwards’s Richard III., Mr., [viii. 247].
• Effeminacy of Character, On, [vi. 248].
• Egotism, On, [vii. 157].
• Eldon, Lord, [iv. 325].
• Elgin Marbles, On the, [ix. 326].
• Elia, [iv. 362].
• Eloquence of the British Senate, [iii. 387].
• England in 1798, [iii. 241].
• English Comic Writers, Lectures on, [viii. 1].
• —— Grammar, xii. [342].
• —— Novelists, On the, [viii. 106].
• —— Poets, Lectures on the, [v. 1].
• —— Students at Rome, [ix. 367].
• Envy, xii. 386;
  • On, [vii. 97].
• Essay-Writing, A Farewell to, xii. [321].
• Etherege, [viii. 49].
• Every Man in His Humour, [viii. 310].
• Exit by Mistake, [viii. 321].
• Fair Penitent, The, [viii. 287].
• Fame, On Different Sorts of, [i. 93].
• Familiar Style, On, [vi. 242].
• Farquhar, [viii. 70].
• Fashion, On, [xi. 437].
• Fear of Death, On the, [vi. 321].
• Fight, The, xii. [1].
• Fine Arts, [ix. 377].
• —— British Institution, [xi. 187].
• —— The Louvre, [xi. 195].
• Flaxman’s Lectures on Sculpture, [x. 330].
• Fletcher, [v. 248].
• Fletcher, P., [v. 295].
• Fonthill Abbey, [ix. 348].
• Footmen, xii. [131].
• Ford, [v. 248].
• Four P’s, The, [v. 274].
• Fox, Character of Mr., [iii. 337].
• France and Italy, Notes on a Journey through, [ix. 83].
• Free Admission, The, xii. [119].
• —— Thoughts on Public Affairs or Advice to a Patriot, in a Letter addressed to a Member of the Old Opposition, [iii. 1].
• French Plays, [xi. 352], 356.
• Fudge Family in Paris, The, [iii. 311].
• Gainsborough’s Pictures, On, [xi. 202].
• Gammer Gurton’s Needle, [v. 274].
• Genius and Common Sense, [vi. 31], 42.
• —— and Originality, On, [xi. 210].
• —— is Conscious of its Powers? Whether, [vii. 117].
• Geoffrey Crayon, [iv. 362].
• George Barnwell, [viii. 268].
• German Drama, contrasted with that of the Age of Elizabeth, On the, [v. 345].
• Gifford, Mr., [iv. 298].
• —— Esq., A Letter to William, [i. 363].
• Godwin, William, iv. 200; [x. 385].
• Going a Journey, On, [vi. 181].
• Good-Nature, On, [i. 100].
• Good Old Times, Sketches of the History of the, [xi. 582].
• Grammar of the English Tongue, Preface to a New and Improved, [iv. 387].
• Gray, [v. 104].
• Great and Little Things, On, [vi. 226].
• Grosvenor’s Collection of Pictures, Lord, [ix. 49].
• Gusto, On, [i. 77].
• Guy Faux, [xi. 317], 323, 328.
• Hamlet, [i. 232].
• Hampton Court, The Pictures at, [ix. 42].
• Harley’s Fidget, Mr., [viii. 239].
• Hartley and Helvetius, Remarks on the Systems of, [vii. 434].
• Haydon’s ‘Solomon,’ On, [ix. 309].
• —— ‘Christ’s Agony in the Garden,’ [xi. 481].
• Helvetius, [vii. 434].
• Henry IV., [i. 277].
• —— V., [i. 285].
• —— VI., [i. 292].
• —— VIII., [i. 303].
• Heroes of Romance are insipid, Why the, xii. [59].
• Heywood, [v. 192].
• Hobbes, On the Writings of, [xi. 25].
• Hogarth’s ‘Marriage a-la-mode,’ Criticism on, ix. 75;
  • On, [i. 25], 28.
• Hogarth, On the Works of, On the grand and familiar style of painting, [viii. 133].
• Holcroft, Memoirs of the late Thomas, [ii. 1].
• Honeymoon, The, [xi. 409].
• Hot and Cold, [vii. 169].
• Human Action, An Essay on the Principles of, [vii. 383].
• Humorous Lieutenant, The, [viii. 353].
• Hunt, Mr. Leigh, [iv. 353].
• Hunt’s Rimini, Leigh, [x. 407].
• Hypocrite, The, [viii. 245].
• Ideal, The, ix. 429; [xi. 223].
• Ignorance of the Learned, On the, [vi. 70].
• Imitation, On, [i. 72].
• —— of Nature, On the, [xi. 216].
• Immortality in Youth, On the Feeling of, xii. [150].
• Indian Jugglers, The, [vi. 77].
• Iron Chest, The, [viii. 342].
• Irving, Rev. Mr., iv. 222; xii. [275].
• Italian Opera, The, [viii. 324].
• Jane Shore, [viii. 352].
• Jealous Wife, The, [viii. 316].
• Jealousy and the Spleen of Party, On the, [vii. 365].
• Jeffrey, Mr., [iv. 310].
• Jews, Emancipation of the, xii. [461].
• John Bull, Character of, [i. 97].
• —— du Bart, [viii. 253].
• —— Gilpin, [xi. 305].
• ——, King, i. 306; [xi. 410].
• Jonson, Ben, v. 248; [viii. 30].
• Judging of Pictures, [ix. 356].
• Julius Cæsar, [i. 195].
• Kean, Charles, [xi. 362].
• —— Mr., viii. 292; [xi. 389], 410.
• —— and Miss O’Neill, [xi. 407].
• Kean’s Bajazet and ‘The Country Girl,’ Mr., [xi. 274];
  • Eustace de St. Pierre, [xi. 307];
  • Hamlet, viii. 185;
  • Iago, i. 14; [viii. 190], 211, 215, 559;
  • Leon, viii. 233;
  • Macbeth, [viii. 204], [xi. 404];
  • Sir Giles Overreach, viii. 284;
  • Othello, viii. 189; [xi. 405];
  • Richard, [viii. 180], 200;
  • Richard II., viii. 221;
  • Richard III., [xi. 399];
  • Romeo, viii. 208;
  • Shylock, [viii. 179], 294;
  • Zanga, [viii. 227].
• Kemble’s Cato, Mr., viii. 342;
  • King John, viii. 345;
  • Sir Giles Overreach, viii. 302;
  • Penruddock, [xi. 205];
  • Retirement, [viii. 374].
• King’s Proxy, The, [viii. 243].
• Knowledge of Character, On the, [vi. 303].
• —— of the World, On, xii. [297], 301, 306.
• Landor’s Imaginary Conversations, [x. 231].
• Lawyers and Poets, On Modern, [iii. 161].
• Lay of the Laureate, The, Carmen Nuptiale, [iii. 109].
• Lay-Sermon, A.... By S. T. Coleridge, Esq., [iii. 138].
• Lear, [i. 257].
• Letter-Bell, The, xii. [235].
• Liber Amoris or the New Pygmalion, [ii. 283].
• Libertine, The, [viii. 370].
• Liberty and Necessity, On, [xi. 48].
• Literary Character, On the, [i. 131].
• Living in London, [viii. 242].
• Living Poets, On the, [v. 143].
• —— to One’s-self, On, [vi. 90].
• Locke, Mr., as a great plagiarist, [xi. 284].
• Locke’s Essay on the Human Understanding, On, [xi. 74].
• Logic, xii. [350].
• Londoners and Country People, On, [vii. 66].
• Look of a Gentleman, On the, [vii. 209].
• Lords, On the Conversation of, xii. [38].
• Love for Love, [viii. 278].
• —— of Life, On the, [i. 4].
• —— of Power or Action as main a principle in the Human Mind as Sensibility to Pleasure or Pain, The, [xi. 263].
• —— of the Country, On the, [i. 17].
• Lovers’ Vows, [viii. 249].
• Love’s Labour’s Lost, [i. 332].
• Lyly, [v. 192].
• Macbeth, [i. 186].
• Macirone, Francis ... Interesting Facts relating to the Fall and Death of Joachim Murat, etc., [iii. 177], 183.
• Mackintosh, Sir James, [iv. 279].
• Macready’s Macbeth, Mr., [xi. 315];
  • Othello, [viii. 338].
• Maid and the Magpie, The, [viii. 244].
• Main-Chance, The, xii. [78].
• Malthus, Mr. iv. 287;
  • a Reply to the Essay on Population by the Rev. T. R., [iv. 1].
• Malthus’s Doctrines, An examination of Mr., iii. 356;
  • Essay, On the Originality of, iii. 361;
  • Principle to the Poor Laws, On the Application of Mr., [iii. 374].
• Man, Aphorisms on, xii. [209].
• Man of the World, The, [viii. 318], 350.
• Manner, On, [i. 41].
• Manners, Essay on, [xi. 269].
• Marlow, [v. 192].
• Mars, Mademoiselle, [vii. 324].
• Marston, Chapman, Deckar, and Webster, On, [v. 223].
• Massinger, [v. 248].
• Maurice’s Parrot, Prince, [iii. 101].
• Maywood’s Shylock, Mr., viii. 374;
  • Zanga, [xi. 397].
• Means and Ends, On, xii. [184].
• Measure for Measure, i. 345; [viii. 281].
• Merchant of Bruges, The, [viii. 264].
• —— of Venice, The, [i. 320].
• Merry England, xii. [15].
• Merry Wives of Windsor, The, [i. 349].
• Merry’s Mandane, Miss, [viii. 320].
• Methodism, On the Causes of, [i. 57].
• Middleton, [v. 192].
• Midsummer Night’s Dream, On the, [i. 61], 244; [viii. 274].
• Milton, [v. 44].
• Milton’s Eve, On the character of, i. 105;
  • Lycidas, On, i. 31;
  • Sonnets, On, vi. 174;
  • Versification, On, [i. 36].
• Miscellaneous Poems, F. Beaumont, P. Fletcher, Drayton, Daniel, etc., Sir P. Sidney’s Arcadia, and other Works, On, [v. 295].
• Modern Comedy, On, i. 10; [viii. 551].
• Monarchy, On the Spirit of, xii. [241].
• Money, On the want of, xii. [136].
• Moore, Mr. T., [iv. 353].
• Much Ado about Nothing, [i. 335].
• Muller, [iii. 154].
• Munden’s Sir Peter Teazle, [xi. 392].
• My First Acquaintance with Poets, xii. [259].
• My Wife! What Wife?, [viii. 237].
• My Landlady’s Night-Gown, [viii. 328].
• New English Opera-House, [viii. 314].
• New Way to pay Old Debts, A, [viii. 272].
• Nicknames, On, [xi. 442].
• Northcote, Esq., R. A., Conversations of James, [vi. 331].
• Novelty and Familiarity, On, [vii. 294].
• Old Actors, Some of the, [xi. 366].
• Old Age of Artists, On the, [vii. 88].
• —— Customs, [viii. 327].
• —— English Writers and Speakers, On, [vii. 311].
• O’Neill’s Belvidera, Miss, viii. 261;
  • Elwina, viii. 256;
  • Juliet, viii. 198;
  • Lady Teazle, viii. 291;
  • Widow Cheerly, [xi. 297].
• Opera, The, [xi. 426].
• —— The Company at the, [xi. 369].
• Opposition, The, and ‘the Courier,’ [iii. 240].
• Oratorios, The, [viii. 296].
• Originality, [ix. 423].
• Oroonoko, [xi. 301].
• Othello, [i. 200].
• Oxford and Blenheim, Pictures at, [ix. 69].
• ‘Pannel, The,’ and ‘The Ravens,’ [xi. 303].
• Paradox and Common-Place, On, [vi. 146].
• Parallel Passages in various Poets, [xi. 282].
• Parliamentary Eloquence, On the Present State of, [xi. 464].
• Partisanship, On the Spirit of, [xi. 521].
• Party-Spirit, On, xii. [402].
• Past and Future, On the, [vi. 21].
• Pasta, Madame, and Mademoiselle Mars, [vii. 324].
• Patriotism, On, A Fragment, [i. 67].
• Patronage and Puffing, On, [vi. 289].
• Pedantry, On, [i. 80], 84.
• Penelope and the Dansomanie, [xi. 299].
• People? What is the, [iii. 283], 292.
• —— of Sense, On, [vii. 242].
• —— with One Idea, On, [vi. 59].
• Periodical Essayists, On the, [viii. 91].
• —— Press, The, [x. 202].
• Personal Character, On, [vii. 230].
• —— Identity, On, xii. [198].
• —— Politics, xii. [456].
• Persons One would Wish to have Seen, Of, xii. [26].
• Peter Pindar, xii. [348].
• ‘Peveril of the Peak,’ [xi. 537].
• Philosophical Necessity, Doctrine of, [xi. 277].
• Picture-Galleries in England, Sketches of the Principal, [ix. 1].
• Picturesque and Ideal, On the, [vi. 317].
• ‘Pirate, The,’ [xi. 531].
• Pitt and Buonaparte, [iii. 350].
• Pitt, Character of the late Mr., i. 125; [iii. 346].
• Plain Speaker, The, [vii. 1].
• Pleasure of Painting, On the, [vi. 5], 13.
• Pleasures of Hating, On the, [vii. 127].
• Poetry, xii. [339].
• —— in General, On, [v. 1].
• Poetical Versatility, On, [i. 151].
• Political Essays, with Sketches of Public Characters, [iii. 25].
• Pope, [v. 68].
• —— Lord Byron and Mr. Bowles, [xi. 486].
• —— was a Poet, On the Question whether, [xi. 430].
• Popular Opinion, On the Causes of, xii. [316].
• Population, On the Principle of, as affecting the schemes of Utopian Improvement, iii. 367;
  • Queries relating to the Essay on, [iii. 381].
• Posthumous Fame, On, Whether Shakspeare was influenced by a love of it, [i. 21].
• Poussin, On a Landscape of Nicolas, [vi. 168].
• Predominant Principles and Excitements in the Human Mind, On the, [xi. 258].
• Prejudice, On, xii. [391], 394, 396.
• Press, The—Coleridge, Southey, Wordsworth, and Bentham, [xi. 411].
• Priestley, The late Dr., xii. [357].
• Prose-Style of Poets, On the, [vii. 5].
• Public Opinion, On, xii. [311].
• Pulpit Oratory, Dr. Chalmers and Mr. Irving, xii. [275].
• Punishment of Death, On the, xii. [466].
• Quarterly Review, The, [iii. 192].
• Queries and Answers; or the Rule of Contrary, xii. [296].
• Racine, [vii. 336].
• ‘Ravens, The,’ [xi. 303].
• Reading New Books, On, xii. [161].
• —— Old Books, On, [vii. 220].
• Reason and Imagination, [vii. 44].
• Recruiting Officer, The, [viii. 285].
• Reform, The New School of, [vii. 179].
• Regal Character, On the, [iii. 305].
• Religious Hypocrisy, On, [i. 128].
• Respectable People, On, vii. 360; [xi. 433].
• Return from Parnassus, The, [v. 274].
• Reynolds, Life of Sir Joshua, [x. 172].
• Reynolds’s Discourses, Introduction to an account of Sir Joshua, [xi. 208].
• —— —— On Certain Inconsistencies in Sir Joshua, [vi. 122], 131.
• Richard Cœur de Lion, [viii. 195].
• —— II., [i. 272].
• —— III., i. 298; [viii. 298].
• Richesse de la langue, xii. [496].
• Rochefoucault’s Maxims, On, [xi. 253].
• Romeo and Juliet, i. 248; [viii. 300].
• Round Table, The, [i. 1].
• Rousseau, On the Character of, [i. 88].
• Rowley, [v. 192].
• Royal Academy, [ix. 434].
• Salvator, Lady Morgan’s Life of, [x. 276].
• Schlegel on the Drama, [x. 78].
• Scholars, The Shyness of, xii. [68].
• School for Scandal, The, [viii. 250].
• Scotch Character, On the, xii. [253].
• Scott, Sir Walter, [iv. 241].
• —— —— Racine and Shakespear, [vii. 336].
• Sects and Parties, xii. [360].
• Select British Poets, Preface and Critical List of Authors from, [v. 365].
• Self-Love, On, [xi. 132].
• —— and Benevolence, xii. [95], 104.
• Shakespear, vii. 336;
  • Doubtful Plays of, i. 353;
  • On the Dramatic Writers contemporary with, Lyly, Marlow, Heywood, Middleton, and Rowley, v. 192;
  • Poems and Sonnets, [i. 357].
• Shakespear’s Plays, Characters of, i. 165;
  • Female Characters, [xi. 290].
• Shakespeare, Historical Illustrations of, [xi. 601].
• Shakspeare and Ben Jonson, On, [viii. 30].
• —— and Milton, On, [v. 44].
• —— [and Posthumous Fame], [i. 21].
• Shelley’s Posthumous Poems, [x. 256].
• She Stoops to Conquer, [xi. 403].
• Sick Chamber, The, [xi. 125].
• Siddons, Mrs. viii. 312; [xi. 381].
• Siddons’s Lady Macbeth, Mrs., [viii. 373].
• Sidney’s Arcadia, Sir P., [v. 295].
• Single Plays, Poems, etc., The Four P’s, The Return from Parnassus, Gammer Gurton’s Needle, and Other Works, On, [v. 274].
• Sismondi’s Literature of the South, [x. 44].
• Sitting for One’s Picture, On, [vii. 107].
• Smiles and Tears, [viii. 266].
• Society, A New View of, [iii. 121].
• Southey, Mr., [iv. 262].
• —— Poet-Laureat, [iii. 48].
• —— Robert.... A Letter to William Smith, [iii. 210], 218, 224.
• Southey’s New-Year’s Ode, Mr., [iii. 49].
• Spenser, [v. 19].
• Spirit of Obligations, [vii. 78].
• —— of the Age, The, [iv. 185].
• Spurzheim’s Theory, On Dr., [vii. 137].
• Spy-System, On the, [iii. 232], 234.
• Staël’s Account of German Philosophy and Literature, Madame de, [xi. 162], 167, 172, 180.
• Stafford’s Gallery, The Marquis of, [ix. 27].
• Stage, The, [xi. 191];
  • A View of the English, [viii. 169].
• Standard Novels and Romances, [x. 25].
• State Prisoners, On the Treatment of, [iii. 238].
• Statesman’s Manual, The, ... by S. T. Coleridge, Esq., [iii. 143].
• Success in Life, On the Qualifications necessary to, [vii. 195].
• Suckling, [viii. 49].
• Sun-Dial, On a, xii. [51].
• Swift, Young, Gray, Collins, etc., On, [v. 104].
• Table-Talk; or Original Essays on Men and Manners, [vi. 1].
• Taming of the Shrew, The, [i. 341].
• —— —— and L’Avare, [xi. 377].
• Taste, Thoughts on, [xi. 450], 454, 459.
• Tatler, On the, [i. 7].
• Taylor, Jeremy, [v. 326].
• Tempest, The, i. 238; [viii. 234].
• Tendency of Sects, On the, [i. 47].
• Theatres, The, and Passion Week, [xi. 358].
• Theatrical Debuts, [viii. 341].
• Thomson and Cowper, On, [v. 85].
• Thought and Action, On, [vi. 101].
• Three Quarters, etc., The, [xi. 384].
• Times Newspaper, The, [iii. 169].
• —— —— Illustration of the, [iii. 155], 161.
• Timon of Athens, [i. 210].
• Toad-Eaters and Tyrants, On the connection between, [iii. 169].
• Tooke, The Late Mr. Horne, [iv. 231].
• Tooke’s ‘Diversions of Purley,’ On, [xi. 119].
• Touch-Stone, The, [viii. 368].
• Trifles Light as Air, xii. [370].
• Troilus and Cressida, [i. 221].
• Tucker’s Light of Nature Pursued, Preface to an Abridgment of, [iv. 369].
• Twelfth Night; or, What you Will, [i. 313].
• Two Gentlemen of Verona, The, [i. 318].
• Two Words, [viii. 330].
• Unknown Guest, The, [viii. 224].
• Vanbrugh, [viii. 70].
• Vandyke, On a Portrait of an English Lady, by, [vii. 280].
• Vatican, The, [ix. 359].
• Venice Preserved, [xi. 402].
• Vetus, [iii. 57].
• —— Illustrations of, [iii. 63], 67, 73, 85, 90.
• View of the English Stage, A, [viii. 169].
• Vulgarity and Affectation, On, [vi. 156].
• Walpole, Letters of Horace, [x. 159].
• War and Taxes, On the Effects of, [iii. 243].
• War, On the Late, [iii. 96].
• Wat Tyler, [iii. 192], 200.
• Webster, [v. 223].
• Wellesley, The Marquis, [iii. 47].
• Western, Esq., M.P., The Speech of Charles C., [iii. 127], 132.
• West’s Picture of Death on the Pale Horse, [ix. 318].
• Where to find a friend, [viii. 258].
• Wilberforce, Mr. [iv. 325].
• Wilkie’s Pictures, On Mr., [xi. 249].
• Williams’s Views in Greece, On, [ix. 324].
• Will-Making, On, [vi. 113].
• Wilson’s Landscapes, at the British Institution, [xi. 198].
• Wilton, Stourhead, etc., Pictures at, [ix. 55].
• Windsor Castle, The Pictures at, [ix. 36].
• Winter’s Tale, The, [i. 324].
• Wit and Humour, [viii. 1].
• Wit, Definition of, xii. [445].
• Wonder, The, viii. 332; [xi. 401].
• Wordsworth, Mr., iv. 270; [xi. 411]; xii. [328].
• Wordsworth’s poem, The Excursion, Observations on Mr., [i. 111], 120.
• —— new poem, The Excursion, Character of Mr., [xi. 572].
• Writing and Speaking, On the difference between, [vii. 262].
• Wycherley, Congreve, Vanbrugh, and Farquhar, On, [viii. 70].
• Young, [v. 104].
• Young’s Hamlet, [xi. 394].

Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press

---

[1]. Those essays which are now republished for the first time are indicated by an asterisk.

[2]. This essay was apparently not published in The Atlas.

[3]. Scroggins said of the Gas-man, that he thought he was a man of that courage, that if his hands were cut off, he would still fight on with the stumps—like that of Widrington,—

——‘In doleful dumps,

Who, when his legs were smitten off