It is manifest, therefore, that Early Christian writers regarded the Song as of much value and importance; were well acquainted with it, and often quoted it in much the same manner as the canonical books. Occasionally, however, a knowledge of it is not shewn where we should have expected it; and in some cases we know that those who quoted it denied, or doubted, its canonicity.
Art.
This Greek insertion in the book of Daniel has, on the whole, offered less scope for the exercise of artistic talent than the history of Susanna or even than that of Bel and the Dragon. The nature of its contents, which consists in the main of a prayer and a song, reasonably accounts for this paucity of illustration. It does not lend itself so readily as its two companions to pictorial treatment. Nevertheless a certain number of examples are not wanting.
Loisy in his Canon of the O.T. (1890, p. 95) remarks, "Dès avant le IVe siècle, on ornait les catacombes de peintures dont les sujets avaient été fournis par Tobie et les fragments de Daniel."
In a fresco from the cemetery of St. Hermes, the Three Children are represented, each over a separate stoke-hole (or what looks like one), with hands elevated as if in prayer or praise, most likely in reference to v. 1 (24), (see D.C.A. art. Fresco, p. 700a). Another picture of figures somewhat different, yet with outstretched hands, is given from Bottari in the same Dictionary under art. Furnace. There are sculptured representations of the Three on the high crosses at Moone Abbey, and at Kells (M. Stokes, Early Christian Art in Ireland, Lond. 1887, II. 22).
In the Utrecht Psalter, over the Song are depicted, as well as in other places, the sun and the moon, very appropriately (D.C.A. art. Sun), and in other illuminated Psalters, pictures of the Three in the furnace are not uncommon. Thus Brit. Mus. MS. Additional 11836 has an illumination of the furnace scene.
The under side of the wooden roof of Trinity College Chapel, Cambridge, was painted about 1870 with the series of natural objects mentioned in the Song proper, and with the words appertaining to each. A few extracts from Benedicite are on scrolls in a modern window on the south side of the chancel of St. James' Church, Bury St. Edmunds.
It is a little surprising that the series of objects named in this Song has not been more frequently chosen for decorative purposes on roofs, walls, or windows of ecclesiastical buildings, where a long series would be appropriate. Perhaps the length of the series, and the difficulty of making any but an arbitrary selection, has something to do with the rarity of its appearance.
A set of not very satisfactory wood-engravings by MacWhirter and others, one illustration to each verse, was published in a small book under the title of the Song of the Three Children illustrated (London, 1887)
The verse "O ye wells," etc., is said to be a frequent motto for the floral well-dressings at Tissington, in Derbyshire, and elsewhere, on Ascension Day; and a more appropriate one could hardly be found. But in general the Song of the Three Children has not, for the reason given above, and doubtless others besides, proved a popular subject in art.