The Wagner Story Book: Firelight Tales of the Great Music Dramas

by William Henry Frost

"At that he gets angry, stops singing, and says that the song is not his at all but the shoemaker's, and he is to blame. Here is a fine state of things, for the shoemaker is supposed, as I said before, to know more about songs than any of the other people in town, and indeed he knows more about most things than all of them put together. He says that the song is not his, but that it is good enough, if only it could be sung right, and he asks if there is anybody here who knows how to sing it.

"This is the time for the young knight, and he comes forward from the crowd and says that he will try. But first, the shoemaker makes all the masters promise that if he sings the song well and if it is a good song he shall have all the honor just as if he were a master. Now the young man takes his place and everybody is still. He looks straight at the goldsmith's daughter; he does not know that there are any others around him; and now he sings. And what a glorious song it is, full of hope and happiness and victory and joy! He did not sing like this to the masters in the church yesterday; not even to the shoemaker this morning did he sing like this. It is not hard to see the reason. Yesterday he tried to be a master, and when he sang he was wondering how these fussy old fellows would measure his song with their rhyme-gauges and their foot- rules. How could anybody sing when he was thinking of that? Even then it was not a bad song and the goldsmith's daughter would have known it if she had been the judge. The shoemaker, with his warm old spring-time heart, knew it as it was, but the masters were too learned ever to know anything. But now the goldsmith's daughter is the judge and the young poet sings only to her, only for her, only about her. If one smile curves her pretty lips as he sings, it is more to him than the shouts of all the people. That is the way to sing, and that is why, when he is done, all the people do shout, and do clap their hands and wave their hats, and do cry out that he must have the prize.

"And he does have the prize. She crowns his head with a wreath of laurel, which he cares for only because she sets it there, and the goldsmith himself brings him the gold chain that makes him a master. This the young man would put aside, but the wise old shoemaker bids him take this too, and to honor the masters and their art; for, he says, though the Holy Roman Empire should vanish in smoke, yet art will remain. And I think he means by this that all the kingdoms of the earth may be lost and may fall into dust and ashes, as our fire here will do when we leave it to-night, but that the happy young people, with their stirring hearts of spring, and the kindly old people, with their ripe hearts of autumn, will still sing songs and still tell stories."

THE BLOOD-RED SAIL

The fire had been out for weeks. Somebody who came from the country had almost filled the fireplace with a huge bouquet of wild roses. They made it look very pretty for a few days, but now the roses had all faded and fallen to pieces too, and nobody cared enough even to sweep up the dry, dead leaves and throw them out. It all looked forsaken and desolate enough. But it was no more desolate than I. We were lonely and unhappy for the same reason, the poor fireplace and I, because the little girl had gone away with her mother down to the sea and would not be back for more weeks and weeks yet. The city was so hot and dull and stupid! It made me feel dull and stupid to stay in it, except when it made me angry. Yet perhaps the fireplace was even a little worse off than I, though it was not more forsaken and alone, for it had no work to do, while I had plenty. Then again the fireplace, in spite of all the wonderful and beautiful things we had seen in it sometimes, had never been anywhere except just where it was now, and it knew nothing about the sea. But I had been in several other places; and even in the city, with the heat pouring down from the sky and quivering up from the pavements, one can dream of "waters, winds, and rocks," and dreams are good things to have for those who can have nothing else.

And I had the dreams and something else. For the little girl and her mother had said that I might come down to the sea too, whenever I thought the city could get on without me. What surprised me was that the city got on at all, but all the time I thought more and more that I was of no use to it, and it was of no use to me, and finally I left all my work in it to take care of itself and fled away to the sea. Oh, how lovely it was! That first long unbroken sight of the line where the sky and the water met made me feel, as I always feel at such times, that it was worth half the year's worry and care just to see this ocean and this heaven, to breathe this free, salt air, to smell the flowers by the roadside, and to gaze and gaze again at the two great tracts of peaceful blue. How wonderful is this calm rest of a thing that can rage and destroy when it will! The peace of a field of daisies is pretty and sweet; the peace of the ocean is like that of God.

The little girl and I had a long walk along the beaches, over the rocks, and through the tall, salt grass. We hunted among the smooth, round pebbles for the smoothest and the roundest; we studied the jelly- fish that was borne up the beach by the wave and then glided swiftly back again with it, as if it had forgotten something, till one wave, higher than the others, would leave it lying on the sand at our feet, where we could study it as much as we liked; we wondered if the jelly- fish ever did forget anything and if he had remembered it now, so that he did not want to go back any more. We caught little crabs and made them run races, laying huge wagers on our favorites; I filled my pocket, and the little girl filled her handkerchief with the tiny, pointed shells that can be strung into such pretty necklaces. Then we found a great, bright, curly ribbon of seaweed, as wide as two hands, so long that when the little girl held it by the middle she could scarcely lift the ends off the sand, and rich and beautiful in color like dark-red tortoise-shell. The little girl looped one end of it around her head and wound the rest about her body, so that she looked a true little sea princess.

All day a fresh, cool breeze came up from the sea, so different from the air of the dreadful city. Toward evening it grew cooler yet. The wind blew more, and little shreds and patches of fog, and then larger clouds of it, hurried along over the fields. We could see them coming, away off over the water, then they reached the shore and hid the walls and the pastures, then they wrapped us up within themselves and passed us, and we saw them flying off again as if they were trying to carry a chill from the sea as far into the land as they could. And it was chilly after the sun was quite gone—not very cold, but just cool enough so that everybody thought it would be pleasant to have a bit of fire on the hearth. And when we thought a fire would be pleasant we always had it.

Of course down there we never think of making a fire of anything but driftwood. It makes the most wonderful, magical fire in the world. One could dream out stories for a whole evening from the wood alone. Here is a stick that must have been a part of a spar. Was it blown away from the mast in a gale? Now hold your breath and think if some poor sailor was blown off into the waves with it. Did he catch at this very stick as he sank? Did his wife wait and wait for him at home, till his shipmate came and told her? Here is a little piece of smooth board, with a bit of cornice fastened to the end. It must be from the wall of a cabin. Did the captain's daughter and the young mate sit under it and whisper stories to each other in the calm evenings of the voyage? There is a piece of barrel-stave. Perhaps it once held rum for the sailors' grog; it burns as if it did. There again is a float from a fisherman's net. Was the net torn when it broke away, and did the fisherman lose some fish? And because of that did his sweetheart perhaps lose a ribbon or a trinket? Then here is a broken fragment of a lobster pot. Even this might be some loss to a poor man. And not only are all these things and a hundred times as many more to be thought of, but all this wood has been soaked in the salts of the sea, and when it burns the flames are of all sorts of strange and beautiful and ghostly colors— white and red and green and blue and yellow and violet.

Everybody feels the charm of a driftwood fire. The little girl surely could not help feeling it, and she came and sat on the stool at my feet, leaned her head against my knee, and gazed at the flames without saying a word. But I answered her thought. "Yes," I said, "we may see almost anything in that fire. Look at that strip of cocoanut husk. Does it not tell of green palm-groves and sunny skies and warm breezes? Yet as it lies there on its curved side, with the two ends lifted from the hearth, has it not the shape of a galley, like those in which the rude old pirates of the North used to sweep over the sea, bringing terror to all who came in their way? It is all burnt and blackened, and right over it rises a tall flame of bright red. It is a black ship, with sails all of the color of blood. The strangest of ships it is, and it has the strangest of stories.