"Yes, you have guessed just right, and so at last somebody in our story has a name. But she is not altogether like the Venus that you have heard about so many times before. Some people used to believe that after the old gods whom you know so well had lost their rule on Mount Olympus, they went to live inside the mountains and under the ground, and that they were not kind to men any more, but always did harm, whenever they were able to do anything. Now, for myself, I don't quite see how this could be, because you know we have felt so sure that we saw some of them up in the sky sometimes. Yet now that I see Venus here, it does seem to me as if there were something in the story after all, and I believe it would be better for the knight if he had never seen her at all. If he were thinking of the princess at the time I do not believe he would look twice at Venus. No, I am sure he would not even see her once.

"But since he is not thinking of the princess, but only of what a great man he would be if he could make his songs seem as wonderful to everybody else as they seem to himself, it is not surprising that he is delighted by such a vision, and it is not surprising, either, when the goddess and her nymphs beckon to him and then glide away as if they wanted him to follow them, that he gets off his horse and does follow them. They move along so fast that he cannot keep up with them, and soon he cannot even see them, but it is still easy for him to follow. For everywhere they go the strangest flowers spring up under their feet and make a pathway to lead him. They are huge, bright flowers, cup- shaped and star-shaped and sun-shaped. Flowers of such wonderful form and size, and such gorgeous colors the knight never saw before. Some of them seem to be made of hammered gold, and some of silver; some have stamens of precious stones, and some look like clear crystal, blood- red, deep purple, or orange, as if they were cut from solid gems; some of them have petals like flames, that shimmer and glow and are reflected by the others; the leaves are all glistening emerald and they are sprinkled with pearls like drops of evening dew. The stems twine about like serpents, and they seem to the knight to move and turn about to show him all their magic splendor. Some of them, with coiling tendrils, like gold wire, sway toward him as if they would catch him and hold him, others dance and wave about on their stems and twinkle as the other stars do, up above the trees, as if they were laughing and mocking at him, and still others bow and bend away from him and beckon him on. The whole of the fire is scarcely enough to show me this strange garden. A pale, ghostly light rises from all the flowers and hovers over the path. The knight would stop to pick some of them, but those before him seem always more beautiful than those close at hand, and, besides, he is eager to follow the goddess. So on he hurries till he sees before him a way straight into the side of the mountain and within a great glare of light. If he would only think of the princess now, for one instant! But he goes straight on into the mountain, and the way shuts behind him, and outside the magic flowers are gone, and there is nothing but the soft grass, the whispering trees, the dark sky, with the stars, and the calm night.

[Illustration: "THE STRANGEST FLOWERS SPRING UP UNDER THEIR FEET.">[

"Do you see how very wrong it is for the knight to go away after the goddess into the mountain? When people let themselves be led away like that by fairies and goddesses it is usually a long time before they get back. A knight like this one, who is a minstrel as well, ought to know all about such things, and I dare say he does. He must have heard of men who went to such places and saw beautiful and wonderful sights, and feasted and danced till they thought that they had been away from their homes for a day, or a week, and then, when they went back to them, found that they had really been gone for years, perhaps for hundreds of years, and that all their friends were dead. He ought to think of his friends, the other knights and minstrels, who will be grieved when they meet and he is not with them. For his own sake he ought to know better than to run into strange and dangerous places just because they look pleasant. More than all, he ought to think of the princess. If he does not care for the prize of his song any more for itself he should care for her who is to give it. He should remember how much she loves him, little as he deserves it. She will not forget him as he does her. When she waits and waits for him and he does not come she will believe that he is dead, and she will cry her pretty eyes out. She will never think that he has gone away from her to visit a goddess of love and beauty who lives in a cave.

"Now I see the cave of the goddess, deep in the mountain. It seems dim and misty and confused at first, but gradually I can see it clearer. All around the sides and the top are great pendants of gems, like icicles, of all sorts of colors, as if the precious stones had once been liquid and had run down into the cave and then had frozen into crystal. Here and there are diamonds and rubies and opals and emeralds as big as your head, set in the roof, and they have some magical way of shining all by themselves and light up the whole cave like lamps. The ground is covered with flowers like those that made the path to lead the knight to the place. A stream of water runs from the cave and is fed by fountains in the middle. These fountains are wonderful affairs too. Sometimes they throw jets of liquid silver almost to the roof; then they fall down and spread out wide in sheets, of the color and the brightness of melted gold; again the water rises in little streams that twine and weave themselves together like basket-work, and all of deep, shining crimson; then the fountains take other fantastic forms and other colors, purple or green or orange, but always glowing with light, and so they pass to silver and to gold again.

"This is the cave of Venus. It is filled with the nymphs who attend her, and they are singing choruses in her praise, and dancing wonderful, mazy, mad, delirious dances. They whirl about and around alone, in couples, in lines, in circles, and in crowds, their arms waving and their hair streaming in the air. Sometimes while they dance every one is plainly to be seen, and again their garments surround them like clouds, and they are all one waving, streaming, fluttering mass. These mists of light robes then are like the fountains, for now they are shining white, now red or yellow or green or purple, now all the colors together, mixed and blended like broken and tangled rainbows.

"If you could see all that I see here in the fire I think you would be delighted with it, for a little while. But how do you suppose the minstrel knight likes it? He sits beside the goddess and looks at it wearily. He has seen them all so much that walls of gems and streams of gold and whirling rainbows do not please him any more. He has been here in the cave for a whole year. He sees now how wrong it was for him to come, and he is so tired of it all that he is beginning to feel that he would rather die than be among these mad pleasures any longer. But he cannot do that because nobody ever dies here. When he sees these walls of cold crystal, gleaming with the colored light from the great gems, he thinks of the broad, lovely country that he once saw, that stretched away and ended only at the blue mountains, and of the silver river that never changed to blood, or to green fire, with the clear sunlight brightening them all.

"If he tries to rest his eyes upon the great, glowing, magic flowers that cover the ground, they only make him think of the red poppies that shone out from the fields of ripening grain, and of the blue of the corn-flowers, and then he tries to think of the perfume from the flowers that filled the air after it grew still at evening. There are odors here, too, but they are so heavy and sweet that after a time it is almost a pain to smell them. He hears the rush and the dash of the fountains, and he longs for the low, merry little sound of the brook that ran along beside his road. The air here is full of music, the rich harmonies of many instruments and the voices of the nymphs who sing their choruses to Venus, but his ears are tired of the sounds, and he wishes that he might hear only the sleepy tinkle of the sheep-bells, chiming with the voice of the brook. But more than everything else he thinks of the princess. He remembers now how kind and true she was, and how much truer he ought to have been in return than he really was. He wonders if she still remembers him, if she thinks him dead, and then his heart stops, as he wonders if she herself is dead. Oh, it is a fine time now to think of these things! If he had only remembered the princess once before, instead of thinking what a great minstrel he was, he would never have followed Venus into her cave. Now he can only think of that great wrong he did and long for the fresh fields and woods, for the air, the sunlight—and the princess.

"Venus, sitting by his side, sees that he is troubled and asks him why. He tells her how much he wishes that he might see again the world he used to know, and live the life he used to live, and he begs her to let him go. She is angry at first. Has she not brought him to live here among such delights as no man before ever knew, and is he tired of them now, and does he want to escape from them? He can only say that he will never forget her or the beautiful things he has seen here, but he can never be happy here again, and if she will only let him he must go. At last she tells him that he may go. 'But you will not be happy,' she says; 'your old friends will scorn you when they know where you have been. They will never forgive you for coming here. You will find no rest, no help, no hope. Then, when you learn that you can have peace nowhere else, come back to me and stay with me forever.'

"All at once the cave, with everything in it, is gone. The knight knows how or where it went no more than I. As for him, he does not know that he has moved from his place, and as for me, the fire is burning just as it did before. Yet now I see him lying on the soft grass of a beautiful valley. Above him are the sky and the nodding branches of the trees; around are the hills. He sees and he smells the flowers that were lost to him so long. The low tinkle of the sheep-bells comes again drowsily to his ears. A little way up the hill a shepherd is playing softly on his pipe. He picks a flower and smells it, to be sure that it is all real. Then the tears come to his eyes as he thinks of all the beauty and sweetness of the life that he lost and has found again.