THE DRUDGE OF A KAYAN HOUSEHOLD.

ONE OF THE OLD, WORN-OUT DRUDGES OF A KAYAN HOUSEHOLD, WHOSE DAYS OF ACTIVE LABOR IN THE FIELDS BEING OVER, HER DUTIES CONSIST IN CARRYING UP THE WATER FOR COOKING FROM THE RIVER. IT WAS SUCH AN OLD WOMAN AS THIS WHO WAS SACRIFICED IN THE EDUCATION OF ABAN AVIT AND HIS BROTHER.

Be it borne in mind that an enemy’s head is not like the scalp of our American Indians, a mere trophy; it is an object of heartfelt veneration, an earnest of blessing to the whole community. Such is the round of life among them that a pretext for a head-hunt is readily found; the solemn ceremony of putting off the mourning for a dead Chief suggests it; or when a harvest is completed; or when a Chief takes a new wife, etc. In all these ceremonies the acquisition of new heads is of prime importance, and those, too, who did not participate in the hunt, and even very young boys, may share in the glory of this acquisition, if they will merely put on war-clothes, and before the heads are taken up into the house strike a blow at them with a parang. [The ceremonies attending head-hunts I give elsewhere.] Water sprinkled from the palm leaves, wherein the heads have been wrapped, purifies women after periods of mourning, and they may once more wear their ornaments, and bathe in the river, and the men may thereafter shave their temples. When finally hung up in the house, the heads have lost all semblance to life, and are mere blackened skulls, not exactly ornamental, it must be admitted, but by no means as repulsive as might be at first supposed.

Among the Kayans it is most strictly forbidden for any one, except the very aged, to touch these heads. Sickness, possibly death, follows a disregard of this rule; but the aged, who are at any rate on the brink of the grave, may fearlessly handle them. At a harvest festival, it is an Iban custom to take the old skulls down, and women then carry them, together with the new ones, in their dances; rice is thrust between the jaws, and arrack poured over them, that they also, to the extent of their limited capacity, may share in the feast.

[This account of Aban Avit’s conversation is more or less composite; the words which I have put into his mouth are not solely his, but there is none of them that I have not heard emphatically expressed by other natives; I have merely made one man the mouth-piece of several. The story of the sacrifice of the old woman for the moral and physical training of the boys, I have endeavored to give as I heard it.]

In the accompanying view of the veranda of Aban Avit’s house, the skulls may be seen hanging in a cluster over the fireplace around which the people are grouped. For this photograph a trap-door in the roof had to be raised to admit light. Draped over the skulls, here and there, are pieces of bark cloth and shreds of palm leaves; the framework whereon the heads are hung is made of hoops of rattan, one inside the other, so that these invaluable relics may be arranged in a thick symmetrical cluster. Among some tribes it is customary to place the skull of a rhinoceros in the centre of the group of human skulls. This animal is so ferocious and so hard to kill that it is deemed worthy of the honor. Along the roof, half across the open trap-door, is the board mentioned above, carved at its lower edge into hooks, on which visitors hang their parangs while they sit to talk or feast with the Chief. The man with his feet resting upon the edge of the fireplace is the brother of Aban Avit, and will probably succeed to the Chiefship; his word even now seems to carry great weight in all councils. At the time of taking the photograph the house was filled with guests,—a party of peace from the Baram River, on their way to the head-waters of the Tinjar to give and take pledges of friendly relationship, and to pay off and collect indemnities for the raids and slaughterings of their fathers and grandfathers.

VERANDA OF ABAN DENG’S HOUSE ON THE APOH.

THE TROPHY-SKULLS ARE HUNG FROM A DECORATED BEAM, EXTENDING ALMOST THE WHOLE LENGTH OF THE VERANDA. IN FRONT OF THE CHIEF’S DOOR SEVERAL SKULLS ARE TIED TOGETHER ON A FRAMEWORK OF RATTAN; THESE ARE POSSIBLY HIS PRIVATE COLLECTION.