“Come, I’ll show you,” he said, seeing that I hesitated which way to turn, and he led me up first to one deck and then to another, and then he pointed to a door at which a sentry was standing, and told me to go in there. I found four or five officers in the after-cabin waiting to see Captain Bumpus, who was dressing, I collected from their conversation.
Presently a frizzled out Frenchman, the very cut of a stage barber (a refugee, I heard afterwards), entered the cabin with a freshly dressed wig on a block.
“Monsieur de Captain tell me to bring his vig and put it in his cabin. I do so vid your permission, gentlemen,” he observed, as he placed it on the table, and with a profound bow took his departure.
The story went that Captain Bumpus, who was fond of good living, had only lately fallen in with poor Pierre Grenouille, and had concluded a bargain on which he prided himself exceedingly. Ostensibly Pierre was engaged to dress his dinners, but privately to dress his hair, or rather his wigs.
There was a general titter among the officers, in which I heartily joined.
Suddenly, before we had time to compose our features, a door on one side opened, and Captain Bumpus appeared in full rig, with his sword under his arm, and his cocked hat in hand, looking self-satisfied in the extreme. He started when he saw the wig block and wig, the fac-simile of the one he wore on his head.
“What’s that?” he exclaimed in a voice hoarse with rage. “Who put it there?”
No one answered, and dashing down his hat, he seized the wig block and wig, and with an exclamation of anger threw them overboard.
“Now, gentlemen,” he said, turning round and attempting to be calm, “what is it you have to say? Really this incident may seem ridiculous,” he added, seeing that there was still a suppressed titter going on, “but I detest the sight of a wig block since—you know that Highland tragedy—”
“A man overboard! a man overboard!” was heard resounding in gruff voices from above.