Chapter Four.
An Adventure on the Black Mountain, by Frances M. Wilbraham.
“Be not forgetful to entertain strangers, for thereby some have entertained angels unawares.”
“A story! Why, children, you certainly are the most persevering little beggars for a story I ever encountered! Well, a story you shall have, as your lessons were, I must say, particularly well said, this morning, and, moreover, the afternoon does look hopelessly wet.”
A chorus of thanks responded to this promise; then Janie’s demure voice was heard asking, “Is it to be a true story, aunt, about some of the foreign countries you have resided in? If so, I will bring the atlas.” Here Millie broke in eagerly, “Oh dear, I hope it is to be a romantic story, full of murders, and caverns, and nice dark-eyed bandits isn’t it, Aunt Cattie?”
Aunt Cattie smiled inwardly at the contrast between these twin sisters, yet their resemblance to their former selves when, six years before, she had visited England. It was the same Janie who, at seven years old, devoured books of geography and history, but laid down Aesop’s Fables in disgust, unable to detect truth embedded in fiction. It was the same Millie who used coaxingly to beg for stories “all about naughty children—very naughty children—and please, auntie, they mustn’t improve.” The same Janie and Millie, only a head and shoulders taller.
“It shall be a tale of the Black Mountain,” said Aunt Cattie, after a pause. “The Black Mountain, or Montenegro, is a real place, Janie, marked in the map of Turkey in Europe, yet as wild and full of horrors as Millie could desire. It is a tract of country, several miles long, in the south-east part of Dalmatia. Its western side slopes down to, or overhangs, the beautiful Adriatic Sea; the eastern, unhappily for its peace, borders on Turkey, and between its gallant but lawless Christian inhabitants and their Mahometan oppressors there has been, for centuries, war, the most merciless you can imagine. We, who lived some years in the neighbouring seaport-town of Cattaro, heard enough, and sadly too much, of their atrocities.”
During this preface to the story the girls had settled themselves with their knitting at Aunt Cattie’s feet, and Archie, their brother, at her elbow, his eyes fixed on Aunt Cattie’s animated face, and his ears “bristled up,” as Millie expressed it, in expectation of her promised narrative. It began thus:—