To the thoughtless observer the sudden leap to fame by this Colored actor looked like a streak of good luck: but not so. Years ago when Gilpin was working as a coal miner, butler, porter and many other menial jobs he was, perhaps unknown to even himself, making preparations to face some big event that his elevating aspirations pushed him on to meet. He was an actor then, but he had not found himself and his talents were undeveloped. When he organized the first Lafayette dramatic players in New York many years ago he was beginning to find and unfold himself. This unfolding continued for sometime until he was given a cast in John Drinkwater’s “Abraham Lincoln.” Then (what Gilpin knew for years but did not get a chance to show) the nation learned that in this man were the qualities and abilities of a great actor. So when the big opportunity came for Gilpin to play the principal actor in Eugene O’Neill’s play, “The Emperor Jones”, this Colored man’s previous years of hard struggles in and out of his avenues of cherished hopes had well equipped him for the place. Chance may have put him there, but luck did not keep him there. Only long preparations and the proper qualifications that are allied with those preparations can balance and keep a man on such a high and dizzy steeple point as that, and also enable him to hold a Spingarn Medal.
Some of the other Colored actors and actresses in America who have mounted high enough upon the Thespian ladder to catch glimpses of its topmost rung and are rapidly climbing thereto, are; Dick Abrams, George Allen, Mrs. Chas. Anderson, Chas. Anderson, Emmett Anthony, Austin & Delaney, “Chick” Beaman, Andrew Bishop, “Eubie” Blake, Laura Bowman, Clarence Brooks, Shelton Brooks, Teressa Brooks, Ida Brown, L. De Bulger, Jim Burris, H. B. Carter, Estelle Cash, Lawrence Chenault, Inez Clough, Lulu Coates, Julian Costello, Amon Davis, Hazel Davis, A. B. DeComathierre, Cleo Desmond, Evelyn Ellis, Ada Forman, Charlotte Freeman, Lottie Ghee, Ella Goodloe, Alice Gorgas, Richard Gregg, Lawrence Griner, Iris Hall, Harper & Blank, Grace Howell, Maud Jones, Joe Jordan, Sidney Kirkpatrick, Margeurite Lee, Tom Lemonier, Florence McClain, Irvin C. Miller, Abbie Mitchell, Lionel Monogus, Frank Montgomery, Francis Mores, Moss & Frye, Clarence Muse, Chas. Olden, Laura Prampin, Harry Prampin, Ethel Pope, Evelyn Preer, Gladys Price, Arthur Ray, “Bob” Russell, Gertrude Saunders, Seamore & Jeanette, Arthur Simmons, Nobble Sissle, “Bob” Slater, Mildrew Smallwood, Eddie Stafford, Susie Sutton, E. G. Tatum, Walker Thompson, “Babe” Townsend, Andrew Tribble, Lee Whipper, Maybelle Whitman, Fannie Wise, Eddie Brown, Marie Lucus.
Elocutionists
Some of the foremost dramatic readers and elocutionists of today are; Hallie Q. Brown, who is also president of The National Association of Colored Women, Wilberforce, Ohio, Fannie H. Clint, New York, Madame Coppage, Norfolk, Va., Henrietta V. Davis, Washington, D.C., Richard B. Harrison, Chicago, Ill., Madamme Johnson, Berkley, Cal., Maud Jones, New York, Frances E. Motin, St. Louis, Mo., Elmer L. Payne, Bethlehem, Pa., Theodore Shackelford, New York, Ruby Pelleford, Sabina, Ohio, Anna Teney, Chicago, Ill., Charles W. Wood, Tuskegee, Ala., and Alonzo Jackson, Phila., Pa., who is Founder and Principal of the Garrick Dramatic School in that city.
Red Blooded Airy Plays
Theaters of the Negro Race
Today try hard in every case
To ventilate their ceilings space
And thus save lungs within the Race.
—Harrison.
“According to J. A. Jackson, of the Billboard, Negroes support 328 Vaudeville and 611 motion pictures theatres in 21 States. The smallest theatre seats 200 and the largest 1,800. Since September, 1920, 25 new acts, 14 companies and 12 theatres have entered the field.” The above quotation is an extract from the July, 1921 issue of The Crisis. John T. Gibson, Phila., Pa. owner of the New Standard and Dunbar Theaters in that city, and Rufus G. Byars, Washington, D.C. owner and promoter of a chain of theaters, are recognized as two of the most successful theatrical owners and promoters in the Negro Race today.
The writer presents the following names as being only a few belonging to the many many foremost Colored theatrical owners, managers, promoters, editors, writers and critics, who are using their utmost talents and energies to inspire and present intelligent entertainment and clean, wholesome amusement for the Colored theatre goers:
C. P. Bailey, Clarence Bennett, E. C. Brown, Romeo L. Dougherty, E. B. Dudley, S. H. Dudley, C. H. Douglass, Hubert H. Harrison, H. J. Huey, Jas. A. Jackson, Georgia H. Jones, Tony Langston, F. M. Murray, A. B. Nordecai, E. L. Pankey, Sam E. Reevin, W. S. Scales, Jesse Shipp, Milton Starr, E. S. Stone, W. J. Styles, C. H. Turpin, Lester B. Walton, and G. Grant Williams, Deacon Johnson.
Perhaps the greatest collective sign of the rapid and wonderful progress made along executive lines by Colored theatrical promoters and performers in America is seen in the formation of at least three big organizations pertaining to their own management and welfare.